ROUTLEDGE LIBRARY EDITIONS: POLITICAL PROTEST
Volume 24
STAGES IN THE REVOLUTION
STAGES IN THE REVOLUTION
Political Theatre in Britain Since 1968
CATHERINE ITZIN
First published in 1980 by Eyre Methuen Ltd
This edition first published in 2022
by Routledge
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and by Routledge
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Routledge is an imprint of the Taylor & Francis Group, an informa business
1980 Catherine Itzin
Chronology 1980 Catherine Itzin
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A catalogue record for this book is available from the British Library
ISBN: 978-1-03-203038-8 (Set)
ISBN: 978-1-00-319086-8 (Set) (ebk)
ISBN: 978-1-03-204686-0 (Volume 24) (hbk)
ISBN: 978-1-03-204689-1 (Volume 24) (pbk)
ISBN: 978-1-00-319425-5 (Volume 24) (ebk)
DOI: 10.4324/9781003194255
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STAGES IN THE REVOLUTION
Political Theatre in Britain Since 1968
Catherine Itzin
First published in 1980 in simultaneous hardback and
paperback editions by Eyre Methuen Ltd,
11 New Fetter Lane,
London EC4P 4EE
Reprinted in 1982 by Methuen London Ltd
Copyright Catherine Itzin 1980
Chronology copyright Catherine Itzin 1980
Filmset by Northumberland Press Ltd
Gateshead, Tyne and Wear
Printed in Great Britain
by Richard Clay (The Chaucer Press) Ltd
Bungay, Suffolk
ISBN 0 413 39180 9 HB
0 413 46150 5 PB
This title is available in both hardback and paperback editions. The paperback is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publishers prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.
For Wojciech
To Whom It May Concern
I was run over by the truth one day.
Ever since the accident Ive walked this way
So stick my legs in plaster
Tell me lies about Vietnam.
Heard the alarm clock screaming with pain,
Couldnt find myself so I went back to sleep again
So fill my ears with silver
Stick my legs in plaster
Tell me lies about Vietnam.
Every time I shut my eyes all I see is flames.
Made a marble phone book, carved all the names
So coat my eyes with butter
Fill my ears with silver
Stick my legs in plaster
Tell me lies about Vietnam.
I smell something burning, hope its just my brains.
Theyre only dropping peppermints and daisy-chains
So stuff my nose with garlic
Coat my eyes with butter
Fill my ears with silver
Stick my legs in plaster
Tell me lies about Vietnam.
Where were you at the time of the crime?
Down by the Cenotaph drinking slime
So chain my tongue with whisky
Stuff my nose with garlic
Coat my eyes with butter
Fill my ears with silver
Stick my legs in plaster
Tell me lies about Vietnam.
You put your bombers in, you put your conscience out,
You take the human being and you twist it all about
So scrub my skin with women
Chain my tongue with whisky
Stuff my nose with garlic
Coat my eyes with butter
Fill my ears with silver
Stick my legs in plaster
Tell me lies about Vietnam.
Adrian Mitchell, Tribune 16 April 1965
Contents
Preface
Introduction
CAST (Cartoon Archetypical Slogan Theatre)
John Arden and Margaretta DArcy
AgitProp Street Players/Red Ladder
Ed Berman and Inter-Action
1969
Albert Hunt and the Bradford College of Art Theatre Group
Welfare State
Pip Simmons Theatre Group
Edward Bond
1970
David Mercer
Arnold Wesker
1971
John McGrath and 7:84 Theatre Company
Hull Truck
1972
David Edgar and The General Will
Subsidy
1973
Trevor Griffiths
The Association of Community Theatres (TACT)
1974
Howard Brenton and Portable Theatre
Belt and Braces Roadshow
1975
The Independent Theatre Council (ITC)
Equity
Joint Stock Theatre Group
Womens Theatre Group
Gay Sweatshop
Broadside Mobile Workers Theatre
Barrie Keeffe
Howard Barker
1976
The ICA Theatre
The National Theatre
Monstrous Regiment
Caryl Churchill
1977
North West Spanner
Theatre Writers Union (TWU)
1978
The Combination
David Hare
Postscript
Notes
Chronology of Productions
Select Bibliography of Plays
The main engagement took place in Sloane Square. There was a complementary action in the far east, at Stratford. These separate forces were never co-ordinated. The east relied very much on mercenaries recruited from another country. The west, although at one time there was an uneasy and short-lived alliance with France, employed the natives. The west once occupied the Palace and the Comedy, but these were not held. At this moment the east has taken Wyndhams and the Criterion. The situation is now confused. What exactly is written on that banner which the winds of expediency will so irritatingly fold? What are those charming business men doing on this side of the barricades? Is it true that some of the insurgents have been decorated by the enemy? They say the social realists and the experimentalists have fallen out. There are ugly rumours of unholy alliances. Even the citadel itself, the curiously named Royal Court, is threatened.1