• Complain

Laura E G�mez - Inventing Latinos: A New Story of American Racism

Here you can read online Laura E G�mez - Inventing Latinos: A New Story of American Racism full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2020, publisher: New Press, genre: Politics. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

Laura E G�mez Inventing Latinos: A New Story of American Racism
  • Book:
    Inventing Latinos: A New Story of American Racism
  • Author:
  • Publisher:
    New Press
  • Genre:
  • Year:
    2020
  • Rating:
    5 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 100
    • 1
    • 2
    • 3
    • 4
    • 5

Inventing Latinos: A New Story of American Racism: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Inventing Latinos: A New Story of American Racism" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

Named One of the Best Books of the Year by NPRA timely and groundbreaking argument that all Americans must grapple with Latinos dynamic racial identity--because it impacts everything we think we know about race in AmericaLatinos have long influenced everything from electoral politics to popular culture yet many people instinctively regard them as recent immigrants rather than a longstanding racial group. In Inventing Latinos Laura Gmez a leading expert on race law and society illuminates the fascinating race-making unmaking and re-making of Latino identity that has spanned centuries leaving a permanent imprint on how race operates in the United States today.Pulling back the lens as the country approaches an unprecedented demographic shift (Latinos will comprise a third of the American population in a matter of decades) Gmez also reveals the nefarious roles the United States has played in Latin America--from military interventions and economic exploitation to political interference--that taken together have destabilized national economies to send migrants northward over the course of more than a century. Its no coincidence that the vast majority of Latinos migrate from the places most impacted by this nations dirty deeds leading Gmez to a bold call for reparations.In this audacious effort to reframe the often-confused and misrepresented discourse over the Latinx generation Gmez provides essential context for todays most pressing political and public debates--representation voice interpretation and power--giving all of us a brilliant framework to engage cultural controversies elections current events and more.

Laura E G�mez: author's other books


Who wrote Inventing Latinos: A New Story of American Racism? Find out the surname, the name of the author of the book and a list of all author's works by series.

Inventing Latinos: A New Story of American Racism — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Inventing Latinos: A New Story of American Racism" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make

INVENTING LATINOS Also by Laura E Gmez Manifest Destinies The Making of - photo 1

INVENTING LATINOS

Also by Laura E. Gmez

Manifest Destinies: The Making of the Mexican American Race

INVENTING

LATINOS

A NEW STORY OF AMERICAN RACISM

LAURA E. GMEZ

For you Dad For always being there for me for feeding my body mind - photo 2

For you, Dad.

For always being there for me;

for feeding my body, mind & soul;

for astute editing over four decades & finding the best cover art for books;

for encouraging me with lists of book titles before a word was written;

for always reminding me that, no matter where we are, were under the same moon.

CONTENTS

INVENTING LATINOS

INTRODUCTION

C ongresswoman Alexandria Ocasio-Cortez, age thirty, represents New Yorks 14th congressional district, including parts of the Bronx and Queens. The districts population, just short of 700,000, is 50 percent Latino, with Whites, Asian Americans, and African Americans each composing 12 to 18 percent. AOC, as she is known, is a member of the Democratic Socialists of America and has captured national attention as the youngest woman ever elected to Congress. She describes her race as reflecting many different identities. I am the descendant of African slaves. I am the descendant of Indigenous people. I am the descendant of Spanish colonizers. That doesnt mean Im Black, that doesnt mean Im Native. But I can tell the story of my ancestors. AOC was born in the Bronx to a Puerto Rican father also born in the Bronx and a mother born in Puerto Rico, who said AOC grew up speaking her mind in family dinner conversations.

Congressman Ben Ray Lujn, forty-eight, represents New Mexicos 3rd congressional district, spanning northern New Mexico from Santa Fe to the Colorado border, west to Arizona, and east to Texas. The districts 700,000 people are 40 percent Latino, nearly 20 percent Native American, and 36 percent White. Lujn was born in the village

Despite their different registers, AOC and Lujn represent Latinx politicians who came of age when the singularity of Latinosas distinct from non-Hispanic Whites and non-Hispanic Blacks, to use those ubiquitous, bureaucratic termsis legible on the national stage.political career; he spoke Spanish fluently and was born at San Ildefonso Pueblo (as were his parents), yet insisted he was White.

