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Stephen B. Shepard - Deadlines and Disruption: My Turbulent Path from Print to Digital

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Deadlines and Disruption: My Turbulent Path from Print to Digital: summary, description and annotation

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A Top Editors Take on the State of Journalism Todayand His Prescient Forecast of Its Future

This is a personal and insightful book about one of the most important questions of our time: how will journalism make the transition to the digital age? Steve Shepard made that leap bravely when he went from being a great magazine editor to the first dean of the City University of New York journalism school. His tale is filled with great lessons for us all.
Walter Isaacson, bestselling author of Steve Jobs

An insightful and convivial account of a bright, bountiful life dedicated to words, information and wonder.
Kirkus Reviews (Starred Review)

This is two compelling books in one: Shepards story of his life in print journalism, and a clearheaded look at the way journalism is evolving due to electronic media, social networking, and the ability of anyone with a computer and an opinion to make him- or herself heard.
Booklist

Shepards book will resonate with many and should be read by anyone interested in the flow of information today and its simpact on society as a whole.
Library Journal

The book is in part a memoir, a tale of a life lived at the height of print journalism when print journalism itself was at its height. But it is also an analysis, an examination of the new challenges facing an old industry as it ambles and occasionally sprints its way into the digital age.
The Washington Post

About the Book:

My personal passage is, in many ways, a microcosm of the larger struggle within the journalism profession to come to terms with the digital reckoning. Will the new technologies enhance journalism . . . or water it down for audiences with diminished attention spans? What new business models will emerge to sustain quality journalism?

Stephen B. Shepard has seen it all. Editor-in-chief of BusinessWeek for more than 20 years, Shepard helped transform the magazine into one of the most respected voices of its time. But after his departure, he saw it collapseanother victim of the digital age.

In Deadlines and Disruption, Shepard recounts his five decades in journalisma time of radical transformations in the way news is developed, delivered, and consumed. Raised in the Bronx, Shepard graduated from City College and Columbia, joined BusinessWeek as a reporter, and rose to the top editorial post. He has closed the circle by returning to the university that spawned him, founding the Graduate School of Journalism at the City University of New York.

In the digital age, anyone can be a journalist. Opinion pieces are replacing original reporting as the coin of the realm. And an entire generation is relying on Facebook friends and Twitter feeds to tell them what to read.

Is this the beginning of an irreversible slide into third-rate journalism? Or the start of a better world of interactive, multimedia journalism? Will the news industry live up to its responsibility to forge a well-informed public?

Shepard tackles all the tough questions facing journalists, the news industry, and, indeed, anyone who understands the importance of a well-informed public in a healthy democracy.

The story of Shepards career is the story of the news industryand in Deadlines andDisruption, he provides peerless insight into one of the most critical issues of our time.

Stephen B. Shepard: author's other books


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Copyright 2013 by Stephen B Shepard All rights reserved Except as permitted - photo 1

Copyright 2013 by Stephen B Shepard All rights reserved Except as permitted - photo 2

Copyright 2013 by Stephen B. Shepard. All rights reserved. Except as permitted under the United States Copyright Act of 1976, no part of this publication may be reproduced or distributed in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher.

ISBN: 978-0-07-180265-9
MHID: 0-07-180265-7

The material in this eBook also appears in the print version of this title: ISBN: 978-0-07-180264-2, MHID: 0-07-180264-9.

All trademarks are trademarks of their respective owners. Rather than put a trademark symbol after every occurrence of a trademarked name, we use names in an editorial fashion only, and to the benefit of the trademark owner, with no intention of infringement of the trademark. Where such designations appear in this book, they have been printed with initial caps.

McGraw-Hill eBooks are available at special quantity discounts to use as premiums and sales promotions, or for use in corporate training programs. To contact a representative please e-mail us at bulksales@mcgraw-hill.com.

Interior design by Lee Fukui and Mauna Eichner.

TERMS OF USE

This is a copyrighted work and The McGraw-Hill Companies, Inc. (McGraw-Hill) and its licensors reserve all rights in and to the work. Use of this work is subject to these terms. Except as permitted under the Copyright Act of 1976 and the right to store and retrieve one copy of the work, you may not decompile, disassemble, reverse engineer, reproduce, modify, create derivative works based upon, transmit, distribute, disseminate, sell, publish or sublicense the work or any part of it without McGraw-Hills prior consent. You may use the work for your own noncommercial and personal use; any other use of the work is strictly prohibited. Your right to use the work may be terminated if you fail to comply with these terms.

