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Iain Banks - Walking on Glass

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    Walking on Glass
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    ABACUS FICTION
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    1985
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    0-349-10178-7
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Walking on Glass: summary, description and annotation

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Graham Park is in love. But Sara Ffitch is an enigma to him, a creature of almost perverse mystery. Steven Grout is paranoid - and with justice. He knows that They are out to get him. They are. Quiss, insecure in his fabulous if ramshackle castle, is forced to play interminable impossible games. The solution to the oldest of all paradoxical riddles will release him. But he must find an answer before he knows the question. Park, Grout, Quiss - no trio could be further apart. But their separate courses are set for collision... A feast of horrors, variously spiced with incest, conspiracy, and cheerful descriptions of torture... fine writing The Times The authors powerful imagination is displayed again here every bit as vividly as in his debut Financial Times Establishes beyond doubt that lain Banks is a novelist of remarkable talents Daily Telegraph

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Walking on Glass Iain Banks PART ONE THEOBALDS ROAD He walked through the - photo 1

Walking on Glass

Iain Banks

PART ONE

THEOBALD'S ROAD

He walked through the white corridors, past the noticeboards with their offers of small rooms and old cars, past the coffee bar where people sat at tables, past a hole in the white floor where an old chair stood sentry over an opened conduit in which a torch shone and a man crawled, and as he left he looked at his watch:

TU 28

pm

3:33

He stood on the steps for a second, smiling at the figures on the face of the watch. Three three three. A good omen. Today was a day things would come together, a day events would coalesce.

It was bright outside, even after the painted lightness of the marble-flaked corridor. The air was warm, slightly humid but not sultry. The walk would be a pleasure today. That was good too, because he didn't want to arrive at her place hot and flustered; not today, not with her at the end of the walk, not with that subtle but unequivocal promise there, waiting, ready.

Graham Park stepped out on to the broad grey pavement outside the School and during a break in the traffic jogged across Theobald's Road to its north side. He relaxed to a walk on the pavement outside the White Hart pub, his large black portfolio held easily at his side by its single handle. Drawings of her.

He looked up at the sky, above the blocks and squat towers of the medium-rise office blocks, and smiled at its blue, city-grimed segmentings.

Everything seemed fresher, brighter, more real today, as though all his quite normal, perfectly standard surroundings had until this point been actors fumbling behind some thin stage curtain, struggling to get out, but now stood, triumphant expression frozen on face, hands spread, going Ta-Raah!" on the boards at last. He found this young-love rapture almost embarrassing in its intensity; it was something he was delighted to have, determined to hide, and wary of examining. It was enough to know it was there, and the very commonness of it was reassuring in a way. Let others have felt this way, let them feel it now; it would never be exactly like this, never be identical. Revel in it, he thought, why not?

A worn and grubby old man stood with his back against the wall of another tall grey-and-brickred building. He wore a heavy grey-green coat, even in that heat, and one of his shoes was open at the toe, baring skin inside. He held two huge boxes of mushrooms. It was the sort of sight - the poor, the strange - which usually alarmed Graham.

So many strange people in London. So many of the poor and the decrepit, the still spinning shrapnel, walking wounded of society. Usually they oppressed and threatened him, these people with little threat to offer, and much to fear. But not today; today the old man, hot in his thick coat, blinking from his grey face, clammy hands round his two two-pound boxes of mushrooms was merely interesting, just a possible subject for a drawing. He passed the Post Office, where a young black man, tall and well dressed, stood talking quietly to himself. Again no fear. He realised that maybe he really was after all, just a little, the country hick he had tried so hard to avoid being. He had been so determined to be ungullible, city-wise that perhaps he had gone too far in the other direction, and so read a threat in everything the big city had to offer. Only now, with the promise of the strength she might give him, could he afford the luxury of thinking so closely about himself (you had to have armour in the city, you had to know where you stood).

He had opted for the cynical, guarded approach, and now he could see that for all the safety it had brought him - here he was, in his second year, still solvent, heart intact, unmugged and even succeeding in his studies, despite all his mother's fears - every defence had its price, and he had paid in a separating distance, incomprehension. Perhaps the young black man was not mad; people did talk to themselves. Perhaps the old man with the torn shoe was not some desperate down-and-out with fists full of stolen mushrooms; maybe he was just an ordinary person whose shoes had split that lunchtime, while shopping. He looked at the traffic roaring by, and over it through railings at the leafy greenness of Gray's Inn, edging into view on his right. He would remember this day, this walk. Even if she did not... even if all his dreams, his hopes did not... ah, but they would. He could feel it.

"Put that fantasy down. Park, you don't know where it's been."

He turned quickly to the voice and there was Slater, bounding down the steps of Holborn Library, wearing a pair of one-and-a-half-legged jeans, with a shiny black shoe on one foot and a knee-length boot on the other; the jeans were cut to suit, so that one leg ended normally, in a stitched hem over the shoe, while the other leg came to a frayed stop just above the top of the boot. Above, Slater sported a well-worn hacking jacket over a black shirt and a black bow tie which appeared to have lots of small, dull red stones set in it. On his head sat a tartan cap, predominantly red. Graham looked at his friend and laughed. Slater responded with a look of pretended chilliness. "I see nothing to cause such hilarity."

"You look like -" Graham shook his head and waved one hand at Slater's jeans and footwear, and spared a glance for his cap.

"What I look like," Slater said, coming forward and taking Graham by the elbow to continue walking, "is somebody who has discovered an old pair of RAF pilot's boots at a market stall in Camden."

"And taken a knife to them," Graham said, looking down at Slater's legs and shrugging his arm free of the light grip which held it.

Slater smiled, put his hands in the pockets of his mutilated jeans. "There you show your ignorance, young man. If you had looked carefully, or if you knew enough, you would appreciate that these are, in fact, specially designed pilot's boots which, with the aid of a couple of zips, convert into what was doubtless, in the forties, a pretty neat-looking pair of shoes. The whole point is that if the intrepid aviator got shot down while blasting Gerry out of the skies above enemy territory, he could simply unzip his boot-legs and have a pair of civilian-looking shoes on his feet, and thus pass for a native and so escape those dreadful SS men in their tight little black uniforms. I have merely adapted -"

"You look silly," Graham interrupted.

"Why you straight old straight," Slater said. They were walking slowly now; Slater never liked to rush. Graham was only a little impatient, and he knew better than to try to hurry Slater up. He had left in plenty of time, there was no hurry. More time to savour. "I just don't know why you turn me on at all," Slater said, then peered closely at the other young man's face and said pointedly, "Are you listening to me, Park?"

Graham shook his head, grinning slightly, but said, "Yes, I'm listening. You don't have to camp it up with me."

"Oh my God, pardon me," Slater said melodramatically, one hand fanned over his upper chest, "I'm offending the poor hetero boy. Under twenty-one as well; oh say it ain't so!"

"You're a fraud, Richard," Graham said, turning to look at his friend. "I sometimes think you aren't even gay at all. Anyway," he went on, attempting to increase their pace a little, "what have you been up to? I haven't seen you around for a couple of days."

"Ah, the change-of-subject," Slater laughed, staring ahead. He grimaced and scratched his short, curly black hair where it stuck out from under his tartan cap. His thin, pale face contorted as he said, "Well, I shan't go into the seamy details... the more basic facets of life, but on a cleaner if more frustrating theme, I have been trying to seduce that lovely Dickson boy over the last week. You know: the one with the shoulders,"

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