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Ursula Huws - Labor in the Global Digital Economy: The Cybertariat Comes of Age

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For every person who reads this text on the printed page, many more will read it on a computer screen or mobile device. Its a situation that we increasingly take for granted in our digital era, and while it is indicative of the novelty of twenty-first-century capitalism, it is also the key to understanding its driving force: the relentless impulse to commodify our lives in every aspect.

Ursula Huws ties together disparate economic, cultural, and political phenomena of the last few decades to form a provocative narrative about the shape of the global capitalist economy at present. She examines the way that advanced information and communications technology has opened up new fields of capital accumulation: in culture and the arts, in the privatization of public services, and in the commodification of human sociality by way of mobile devices and social networking. These trends are in turn accompanied by the dramatic restructuring of work arrangements, opening the way for new contradictions and new forms of labor solidarity and struggle around the planet. Labor in the Global Digital Economy is a forceful critique of our dizzying contemporary moment, one that goes beyond notions of mere connectedness or free-flowing information to illuminate the entrenched mechanisms of exploitation and control at the core of capitalism.

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Labor in the Global Digital Economy

LABOR IN THE GLOBAL
DIGITAL ECONOMY

The Cybertariat Comes of Age

by URSULA HUWS

Copyright 2014 by Ursula Huws All Rights Reserved Library of Congress - photo 1

Copyright 2014 by Ursula Huws

All Rights Reserved

Library of Congress Cataloging-in-Publication Data available from the publisher.

978-1-58367-463-5 pbk

978-1-58367-464-2 cloth

Typeset in Minion Pro 11/14

Monthly Review Press

146 West 29th Street, Suite 6W

New York, New York 10001

www.monthlyreview.org

5 4 3 2 1

Contents

The Destruction of Occupational Identities in
the Knowledge-Based Economy

Work, Identity, and the Spatial Division of Labor in
the Twenty-First-Century City

4. THE GLOBALIZATION OF LABOR AND THE ROLE
OF NATIONAL GOVERNMENTS

Introduction

In 2003, Monthly Review Press published a collection of my essays dating back to the late 1970s under the title The Making of a Cybertariat: Virtual Work in a Real World. This collection continues where that one left off, bringing together essays written between 2006 and 2013, a tumultuous period in the history of capitalism and the organization of labor.

In the earlier collection, one of my central themes was capitalisms extraordinary ability to survive the crises that periodically threaten to destroy it by generating new commodities. Just at the point when its logic of expansion seems destined to generate a saturation of markets and a consequent crisis of profitability, it finds fresh areas of life to bring within its scope, generating new forms of production of new goods and services for which new markets can be created. These phases are often associated with the diffusion of new technologies. In the early twentieth century, for instance, the spread of electricity gave rise to a wave of new commodity development based on domestic labor (such as vacuum cleaners, washing machines, and refrigerators) or entertainment (such as radios, film projectors, or phonographs and the films and records that provided them with content). In the process novel forms of production were generated, but so too were novel forms of consumption. While new kinds of paid work were created, domestic labor was increasingly transformed into what I termed consumption work, sucking ever more activities out of the private sphere of direct interpersonal interaction and bringing them into a public marketplace. The more workers become dependent on these new commodities to survive from one day to the next, the greater their need for a source of income to pay for them, tightening capitalisms grasp on their lives still further. Yet such innovations are, on the whole, adopted willingly and enthusiastically. There is an almost irresistible appeal in their novelty, modernity, and convenience, their increasing cheapness, the promise they hold out of saving time and labor, and the lure of possessing something that was previously a luxury only the rich could afford. And those who do resist, positioning themselves thereby as old-fashioned, technologically inept, conservative, or even Luddite, quickly find that so many features of social and economic life are designed on the assumption that everyone now has these new commodities that survival without them becomes ever more difficult. The last volume charted some of the impacts of these developments on labor, both paid and unpaid, in a context in which capitalism was not only expanding in terms of the areas of life it embraced, but also in its geographical scope.

We have now entered a period, I argue here, when new waves of commodification set in motion in earlier periods are reaching maturity. The new commodities have been generated by drawing into the market even more aspects of life that were previously outside the money economy, or at least that part of it that generates a profit for capitalists. Several such fields of accumulation have now emerged, each with a different method of commodity genesis, forming the basis of new economic sectors and exerting distinctive impacts on daily life, including labor and consumption. They include biology, art and culture, public services, and sociality.

I use the term biology to refer to the way that life itself, in the form of plants and animals and the DNA that makes them up, is exploited to produce commodities such as new drugs and genetically engineered forms of food. This is a vast and expanding field, with huge implications for many aspects of life. I mention it only in passing and do not go into detail here, because, although I believe it to be very important, I have done no research in this area and have little to add to the interesting debates taking place elsewhere. I concentrate now on three other fields: art and culture, public services, and sociality.

The commodification of art and culture is the continuation of a process with a long history. Artistic work has been paid labor for centuries, and cultural commodities also have a long pedigree, produced under a variety of social and contractual conditions. What has changed in recent years has been the scale of their incorporation into capitalist productive relations, the concentration of capital in these sectors, and the introduction of a global division of labor into the production of cultural commodities. The concentration of ownership among a few transnational companies has been encouraged by technological developments that have enabled a convergence between activities that were formerly dispersed across different industries. Newspaper and book publishing, television, film, record, and games production, and other content-generating industries have merged seamlessly with each other and with distribution companies and infrastructure providers to create corporate behemoths that bestraddle a wide range of activities, interlinking the efforts of creative workers with many other technical, clerical, managerial, and service workers across the globe in ever-changing configurations. I analyze creative work at greater length in .

In the late twentieth century, the income and working conditions of writers, film-makers, musicians were largely dictated by the terms they could negotiate with vertically organized film companies, record companies, and publishers whose profits were directly linked to the sale or distribution of commodities such as films, records, CDs, books, and magazines. Now the markets are increasingly dominated by companies that produce hardware .

The commodification of public services has followed a rather different route, although there are strong connections and traces the development of the commodification of public services, linking it to the global restructuring of value chains that is described in earlier chapters.

It is perhaps my next category of new commodification, sociality, that is the most mind-boggling in its implications when considered as the basis of new commodities and new industries. The human needs to flirt and talk and share jokes and commiserate and keep in touch with friends and family must have seemed to our ancestors to be as basic as the needs for animals to nuzzle up to one another. Surely, they would have thought, these must be impervious to the hard cold laws of capitalism; how could they possibly provide a source for corporate profit? I suspect that many people still cling to an idea that their personal relationships lie in a private realm of affect and authenticity beyond the reach of the market. Yet the most cursory glance at almost any group of people in almost any social situation in the developed world shows how illusory such notions now are.

Here are just four snapshots drawn, more or less at random, from my own recent observations.

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