Rangel and the elder Lujn came of age when racial identity in America was a dichotomous choice, at least in the public spherewhere one had to choose White or Black. This is not to claim people had less complicated identities in the past or to deny how racism constrained their choices. It is to acknowledge, however, how utterly different things are today. Few would contest the multiplicity of racial identities and racial categories in contemporary America. It is especially the case that Americans have more choices about how to present their difference, however they define ithow they choose to convey (or veil) their identities in particular situations.

Inventing Latinos interrogates the how and why of Latinx identity becoming a distinctive racial identity. To say Latinos have different choices, individually and collectively, is to underline how race reflects two intersecting vectors. On the one hand, one can assert, and so essentially choose, a racial identity; but, on the other, racial identities are given to us by others. We might make a particular choice, but it could be disregarded by anyonefrom a stranger to a police officer deciding whether or not you belong in a particular neighborhood to a government clerk filling out race on a death certificate (because she is uncomfortable asking next of kin the question). In other words, ones choice is constrained in many ways, just as it is for other identities. But to accurately describe racial identity as situational does not fully capture the social dynamic at the heart of this book, which has as much to do with how racial conventions and racism make some peoples race less malleable than others. It is equally the case that not everyones opinion of your race is equally relevant; the cops opinion matters more than the strangers, although the latter might be a gateway to the former. So far, these examples have focused on individual interactions, or what sociologists call the micro level.

This books concern is mostly with two additional levels, the meso level and the macro level, and with how the three levels interact together. For instance, if we consider an institutional context like schooling, we know there is a particular set of ideas about race and racial classification, though, to be sure, these ideas vary and circulate in different ways. We know that it is routine in the United States for teachers, parents, and school administrators to talk about race in a demographic register (say, the make-up of the school or community) as well as a cultural register. Most often, the latter treats race in coded ways that value a color-blind notion of racethe notion that race is irrelevant to the content of ones character, viewpoints, and the like. The most abstract level, and sometimes the hardest one to pin down, is the macro, relating to social structure that is immune from individual manipulation. When we think of broad-scale social realities that shape race and racial classification, these are probably macro dynamics; examples would be the way neighborhood boundaries in a large city reflect decades of racial patterns, including explicit rules limiting what racial groups could live in particular areas; decisions by generations of city officials about where to build freeways, refuse centers, parks, and wide boulevards; decisions by private-sector actors like banks, grocery stores, and owners of rental housing about doing business in particular neighborhoods, and so on.

Websters defines the word invent as to originate or create as a product of ones own ingenuity, experimentation, or contrivance; for example, to invent the internet. While that definition does not apply here, the successive two dictionary definitions do: to produce or create with the imagination and to make up or fabricate (something fictitious or false). This book explains how and why Latinos became cognizable as a racial groupa racial group that is other and inferior to Whites. The third definition applies, though not because this book In other words, what we as interacting humans make up, create, or invent has power in our lives. To put it more bluntly: race isnt real, but racism is.

This book is less about how individual Latinos express their identity and more about where Latinos are, collectively, in the American racial system. Overall, the system of racial classification, rooted in American history, exists to maintain white supremacy. This has been the case even when the power structure dominated by Whites has bowed to pressure to protect the civil rights of African Americans and other people of color, whether during postCivil War Reconstruction or during what some call the second Reconstruction, the mid-twentieth-century enactment of the Civil Rights Act and Voting Rights Act. Racialization is how society and the state assign individuals to racial groups and the relative position of groups to each otherand it is an important aspect of this story. Racism requires racial categories and mechanisms for sorting people into them. Some mechanisms, like the U.S. census, are formally conducted by the state and tightly regulated by law. Other mechanisms, such as popular culture, are diffuse in terms of production and consumption, but no less powerful. These two examples reflect the two sides of racial sorting: assignment is when institutions classify people into racial categories, and assertion is when individuals racially define themselves.

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Inventing Latinos: A New Story of American Racism»

Look at similar books to Inventing Latinos: A New Story of American Racism. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Inventing Latinos: A New Story of American Racism»

Discussion, reviews of the book Inventing Latinos: A New Story of American Racism and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.