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Sandra H. Dudley - Displaced Things in Museums and Beyond: Loss, Liminality and Hopeful Encounters

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Displaced Things in Museums and Beyond: Loss, Liminality and Hopeful Encounters: summary, description and annotation

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Displaced Things in Museums and Beyond looks anew at the lives, effects and possibilities of things. Starting from the perspectives of things themselves, it outlines a particular, displacement approach to the museum, anthropology and material culture.

The book explores the ways in which the objects are experienced in their present, displaced settings, and the implications and potentialities they carry. It offers insights into matters of difference and the hope that may be offered by transformative encounters between persons and things. Drawing on anthropological studies of ritual to conceptualise and examine displacement and its implications and possibilities, Dudley develops her arguments through exploration of displaced objects now in museums and dislocated or exiled from their prior geographical, historical, cultural, intellectual and personal contexts. The books approach and conclusions are relevant far beyond the museum, showing that even in the most difficult of circumstances there is agency, distinction and dignity in the choices and impacts that are made, and that things and places as well as people have efficacy and potency in those choices.

In Displaced Things, displacement emerges as fundamental to understanding the lives of things and their relationships with human beings, and the places, however defined, that they make and pass within. The book will be essential reading for academics and students engaged in the study of museums, heritage, anthropology, culture and history.

