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Michael Stewart Foley - Citizen Cash: The Political Life and Times of Johnny Cash

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A leading historian argues that Johnny Cash was the most important political artist of his time

Johnny Cash was an American icon, known for his level, bass-baritone voice and somber demeanor, and for huge hits like Ring of Fire and I Walk the Line. But he was also the most prominent political artist in the United States, even if he wasnt recognized for it in his own lifetime, or since his death in 2003.

Then and now, people have misread Cashs politics, usually accepting the idea of him as a walking contradiction. Cash didnt fit into easy political categoriesliberal or conservative, Republican or Democrat, hawk or dove. Like most people, Cashs politics were remarkably consistent in that they were based not on ideology or scripts but on empathyemotion, instinct, and identification.

Drawing on untapped archives and new research on social movements and grassroots activism, Citizen Cash offers a major reassessment of a legendary figure.

Michael Stewart Foley: author's other books


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This is an important reassessment of one of American musics greatest - photo 1

This is an important reassessment of one of American musics greatest - photo 2

This is an important reassessment of one of American musics greatest performers, revealing a complex artist of the first magnitude who used his art and empathy to parse for him the contradictory times he immortalized in his work.

Ken Burns, filmmaker

Michael Stewart Foley has written a book about Johnny Cash, and I cannot think of a better match of an author and subject. Foley shows how Cashs deep reserves of empathy and insight made him an artist for his time (and ours). This book will change how you think about Johnny Cash.

John McMillian, professor of history at Georgia State University and author of Beatles vs. Stones

In this compelling biography, Michael Stewart Foley recovers the Man in Black as a prophetic political voice who used his microphone to plead the case of ordinary Americans, criticize the powerful, and prod his listeners to envision a better world. He shows how Johnny Cash combined empathy and entertainment, bringing together religion, a country vernacular, and lyricism to challenge injustice and inequality in a country that he loved. This is a moving, important book.

Thomas J. Sugrue, New York University

Certain old-timers in Nashville talk about Johnny Cash with a particular and complex form of respect. I had to read this book to find out why and am left with my own respect for its author.

Ben Ratliff, author of Every Song Ever

From the New Deal to the Nixon presidency, Michael Stewart Foley weaves Johnny Cash into the historical fabric of the twentieth century. With his usual sharp insight and keen eye for storytelling, Foley artfully crafts Citizen Cash as a biography, a music history, and a cultural diagnosis. Political currents ripped left and right in Cashs America, but the iconic singer navigated the roiling waters with a common-sense empathy for the underdog and suspicion of the powerful. Foley gives us Cash the public citizen, a ballast for the nation as it came together and then came apart.

Robert O. Self, Brown University

History is written for an era as much as about one, and historian Michael Foley has given us a Johnny Cash that speaks to our divided nation. Foleys Cash offers a politics of empathy that transcends political division; he is a man shaped by the particulars of history, but also a man capable of change. Foley beautifully combines historical biography with his knowledge of Cashs music and its context. This is masterful work!

Beth Bailey , author of Sex in the Heartland

Citizen Cash is a big-hearted book about a big-hearted artist making his way through a complicated nation. A refreshing, healing examination of what Michael Foley calls Cashs politics of empathy. In Foleys compassionate take on the Man in Black, we get an earthy sense of public citizenship that was as deep as the mans voice. Read it and feel better about who we are as a diverse people in a troubled land.

Jefferson Cowie, author of Stayin Alive: The 1970s and the Last Days of the Working Class

Most of us remember Johnny Cash as a country music star, a celebrity who projected a loner, outlaw persona. Michael Stewart Foley has done an excellent tear-down of that image by focusing on a key virtue of Cashhis immense empathy for the underdog. Foley draws our attention to the many complexities of Casha man full of religious faith, memories of a troubled family, and a fear of what wars can do to the people who fight them. Citizen Cash shows us a man who made empathy into art while responding to the historical crises America faced during the late 1960s. Well done, and a fun read as well.

Kevin Mattson, author of Were Not Here to Entertain

What does it mean to be a political artist? For an artist to be political? In a timely and finely researched meditation on Cashs takes on incarceration, Native rights, racism, and the war in Vietnam, Foley embraces the messiness of politics in public. We get Cash the researcher, Cash the documentarian, Cash the curator, and Cash the empath. We get a book that re-establishes Cash as a fascinating prism for looking though some of the most urgent issues still haunting American political life.

Josh Kun, author of Audiotopia: Music, Race, and America

Front Porch Politics:
The Forgotten Heyday of American Activism in the 1970s and 1980s

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Draft Resistance During the Vietnam War

Dead Kennedys Fresh Fruit for Rotting Vegetables (33 )

Dear Dr. Spock:
Letters about the Vietnam War to Americas Favorite Baby Doctor

Copyright 2021 by Michael Stewart Foley

Cover design by Ann Kirchner

Cover image: Johnny Cash at Grandfather Mountain, in the Hugh Morton Photographs and Films #P0081, 1974, North Carolina Collection, University of North Carolina Library at Chapel Hill

Cover copyright 2021 by Hachette Book Group, Inc.

Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture.

The scanning, uploading, and distribution of this book without permission is a theft of the authors intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact permissions@hbgusa.com. Thank you for your support of the authors rights.

Basic Books

Hachette Book Group

1290 Avenue of the Americas, New York, NY 10104

www.basicbooks.com

First Edition: December 2021

Published by Basic Books, an imprint of Perseus Books, LLC, a subsidiary of Hachette Book Group, Inc. The Basic Books name and logo is a trademark of the Hachette Book Group.

The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to www.hachettespeakersbureau.com or call (866) 376-6591.

The publisher is not responsible for websites (or their content) that are not owned by the publisher.

Library of Congress Cataloging-in-Publication Data

Names: Foley, Michael S. author.

Title: Citizen Cash : the political life and times of Johnny Cash / Michael Stewart Foley.

Description: First edition. | New York : Basic Books, 2021. | Includes bibliographical references and index. |

Identifiers: LCCN 2021015580 | ISBN 9781541699571 (hardcover) | ISBN 9781541699564 (ebook)

Subjects: LCSH: Cash, JohnnyCriticism and interpretation. | Cash, JohnnyPolitical activity. | Cash, JohnnyPolitical and social views. | Country musicPolitical aspectsHistory20th century.

Classification: LCC ML420.C265 F65 2021 | DDC 782.421642092dc23

LC record available at https://lccn.loc.gov/2021015580

ISBNs: 9781541699571 (hardcover), 9781541699564 (ebook)

E3-20211025-JV-NF-ORI

In memory of my brother,
Kurt Michael Foley

Everything is political. It just sounds worse if you call it political. I mean, were talking about life and death and the things that matter.

KRIS KRISTOFFERSON

He had great feeling for the downtrodden and for those who were marginalized from society. He had empathy for the suffering of others all his political views came from that empathy.

ROSANNE CASH

T he only time Ive ever set foot in a high-end auction house was to see the estate of Johnny Cash and June Carter Cash sold off in 2004 at Sothebys. As an early career historian, working at a public university in the most expensive city in America, I could never hope to afford to take home a prized country music artifact. But I was there for research.

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