Stuart Hall - Essential Essays, Volume 2 (Stuart Hall: Selected Writings)
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Stuart Hall: Selected Writings
A Series Edited by Catherine Hall and Bill Schwarz
ESSENTIAL ESSAYS
VOLUME 2
Identity and Diaspora
Stuart Hall
Edited byDavid Morley
DUKE UNIVERSITY PRESS|DURHAM AND LONDON|2019
Essays Estate of Stuart Hall
All other material 2019 Duke University Press
All rights reserved
Printed in the United States of America on acid-free paper
Designed byAmy Ruth Buchanan
Typeset in Minion Pro by Westchester Publishing Services
Library of Congress Cataloging-in-Publication Data
Names: Hall, Stuart, [date] author. | Morley, David, [date] editor.
Title: Essential essays / Stuart Hall ; edited by David Morley.
Other titles: Foundations of cultural studies. | Identity and diaspora.
Description: Durham : Duke University Press, 2018. | Series: Stuart Hall, selected writings | Includes bibliographical references and index.
Identifiers:LCCN2018022953 (print)
LCCN2018049804 (ebook)
ISBN9781478002413 (v. 1 ; ebook)
ISBN9781478002710 (v. 2 ; ebook)
ISBN9781478000747 (v. 1 ; hardcover ; alk. paper)
ISBN1478000740 (v. 1 ; hardcover ; alk. paper)
ISBN9781478000938 (v. 1 ; pbk. ; alk. paper)
ISBN1478000937 (v. 1 ; pbk. ; alk. paper)
ISBN9781478001287 (v. 2 ; hardcover ; alk. paper)
ISBN1478001283 (v. 2 ; hardcover ; alk. paper)
ISBN9781478001638 (v. 2 ; pbk. ; alk. paper)
ISBN1478001631 (v. 2 ; pbk. ; alk. paper)
Subjects:LCSH: Sociology. | Culture.
Classification:LCC HM585 (ebook) |LCC HM585 .34 2018 (print) |301dc23
record available athttps://lccn.loc.gov/2018022953
Cover art: Dawoud Bey,Stuart McPhail Hall, 9 May 1998, diptych portrait (detail). Collection of the National Portrait Gallery, London. Dawoud Bey. Courtesy of the artist.
The essays published here represent a number of Stuart Halls better-known reflections on intellectual life and politics, which, for many of us, still live in the mind. They derive from a long period, over many years. Each is written with verve and a sense of urgency. They are, properly, essaysconceived for the moment. They have a life of their own, having shaped to varying degrees the intellectual landscape that remains our own. On these terms, they should be judged.
They were seldom conceived principally as contributions to academic thought, even while their academic impact proved significant. The overriding imperative was to clarify thought on the matter in hand and to suggest a route through the quandaries that, at the time, prevailed. In such circumstances, in Halls mind the conventions required of academic writing werent paramount. These mattered, of course, but they didnt preoccupy him. Many of the essays published here began life as talks which, when it was decided they should appear in print, were only retrospectively supplied with the academic apparatus of bibliographies and citations. As talks, or even as essays to be published, this bibliographic labor was often conducted after the event, on the run. This has led us to the conclusion that the production of a uniform text is not possible. What can be done has been done. But the retrospective reconstruction of complete bibliographic referencing is now beyond our reach.
This explains the variety of bibliographic systems that compose the volume as well as the variations in presentation. Meanwhile, in the body of the essays small additions and clarifications occur. Certain minor interpolations have been supplied to explain matters that might otherwise escape contemporary readers, and references from the original publication to companion articles, in journals or books, have been deleted. A small handful of obvious errors has been corrected, misprints dispatched, and the occasional refinement in punctuation has been introduced. But otherwise, the essays presented here remain as they were when they first entered public life.
Catherine Hall
Bill Schwarz
Series Editors
Thanks to Les Back, Kuan-Hsing Chen, and David Scott for agreeing to the republication of their interviews with Stuart Hall. The editor is grateful to Leanne Benford, Vana Goblot, Christian Hgsbjerg, and James Taylor for their help with the script, and to Nick Beech for letting me draw from his indispensable bibliography. Bill Schwarz is owed much more than gratitude, as without all his help the book would simply not exist. We owe more than we can say to Ken Wissoker, who with intellectual insight, labor, and goodwill has brought the Stuart Hall: Selected Writings series to life. Thanks as well to the team at Duke, particularly Elizabeth Ault and Christi Stanforth.
Stuart Hall was born in Kingston, Jamaica, in 1932 into an aspirant middle-class brown Jamaican family. He was always conscious of the overbearing complexity of what he later came to call the pigmentocracy of Jamaican society. Skin color was a crucial issuehe was conscious of being known as the blackest member of his own family, and his mothers censorious reaction to his sisters attempt to build a relationship with a boyfriend who was considered to be too black created a familial crisis that remained vivid in Stuarts mind throughout his life. All of that, as he explained at various points, made him feel that he had to escape the Caribbean if he was to survive. Having received a classically British formal education at a prestigious institutionJamaica College in Kingstonhe duly won a Rhodes Scholarship, which enabled him to escape from Jamaica, and arrived at Oxford University in 1951 to study English literature.
His accounts of the initial train ride, following his arrival, through the English countryside en route to Oxford stressed how very much at home he felt in many waysbeing thoroughly familiar with the English landscape from the novels of Thomas Hardy. However, at Oxford he soon realized that although he could easily study English culture on the page, he could never completely belong there, being so fundamentally formed by the colonial experience of Jamaica. He was, he came to realize, simply one member of a particular generation of postwar migrantsstarting with those who arrived in the UK on the ship the Empire Windrush in 1948and who, he said, he knew constituted his prime subject, ever since he met them coming out of Paddington Station, off the boat trains. To that extent, he was part of a massive demographic and cultural change in the composition of the population of Britain, and in some ways he always remained, in part, an outsider, a familiar stranger in a liminal position with a fundamentally migrant/diasporic perspective on the culture of the country in which he lived most of his life. His subjectivity was formed not only on the edges of the British empire but on the edges of the West itself.
Having rapidly involved himself with left-wing politics while at Oxford, becoming a key figure in the emergence of what became known as the New Left, he also (as he put it) found himself dragged into Marxism backwardssimultaneously opposed to the Soviet tanks in Budapest and to the Anglo-French paratroopers dispatched to the Suez Canal. In the crucial (and for Stuart, politically formative) moment of 1956, when those crises in Hungary and Egypt shook the foundations of both of the Cold War empires, he and his fellow postcolonials found it necessary (rather in the spirit of the Non-Aligned Movement of the time) to begin deconstructing the Eurocentric prejudices of the very Marxism to which they had initially been attracted. Only thus could they address the questions at stake in the emerging post-imperial politics of the era, as movements for national independence grew in strength everywhere.
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