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DISPLACED THINGS IN MUSEUMS AND BEYOND Displaced Things in Museums and - photo 1
DISPLACED THINGS IN MUSEUMS AND BEYOND
Displaced Things in Museums and Beyond looks anew at the lives, effects and possibilities of things. Starting from the perspectives of things themselves, it outlines a particular, displacement approach to the museum, anthropology and material culture.
The book explores the ways in which the objects are experienced in their present, displaced settings, and the implications and potentialities they carry. It offers insights into matters of difference and the hope that may be offered by transformative encounters between persons and things. Drawing on anthropological studies of ritual to conceptualise and examine displacement and its implications and possibilities, Dudley develops her arguments through exploration of displaced objects now in museums and dislocated or exiled from their prior geographical, historical, cultural, intellectual and personal contexts. The books approach and conclusions are relevant far beyond the museum, showing that even in the most difficult of circumstances there is agency, distinction and dignity in the choices and impacts that are made, and that things and places as well as people have efficacy and potency in those choices.
In Displaced Things, displacement emerges as fundamental to understanding the lives of things and their relationships with human beings, and the places, however defined, that they make and pass within. The book will be essential reading for academics and students engaged in the study of museums, heritage, anthropology, culture and history.
Sandra H. Dudley is Professor of Museum Anthropology and Head of the School of Museum Studies, University of Leicester. Her research is focused in Southeast Asia and South Asia (Myanmar, Thailand, India) and the UK. She is author of Materialising Exile (2010), editor of Museum Materialities (2010) and Museum Objects (2012), and co-editor of Textiles from Burma (2003), The Thing about Museums (2011) and Narrating Objects, Collecting Stories (2012).
First published 2021
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
and by Routledge
52 Vanderbilt Avenue, New York, NY 10017
Routledge is an imprint of the Taylor & Francis Group, an informa business
2021 Sandra H. Dudley
The right of Sandra H. Dudley to be identified as author of this work has been asserted by her in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloging-in-Publication Data
Names: Dudley, Sandra H., author.
Title: Displaced things in museums and beyond : loss, liminality and hopeful encounters / Sandra H. Dudley.
Description: New York : Routledge, 2020. |
Includes bibliographical references and index.
Identifiers: LCCN 2020027107 (print) | LCCN 2020027108 (ebook) |
ISBN 9780415840460 (hardback) | ISBN 9780415840477 (paperback) |
ISBN 9781315678832 (ebook) | ISBN 9781317392378 (adobe pdf) |
ISBN 9781317392361 (epub) | ISBN 9781317392354 (mobi)
Subjects: LCSH: Material culture--Philosophy. | Museums--Philosophy. |
Displacement (Psychology) | Burma--Antiquities. | Kayah (Southeast Asian people)--Material culture. | Cultural property--Protection--Moral and ethical aspects. | Antiquities--Collection and preservation--Moral and ethical aspects. | Museums--Acquisitions--Social aspects.
Classification: LCC GN406 .D83 2020 (print) | LCC GN406 (ebook) |
DDC 306.4/6--dc23
LC record available at https://lccn.loc.gov/2020027107
LC ebook record available at https://lccn.loc.gov/2020027108
ISBN: 978-0-415-84046-0 (hbk)
ISBN: 978-0-415-84047-7 (pbk)
ISBN: 978-1-315-67883-2 (ebk)
Typeset in Bembo
by Taylor & Francis Books
You are never lost, until you dont know where you came from, where you are and who you are.
Simon, Sudanese refugee (IRC 2008).
This is for you, Simon Gill, with love.
CONTENTS
PART I
Departures
1Displaced things
2Separated things
PART II
Liminality
3Representational things
4Subjunctive things
PART III
Transformations
5Hopeful things
  1. 1Displaced things
  2. 2Separated things
  3. PART IILiminality
  4. 3Representational things
  5. 4Subjunctive things
  6. PART IIITransformations
  7. 5Hopeful things
  1. vi
  1. 2.1Individuals linked to the Seligman collection and with additional associations to other, non-Seligman-related objects acquired by the University of Oxfords Pitt Rivers Museum before 1950.
  2. 2.2Thu-nge-daw (page-boy) figure, lacquered and gilded wood. From one of Thibaw Mins thrones, Mandalay Palace, Myanmar (Burma). Donated to the museum in 1889 by Capt. Richard Carnac Temple. 1889.29.53. Pitt Rivers Museum, University of Oxford.
  3. 2.3The Lion Throne, National Museum, Yangon, Myanmar. Jonathan Harrison, 2017.
  4. 2.4Detail of part of the centre of the striking surface of a bronze frog drum on display in the Kayah State Museum, Loikaw, Myanmar. Photograph by Sandra H. Dudley, 2014.
  5. 2.5Detail of a frog on the edge of the striking surface of a bronze frog drum on display in the Kayah State Museum, Loikaw, Myanmar. Marshall (1922 [1997]: 116) quotes Sau Kau-Too and Wade (1847: 327) in claiming that the more frogs on a drum, the more expensive it is to buy. Photograph by Sandra H. Dudley, 2014.
  6. 2.6Representation of the striking surface of a frog drum on the KNPP flag in 1997. The frog drum has a central 12-pointed star, four frogs and four fish in an outer circle. Photograph by Sandra H. Dudley, 1997.
  7. 2.7Karenni frog drums hanging in the Kayah State Museum musical instrument gallery, Loikaw, Myanmar. Photograph by Sandra H. Dudley, 2018.
  8. 3.1Thibaw Mins Lion Throne, Hall of Audience, Mandalay Palace, Myanmar. Photograph by Willoughby Wallace Hooper (18371912), December 1885. The British Library Board, 312 (25).
  9. 3.2Thibaw Mins Lion Throne, Mandalay Palace, Myanmar. Notably, the pageboys and lion figures have now all gone (cf. Figure 3.1). This image also shows the here partially closed doors at the back of the publically visible part of the throne. Photograph probably by Felice Beato (18321909), c. 1890. The British Library Board, 15/6(27).
  10. 3.3Thibaw Min and Queen Supayalat, enthroned and wearing their royal dress. These elaborate, golden costumes are now on display in the National Museum of Myanmar, Yangon. Unknown photographer, Myanmar Historical Archive. Wikimedia Commons, https://commons.wikimedia.org/wiki/File:Queen_Supayalat_and_King_Thibaw.jpg#filelinks, accessed 27/04/20.
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