THE WORK IS PROVIDED AS IS. McGRAW-HILL AND ITS LICENSORS MAKE NO GUARANTEES OR WARRANTIES AS TO THE ACCURACY, ADEQUACY OR COMPLETENESS OF OR RESULTS TO BE OBTAINED FROM USING THE WORK, INCLUDING ANY INFORMATION THAT CAN BE ACCESSED THROUGH THE WORK VIA HYPERLINK OR OTHERWISE, AND EXPRESSLY DISCLAIM ANY WARRANTY, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO IMPLIED WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. McGraw-Hill and its licensors do not warrant or guarantee that the functions contained in the work will meet your requirements or that its operation will be uninterrupted or error free. Neither McGraw-Hill nor its licensors shall be liable to you or anyone else for any inaccuracy, error or omission, regardless of cause, in the work or for any damages resulting therefrom. McGraw-Hill has no responsibility for the content of any information accessed through the work. Under no circumstances shall McGraw-Hill and/or its licensors be liable for any indirect, incidental, special, punitive, consequential or similar damages that result from the use of or inability to use the work, even if any of them has been advised of the possibility of such damages. This limitation of liability shall apply to any claim or cause whatsoever whether such claim or cause arises in contract, tort or otherwise.

For Lynn, Sarah, and Ned

Contents

PART I
FOUNDATION

PART II
THE BusinessWeek YEARS

PART III
CUNY: A NEW JOURNALISM SCHOOL FOR A NEW ERA

PART IV
THE QUEST FOR NEW BUSINESS MODELS

Acknowledgments

Because memory is a tricky thinghighly selective and sometimes wrongI have tried to make this memoir as accurate as possible by reporting, fact-checking, and research. Even so, some people will inevitably remember things differently. Im reminded of the final scene in The Thin Red Line, James Joness epic novel of World War II. A group of GIs, survivors of the bloody fighting on Guadalcanal, are getting ready to leave the island. Someday one of their number would write a book about all this, Jones wrote, but none of them would believe it, because none of them would remember it that way.

This, then, is the way I remember it. Im grateful to many people who provided guidance, supplied information, or read portions of the manuscript. A few intrepid souls read the entire draft and offered many good suggestions. First off, I want to thank my agent, Amanda Urban of ICM, for her faith in the book and my editors at McGraw-Hill, Philip Ruppel, Stephanie Frerich, and Jane Palmieri, for their tender care. Im very grateful to McGraw-Hill for fact-checking the manuscript so scrupulously, catching several mistakes, inconsistencies, and lapses of memory. Ken Vittor, a good friend who is the legal counsel of McGraw-Hill, read the entire manuscript, suggesting many thoughtful changes, as well as providing legal advice on the sections dealing with the investigative stories BusinessWeek published when I was editor-in-chief.

Many others offered valuable insight and suggestions along the way. Im especially grateful to Sarah Bartlett, Merrill Brown, Ron Chernow, Marc Frons, Malcolm Frouman, Jeff Jarvis, Nick Lemann, Peter Osnos, Tom Rosenstiel, Randy Rothenberg, and Judy Watson.

I relied heavily on two terrific sources for most of the data and some of the analysis about todays media business: the Pew Research Centers Project for Excellence in Journalism, which regularly does outstanding work, and the Federal Communications Commissions detailed report The Information Needs of Communities, published in July 2011. Im also grateful to the Nieman Foundation for Journalism at Harvard for publishing a comprehensive daily newsletter about new developments in the media world. Ken Doctors regular column Newsonomics was especially helpful. I tapped many books, but two stand out as insightful and pleasurable: City on a Hill: Testing the American Dream at City College, by James Traub (1994), and Pulitzers School: Columbia Universitys School of Journalism, 19032004, by James Boylan (2003).

At CUNY, I received much help from Barbara Gray and Tinamarie Vella at the journalism schools Research Center. John Smock shot some of the photos in the book, Amy Dunkin maintained our website, Dan Reshef and Sharmela Girjanand rescued me from various technical snafus, and Marie Desir assisted in many ways. Judy Watson supplied much of the documentation and recollections about CUNYs thinking about journalism education before I arrived. Paul Moses of Brooklyn College and Glenn Lewis of York College helped fill in some early detailsas did Michael Arena at CUNY headquarters. David Crook of CUNY supplied some of the early data.

I regret I was unable to mention many of the people I knew and admired along the way, including old friends from the Bronx (notably, Ed Rosenthal), classmates at the excellent schools I attended (especially Darlene Ehrenberg), and colleagues at CUNY who did so much to make the new journalism school a success. I feel particularly grateful to the hundreds of unsung people I worked with in my 20 years as editor-in-chief of BusinessWeekthe talented group of journalists and executives who made the magazine so great during its heyday. I want to cite, in particular, the three publishers I worked with during my tenure: Jack Patten, Dave Ferm, and Bill Kupper, who were responsible for the magazines financial success and who scrupulously respected our editorial independence, even when it proved costly. And Im grateful to McGraw-Hills CEO, Terry McGraw, for his friendship and stewardship for so many years.

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