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Nadine Gordimer - Telling Times: Writing and Living, 1950-2008

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Nadine Gordimer Telling Times: Writing and Living, 1950-2008
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Never before has Gordimer, awarded the Nobel Prize for Literature in 1991, published such a comprehensive collection of her nonfiction. Telling Tales represents the full span of her works in that field-from the twilight of white rule in South Africa to the fight to overthrow the apartheid regime, and most recently, her role over the past seven years in confronting the contemporary phenomena of violence and the dangers of HIV. The range of this book is staggering, and the work in totality celebrates the lively perseverance of the life-loving individual in the face of political tumult, then the onslaught of a globalized world. The abiding passionate spirit that informs A South African Childhood, a youthful autobiographical piece published in The New Yorker in 1954, can be found in each of the books ninety-one pieces that span a period of fifty-five years. Returning to a lifetime of nonfiction work has become an extraordinary experience for Gordimer. She takes from one of her revered great writers, Albert Camus, the conviction that the writer is a responsible human being attuned not alone to dedication to the creation of fiction but to the political vortex that inevitably encompasses twentieth- and twenty-first-century life. Born in 1923, Gordimer, who as a child was ambitious to become a ballet dancer, was recognized at fifteen as a writing prodigy. Her sensibility was as much shaped by wide reading as it was to eye-opening sight, passing on her way to school the grim labor compounds where black gold miners lived. These twin decisives-literature and politics-infuse the book, which includes historic accounts of the political atmosphere, firsthand, after the Sharpeville Massacre of 1960 and the Soweto uprising of 1976, as well as incisive close-up portraits of Nelson Mandela and Desmond Tutu, among others. Gordimer revisits the eternally relevant legacies of Tolstoy, Proust, and Flaubert, and engages vigorously with contemporaries like Susan Sontag, Octavio Paz, and Edward Said. But some of her most sensuous writing comes in her travelogues, where the politics of Africa blend seamlessly with its awe-inspiring nature-including spectacular recollections of childhood holidays beside South Africas coast of the Indian Ocean and a riveting account of her journey the length of the Congo River in the wake of Conrad. Gordimers body of work is an extraordinary vision of the world that harks back to the sensibilities-political, moral, and social-of Dickens and Tolstoy, but with a decidedly vivid contemporary consciousness. Telling Times becomes both a literary exploration and extraordinary document of social and political history in our times.

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Nadine Gordimer

Telling Times: Writing and Living, 1950-2008

The 1950s

A South African Childhood: Allusions in a Landscape

Growing up in one part of a vast young country can be very different from growing up in another, and in South Africa this difference is not only a matter of geography. The division of the people into two great races black and white and the subdivision of the white into Afrikaans- and English-speaking groups provides a diversity of cultural heritage that can make two South African children seem almost as strange to each other as if they had come from different countries. The fact that their parents, if they are English-speaking, frequently have come from different countries complicates their backgrounds still further. My father came to South Africa from a village in Russia; my mother was born and grew up in London. I remember, when I was about eight years old, going with my sister and mother and father to spend a long weekend with a cousin of my fathers who lived in the Orange Free State. After miles and miles of sienna-red ploughed earth, after miles and miles of silk-fringed mealies standing as high as your eyes on either side of the road and ugly farmhouses where women in bunchy cotton dresses and sun-bonnets stared after the car as we passed (years later, when I saw Oklahoma! in a Johannesburg theatre, I recalled that scene), we reached the dorp where the cousin lived in a small white house with sides that were dust-stained in a wavering wash, like rust, for more than a foot above the ground. There we two little girls slept on beds of a smothering softness we had never felt before feather beds brought from Eastern Europe and drank tea drawn from a charming contraption, a samovar. There to our and our mothers horror we were given smoked duck, flavoured with garlic, at breakfast. The two children of the house spoke only Afrikaans, like the Boer children who played in the yards of the mean little houses on either side, and my sister and I, queasy from the strange food and able to speak only English, watched their games with a mixture of hostility and wistfulness.

How different it all was from our visit to our mothers sister, in Natal! There, with the English side of the family, in the green, softly contoured hills and the gentle meadows of sweet grass near Balgowan, we might almost have been in England itself. There our cousins Roy and Humphrey rode like young lords about their fathers beautiful farm, and spoke the high, polite, pure English learned in expensive Natal private schools that were staffed with masters imported from English universities. And how different were both visits from our life in one of the gold-mining towns of the Witwatersrand, near Johannesburg, in the Transvaal.

