Film in Contemporary Southeast Asia
This book discusses contemporary film in all the main countries of Southeast Asia and the social practices and ideologies that films either represent or oppose. It shows how film acquires signification through cultural interpretation and how film also serves as a site of contestations between social and political agents seeking to promote, challenge or erase certain meanings, messages or ideas from public circulation. A unique feature of the book is that it focuses as much on films as it does on the societies from which these films emerge: it considers the reasons for film-makers taking the positions they take; the positions and counter-positions taken; the response of different communities; and the extent to which these interventions are connected to global flows of culture and capital.
The wide range of subjects covered includes documentaries as political interventions in Singapore; political film collectives in the Philippines; films about prostitution in Cambodia; patriotism in Malaysia; and the Chinese in Indonesia. The book analyses films from Burma, Laos, Cambodia, Vietnam, Thailand, Malaysia, Singapore, Indonesia and the Philippines, across a broad range of productions such as mainstream and independent features across genres (for example comedy, patriotic, political and historical), alongside documentary, classic and diasporic films.
David C. L. Lim is Senior Lecturer at the Open University Malaysia, where he manages and teaches courses in Literary and Cultural Studies.
Hiroyuki Yamamoto is Associate Professor at the Center for Integrated Area Studies, Kyoto University, Japan.
Media, Culture and Social Change in Asia
Series Editor: Stephanie Hemelryk Donald
RMIT University Melbourne
Editorial Board:
Devleena Ghosh, University of Technology, Sydney
Yingjie Guo, University of Technology, Sydney
K.P. Jayasankar, Unit for Media and Communications, Tata Institute of Social Sciences, Bombay
Vera Mackie, University of Melbourne
Anjali Monteiro, Unit for Media and Communications, Tata Institute of Social Sciences, Bombay
Laikwan Pang, Chinese University of Hong Kong
Gary Rawnsley, University of Leeds
Ming-yeh Rawnsley, University of Leeds
Adrian Vickers, University of Sydney
Jing Wang, MIT
The aim of this series is to publish original, high-quality work by both new and established scholars in the West and the East, on all aspects of media, culture and social change in Asia.
1 Television Across Asia
Television industries, programme formats and globalisation
Edited by Albert Moran and Michael Keane
2 Journalism and Democracy in Asia
Edited by Angela Romano and Michael Bromley
3 Cultural Control and Globalization in Asia
Copyright, piracy and cinema
Laikwan Pang
4 Conflict, Terrorism and the Media in Asia
Edited by Benjamin Cole
5 Media and the Chinese Diaspora
Community, communications and commerce
Edited by Wanning Sun
6 Hong Kong Film, Hollywood and the New Global Cinema
No film is an island
Edited by Gina Marchetti and Tan See Kam
7 Media in Hong Kong
Press freedom and political change 19672005
Carol P. Lai
8 Chinese Documentaries
From dogma to polyphony
Yingchi Chu
9 Japanese Popular Music
Culture, authenticity and power
Carolyn S. Stevens
10 The Origins of the Modern Chinese Press
The influence of the Protestant missionary press in late Qing China
Xiantao Zhang
11 Created in China
The great new leap forward
Michael Keane
12 Political Regimes and the Media in Asia
Edited by Krishna Sen and Terence Lee
13 Television in Post-Reform China
Serial dramas, Confucian leadership and the global television market
Ying Zhu
14 Tamil Cinema
The cultural politics of Indias other film industry
Edited by Selvaraj Velayutham
15 Popular Culture in Indonesia
Fluid identities in post-authoritarian politics
Edited by Ariel Heryanto
16 Television in India
Satellites, politics and cultural change
Edited by Nalin Mehta
17 Media and Cultural Transformation in China
Haiqing Yu
18 Global Chinese Cinema
The culture and politics of hero
Edited by Gary D. Rawnsley and Ming-Yeh T. Rawnsley
19 Youth, Society and Mobile Media in Asia
Edited by Stephanie Hemelryk
Donald, Theresa Dirndorfer
Anderson and Damien Spry
20 The Media, Cultural Control and Government in Singapore
Terence Lee
21 Politics and the Media in Twenty-First Century Indonesia
Edited by Krishna Sen and David T. Hill
22 Media, Social Mobilization and Mass Protests in Post-colonial Hong Kong
The power of a critical event
Francis L. F. Lee and Joseph M. Chan
23 HIV/AIDS, Health and the Media in China
Imagined immunity through racialized disease
Johanna Hood
24 Islam and Popular Culture in Indonesia and Malaysia
Edited by Andrew N. Weintraub
25 Online Society in China
Creating, celebrating, and instrumentalising the online carnival
Edited by David Kurt Herold and Peter Marolt
26 Rethinking Transnational Chinese Cinemas
The Amoy-dialect film industry in Cold War Asia
Jeremy E. Taylor
27 Film in Contemporary Southeast Asia
Cultural interpretation and social intervention
Edited by David C. L. Lim and Hiroyuki Yamamoto
This edition published 2012
by Routledge
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Simultaneously published in the USA and Canada
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Routledge is an imprint of the Taylor & Francis Group, an informa business
2012 David C. L. Lim and Hiroyuki Yamamoto for selection and editorial material. Individual chapters, the contributors.
The right of David C. L. Lim and Hiroyuki Yamamoto to be identified as authors of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
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British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloging in Publication Data
Film in contemporary Southeast Asia/edited by David C. L. Lim and
Hiroyuki Yamamoto.
p. cm. (Media, culture and social change in Asia)