A novelist who gains in range and reputation with every book Pat Barker, Sunday Times
Packed with brilliant comic set-pieces his affectionate nostalgia for student life has you cringeing in embarrassed recognition. And no-one, save perhaps David Lodge, marries formal ingenuity with inclusiveness of tone more elegantly Time Out
Coe navigates the river Lethe with intelligence and verve, never allowing the more metaphysical aspects of his tale to interfere with a cracking good plot and a fine cast of characters The House of Sleep never disappoints Coe has once again produced a dream of a novel The Times
Skill, verve and range there are bits which make you laugh out loud and others which make your heart ache Guardian
A book of many marvels Coe has a genius for making characters so immediate, so frail and yet courageous that one is overwhelmed by the urge to give them a huge hug The Oldie
Jonathan Coe was born in Birmingham in 1961. His most recent novel is The Rain Before It Falls. He is also the author of The Accidental Woman, A Touch of Love, The Dwarves of Death, What a Carve Up!, which won the 1995 John Llewellyn Rhys Prize, The House of Sleep, which won the 1998 Prix Mdicis tranger, The Rotters Club, winner of the Everyman Wodehouse Prize, and The Closed Circle. His biography of the novelist B.S. Johnson, Like a Fiery Elephant, won the 2005 Samuel Johnson Prize for best non-fiction book of the year. He lives in London with his wife and two children.
JONATHAN COE
THE HOUSE OF SLEEP
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First published by Viking 1997
First published in Penguin Books 1998
This edition published 2008
1
Copyright Jonathan Coe, 1997
All rights reserved
The author and publisher wish to thank the following for permission to reprint copyright
material: HarperCollins for an extract from The Echoing Grove by Rosamond Lehmann;
Good Morning Heartache, words and music by Irene Higinbotham, Ervin Drake and Dan
Fisher. Copyright 1946 Northern Music Corporation/MCA Music Inc., USA. MCA
Music Ltd, 77 Fulham Palace Road, London W6. Used by permission of Music Sales Ltd.
All rights reserved. International copyright secured; Routledge & Kegan Paul for extracts
from Gravity and Grace by Simon Weil (trans. Emma Craufurd)
The moral right of the author has been asserted
Except in the United States of America, this book is sold subject
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978-0-14-191834-1
Contents
Authors note
The odd-numbered chapters of this novel are set mainly in the years 19834.
The even-numbered chapters are set in the last two weeks of June, 1996.
I do get confused about time. If one loses ones emotional focus she stopped, struggled, went on huskily thats what happens. Aeons split seconds they interchange. One gets outside the usual way of counting.
Rosamond Lehmann, The Echoing Grove
Awake
I
It was their final quarrel, that much was clear. But although he had been anticipating it for days, perhaps even for weeks, nothing could quell the tide of anger and resentment which now rose up inside him. She had been in the wrong, and had refused to admit it. Every argument he had attempted to put forward, every attempt to be conciliatory and sensible, had been distorted, twisted around and turned back against him. How dare she bring up that perfectly innocent evening he had spent in The Half Moon with Jennifer? How dare she call his gift pathetic, and claim that he was looking shifty when he gave it to her? And how dare she bring up his mother his mother, of all people and accuse him of seeing her too often? As if that were some sort of comment on his maturity; on his masculinity, even
He stared blindly ahead, unconscious of his surroundings or of his fellow pedestrians. Bitch, he thought to himself, as her words came back to him. And then out loud, through clenched teeth, he shouted, BITCH!
After that, he felt slightly better.
Huge, grey and imposing, Ashdown stood on a headland, some twenty yards from the sheer face of the cliff, where it had stood for more than a hundred years. All day, the gulls wheeled around its spires and tourelles, keening themselves hoarse. All day and all night, the waves threw themselves dementedly against their rocky barricade, sending an endless roar like heavy traffic through the glacial rooms and mazy, echoing corridors of the old house. Even the emptiest parts of Ashdown and most of it was now empty were never silent. The most habitable rooms huddled together on the first and second floors, overlooking the sea, and during the day were flooded with chill sunlight. The kitchen, on the ground floor, was long and L-shaped, with a low ceiling; it had only three tiny windows, and was swathed in permanent shadow. Ashdowns bleak, element-defying beauty masked the fact that it was, essentially, unfit for human occupation. Its oldest and nearest neighbours could remember, but scarcely believe, that it had once been a private residence, home to a family of only eight or nine. But two decades ago it had been acquired by the new university, and it now housed about two dozen students: a shifting population, as changeful as the ocean which lay at its feet, stretched towards the horizon, sickly green and heaving with endless disquiet.
The group of four strangers sitting at her table may or may not have asked permission to join her. Sarah couldnt remember. Now, an argument seemed to be developing, but she did not hear what was being said, although she was conscious of their voices, rising and falling in angry counterpoint. What she heard and saw inside her head was, at that moment, more real. A single, venomous word. Eyes blazing with casual hatred. A sense that she had not so much been spoken to, as spat upon. An encounter which had lasted two seconds? less? but which she had now been replaying, involuntarily, in her memory for more than half an hour. Those eyes; that word; there would be no getting rid of them, not for a while. Even now, as the voices around her grew louder and more animated, she could feel another wave of panic swell inside her. She closed her eyes, suddenly weak with nausea.