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Jonathan Coe - The House of Sleep

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Winner of the Writers Guild Best Fiction Award in England and the Prix Mdicis in FranceLike a surreal and highly caffeinated version of The Big Chill, Jonathan Coes new novel follows four students who knew each other in college in the eighties. Sarah is a narcoleptic who has dreams so vivid she mistakes them for real events. Robert has his life changed forever by the misunderstandings that arise from her condition. Terry spends his wakeful nights fueling his obsession with movies. And an increasingly unstable doctor, Gregory, sees sleep as a life-shortening disease which he must eradicate.But after ten years of fretful slumber and dreams gone bad, the four reunite in their college town to confront their disorders. In a Gothic cliffside manor being used as a clinic for sleep disorders, they discover that neither love, nor lunacy, nor obsession ever rests.

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THE HOUSE OF SLEEPPENGUIN BOOKS THE HOUSE OF SLEEP A novelist who gains in - photo 1THE HOUSE OF SLEEP
PENGUIN BOOKS
THE HOUSE OF SLEEP

A novelist who gains in range and reputation with every book Pat Barker, Sunday Times

Packed with brilliant comic set-pieces his affectionate nostalgia for student life has you cringeing in embarrassed recognition. And no-one, save perhaps David Lodge, marries formal ingenuity with inclusiveness of tone more elegantly Time Out

An obliquely funny, intensely humane novel Daily Telegraph

Coe navigates the river Lethe with intelligence and verve, never allowing the more metaphysical aspects of his tale to interfere with a cracking good plot and a fine cast of characters The House of Sleep never disappoints Coe has once again produced a dream of a novel The Times

Skill, verve and range there are bits which make you laugh out loud and others which make your heart ache Guardian

A book of many marvels Coe has a genius for making characters so immediate, so frail and yet courageous that one is overwhelmed by the urge to give them a huge hug The Oldie

ABOUT THE AUTHOR

Jonathan Coe was born in Birmingham in 1961. His most recent novel is The Rain Before It Falls. He is also the author of The Accidental Woman, A Touch of Love, The Dwarves of Death, What a Carve Up!, which won the 1995 John Llewellyn Rhys Prize, The House of Sleep, which won the 1998 Prix Mdicis tranger, The Rotters Club, winner of the Everyman Wodehouse Prize, and The Closed Circle. His biography of the novelist B.S. Johnson, Like a Fiery Elephant, won the 2005 Samuel Johnson Prize for best non-fiction book of the year. He lives in London with his wife and two children.

JONATHAN COE
THE HOUSE OF SLEEP

Picture 2
PENGUIN BOOKS

PENGUIN BOOKS

Published by the Penguin Group
Penguin Books Ltd, 80 Strand, London WC2R 0RL , England
Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, USA
Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3
(a division of Pearson Penguin Canada Inc.)
Penguin Ireland, 25 St Stephens Green, Dublin 2, Ireland (a division of Penguin Books Ltd)
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(a division of Pearson Australia Group Pty Ltd)
Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi 110 017, India
Penguin Group (NZ), 67 Apollo Drive, Rosedale, North Shore 0632, New Zealand
(a division of Pearson New Zealand Ltd)
Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue,
Rosebank, Johannesburg 215)6, South Africa

Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL , England

First published by Viking 1997
First published in Penguin Books 1998
This edition published 2008
1

Copyright Jonathan Coe, 1997
All rights reserved

The author and publisher wish to thank the following for permission to reprint copyright
material: HarperCollins for an extract from The Echoing Grove by Rosamond Lehmann;
Good Morning Heartache, words and music by Irene Higinbotham, Ervin Drake and Dan
Fisher. Copyright 1946 Northern Music Corporation/MCA Music Inc., USA. MCA
Music Ltd, 77 Fulham Palace Road, London W6. Used by permission of Music Sales Ltd.
All rights reserved. International copyright secured; Routledge & Kegan Paul for extracts
from Gravity and Grace by Simon Weil (trans. Emma Craufurd)

The moral right of the author has been asserted

Except in the United States of America, this book is sold subject
to the condition that it shall not, by way of trade or otherwise, be lent,
re-sold, hired out, or otherwise circulated without the publishers
prior consent in any form of binding or cover other than that in
which it is published and without a similar condition including this
condition being imposed on the subsequent purchaser

978-0-14-191834-1

Contents
Authors note

The odd-numbered chapters of this novel are set mainly in the years 19834.

The even-numbered chapters are set in the last two weeks of June, 1996.

I do get confused about time. If one loses ones emotional focus she stopped, struggled, went on huskily thats what happens. Aeons split seconds they interchange. One gets outside the usual way of counting.

Rosamond Lehmann, The Echoing Grove

Awake
I

It was their final quarrel, that much was clear. But although he had been anticipating it for days, perhaps even for weeks, nothing could quell the tide of anger and resentment which now rose up inside him. She had been in the wrong, and had refused to admit it. Every argument he had attempted to put forward, every attempt to be conciliatory and sensible, had been distorted, twisted around and turned back against him. How dare she bring up that perfectly innocent evening he had spent in The Half Moon with Jennifer? How dare she call his gift pathetic, and claim that he was looking shifty when he gave it to her? And how dare she bring up his mother his mother, of all people and accuse him of seeing her too often? As if that were some sort of comment on his maturity; on his masculinity, even

He stared blindly ahead, unconscious of his surroundings or of his fellow pedestrians. Bitch, he thought to himself, as her words came back to him. And then out loud, through clenched teeth, he shouted, BITCH!

After that, he felt slightly better.

Huge, grey and imposing, Ashdown stood on a headland, some twenty yards from the sheer face of the cliff, where it had stood for more than a hundred years. All day, the gulls wheeled around its spires and tourelles, keening themselves hoarse. All day and all night, the waves threw themselves dementedly against their rocky barricade, sending an endless roar like heavy traffic through the glacial rooms and mazy, echoing corridors of the old house. Even the emptiest parts of Ashdown and most of it was now empty were never silent. The most habitable rooms huddled together on the first and second floors, overlooking the sea, and during the day were flooded with chill sunlight. The kitchen, on the ground floor, was long and L-shaped, with a low ceiling; it had only three tiny windows, and was swathed in permanent shadow. Ashdowns bleak, element-defying beauty masked the fact that it was, essentially, unfit for human occupation. Its oldest and nearest neighbours could remember, but scarcely believe, that it had once been a private residence, home to a family of only eight or nine. But two decades ago it had been acquired by the new university, and it now housed about two dozen students: a shifting population, as changeful as the ocean which lay at its feet, stretched towards the horizon, sickly green and heaving with endless disquiet.

The group of four strangers sitting at her table may or may not have asked permission to join her. Sarah couldnt remember. Now, an argument seemed to be developing, but she did not hear what was being said, although she was conscious of their voices, rising and falling in angry counterpoint. What she heard and saw inside her head was, at that moment, more real. A single, venomous word. Eyes blazing with casual hatred. A sense that she had not so much been spoken to, as spat upon. An encounter which had lasted two seconds? less? but which she had now been replaying, involuntarily, in her memory for more than half an hour. Those eyes; that word; there would be no getting rid of them, not for a while. Even now, as the voices around her grew louder and more animated, she could feel another wave of panic swell inside her. She closed her eyes, suddenly weak with nausea.

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