There are nine of these towns, spread over a distance of roughly a hundred and forty miles east and west of Johannesburg. The one in which we lived was on the east side the East Rand, it is called and it had many distinctions, as distinctions are measured in that part of the world. First of all, it was one of the oldest towns, having got itself a gold strike, a general store, a few tents and a name before 1890. In the pioneer days, my father had set himself up in a small, one-man business as a watchmaker and jeweller, and during the twenties and thirties, when the town became the most rapidly expanding on the Witwatersrand, he continued to live there with his family. In the richest gold-mining area in the world, it became the richest square mile or so. All around us, the shafts went down and the gold came up; our horizon was an Egyptian-looking frieze of man-made hills of cyanide sand, called dumps, because that is what they are great mounds of waste matter dumped on the surface of the earth after the gold-bearing ore has been blasted below, hauled up, and pounded and washed into yielding its treasure. In the dusty month before spring in August, that is the sand from the dumps blew under the tightly shut doors of every house in the town and enveloped the heads of the dumps themselves in a swirling haze, lending them some of the dignity of cloud-capped mountains. It is characteristic of the Witwatersrand that any feature of the landscape that strikes the eye always does so because it is a reminder of something else; considered on its own merits, the landscape is utterly without interest flat, dry, and barren.

In our part of the East Rand, the yellowish-white pattern of the cyanide dumps was broken here and there by the head of a black hill rising out of the veld. These hills were man-made, too, but they did not have the geometrical, pyramidal rigidity of the cyanide dumps, and they were so old that enough real earth had blown on to them to hold a growth of sparse grass and perhaps even a sinewy peppercorn or peach tree, sprung up, no doubt, out of garden refuse abandoned there by somebody from the nearby town. These hills were also dumps, but through their scanty natural covering a blackness clearly showed even a little blueness, the way black hair shines for they were coal dumps, made of coal dust.

The coal dumps assumed, both because of their appearance and because of the stories and warnings we heard about them, something of a diabolical nature. In our sedate little colonial tribe, with its ritual tea parties and tennis parties, the coal dump could be said to be our Evil Mountain; I use the singular here because when I think of these dumps, I think of one in particular the biggest one, the one that stood fifty yards beyond the last row of houses in the town where we lived. I remember it especially well because on the other side of it, hidden by it, was the local nursing home, where, when my sister and I were young and the town was small, all the mothers went to have their babies and all the children went to have their tonsillectomies where, in fact, almost everyone was born, endured an illness, or died. Our mother had several long stays in the place, over a period of two or three years, and during these stays our grandmother took us on a daily visit across the veld to see her. Immediately lunch was over, she would spend an hour dressing us, and then, brushed and beribboned and curled, we would set off. We took a path that skirted the coal dump, and there it was at our side most of the way a dirty, scarred old mountain, collapsing into the fold of a small ravine here, supporting a twisted peach tree there, and showing bald and black through patchy grass. A fence consisting of two threads of barbed wire looped at intervals through low rusted-iron poles, which once had surrounded it completely, now remained only in places, conveying the idea of a taboo rather than providing an effectual means of isolation. The whole coal dump looked dead, forsaken, and harmless enough, but my sister and I walked softly and looked at it out of the corners of our eyes, half fascinated, half afraid, because we knew it was something else inert. Not dead by any means, but inert. For we had seen. Coming back from the nursing home in the early-winter dusk, we had seen the strange glow in the bald patches the grass did not cover, and in the runnels made by the erosion of summer wind and rain we had seen the hot blue waver of flame. The coal dump was alive. Like a beast of prey, it woke to life in the dark.

The matter-of-fact truth was that these coal dumps, relics of the pre-gold-strike era when collieries operated in the district, were burning. Along with the abandoned mine workings underground, they had caught fire at some time or other in their years of disuse, and had continued to burn, night and day, ever since. Neither rain nor time could put the fires out, and in some places, even on the coldest winter days, we would be surprised to feel the veld warm beneath the soles of our shoes, and, if we cut out a clod, faintly steaming. That dump on the outskirts of the town where we lived is still burning today. I have asked people who have studied such things how long it may be expected to go on burning before it consumes itself. Nobody seems to know; it shares with the idea of Hades its heat and vague eternity.

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