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Shelly Oria - New York 1, Tel Aviv 0

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Shelly Oria New York 1, Tel Aviv 0
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Sharply observed, beautifully rendered stories about gender, sexuality, and nationality by a fresh new voice. The stories in speak to a contemporary generation and explore the tension between an anonymous, globalized world and an irrepressible lust for connection. The result is an intimate document of niche moments, when relationships either run their course, take flight, or enter holding patterns. The characters in this collection are as intelligent and charming as they are lonely. In some stories, realistic urges materialize in magical settings: a couple discovers the ability to stop time together; another couple lives in an apartment where only one of them can hear a constant beeping, while the other must try to believe. In other stories, a nameless voice narrates the arc of a love affair through a list of the couples best and worst kisses; a father leaves his daughter in Israel to pursue a painting career in New York; and a sex worker falls in love with the Israeli photographer who studies her. The stories in this ambitious and exciting debut share a prevailing sense of existential strangeness, otherworldliness, and the search to belong, while the altering of time and space and memory creates unexpected magic. And yet there is something entirely familiar about the experiences of these characters, who are so brilliantly and subtly rendered by Shelly Orias capable mind.

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Shelly Oria

New York 1, Tel Aviv 0

For Nehama Segalovitz

NEW YORK 1, TEL AVIV 0

Saturday comes, and Zo and I go to see Keith Buckley read in Soho. It is April and Manhattan and this is what I think about the air: it is crisp. I keep thinking: Crisp. I fantasize about taking a big bite and chewing the air, making obscenely loud noises as if the air on this island were a gum, or worse: sunflower seeds. While Im thinking this, Zo is being beautiful. She says, Im so happy its not cold anymore. Shes wearing the purple halter top that Ron bought her for our one-year anniversary; I got The Secrets of Mediterranean Cooking because Ron thinks that I should open my own restaurant instead of wasting my talent in somebody elses kitchen. Zos halter top ties behind her neck, except every few minutes it gets loose, and I need to tie it again for her. Its too tight, she says every time, tugging on the knot.

At the bookstore, Zo leads the way to her favorite spot, third row center. Keith isnt here yet, she tells me without even looking around. How do you know? I ask, and she says, I need you to tie me up again, her eyes smiling, teasing. Then she asks, Has he ever read here before? I dont think so, I say, but I get confused between all the stores sometimes. Zo says, Im having the worst dj vu; I feel like this moment already happened. I want to say, maybe it did; Ive always felt that the present is just one way of looking at things. But these are thoughts I keep to myself, because I cant afford to lose Zo. If I lose Zo, Ron might go with her, and then Id be completely alone in this city.

* * *

Zo is the kind of person you lose easily: this has happened to many people. Shes also the kind of person who will freak out when someone suggests there is more than one reality, then blame that someone for her freak-out. Once, after a Keith Buckley reading in Midtown, we sat on a bench, our backs to Central Park. I had moved from Tel Aviv only a few months earlier; Zo was explaining how the park had been created in the 1850s. The idea of having a designated area for greenery struck me as odd; Tel Aviv isnt carefully planned like that trees often choose their own location, and most streets stretch in unpredictable directions, creating a pattern of impulse.

We were waiting for Ron, and it was getting dark. Looking up and down, I noticed how this city, spreading to the sky, makes people smaller and faster. I was having one of my funny moods, when everything feels like a dream. I turned to Zo and said, What if were not real? What if were just imagining this scene, right now, on this bench? Or what if somebody else is imagining us, and we are characters in this persons hallucination? I didnt know Zo very well yet. I expected her to say I was crazy, or ask what the hell I was talking about. But she started shaking: first her knees, then her arms, then her entire body. She said, Dont fuck with my mind like that. I didnt know what to do. I put my hand on her knee and said, Im here. Then I said, Im real. She calmed down, but for the rest of the evening she kept saying, Dont ever fuck with me like that.

So, if you want Zo to like you, you need to: (1) be a flexible, spontaneous person, because Zo hates to wait but also hates to plan in advance; (2) love all literary events where Keith Buckley is reading; and (3) learn never to fuck with her mind.

* * *

In Israel, this is what you do when you enter a bar, a movie theater, a mall: you open your bag. You let the security guard look through your personal belongings, until he decides youre probably not carrying a bomb. The security guard is almost always a man. Sometimes hell be thorough, like he knows something you dont; he might even use a metal detector that beeps if the interior of your jacket is explosive. But usually hell just tap the bottom of the bag and signal with his eyes Go in. If youre a beautiful woman, youre likely to hear some kind of comment that acknowledges your beauty. Then youre free to roam whatever space it is, calm and confident, because in Tel Aviv, if you drink or eat or party enough, even the worst kind of war feels like peace.

When I first moved to New York, I kept opening my purse every time I entered a building, before realizing that there was no security guard. And every time I felt relieved, and every time I felt orphaned, and every time I felt surprised at both; there is a sense of comfort that you get when someone else is in charge of your safety, and I didnt yet know that in America danger is something you can choose to ignore.

Back then, I was subletting a tiny studio in Hells Kitchen that had only one window. The building had a live-in super with a thick Romanian accent who treated me like his protge because he was the Veteran Immigrant. My first day in the building, he said, Twelve years I live here now; it is like home. His accent was so thick that it took a few seconds of tossing the sounds in my brain to decipher their message, but I felt comforted. Then, three weeks later, he came over and said, New mall only few blocks from here; very expensive but you should go, look in the windows. I said I would, and I did. At the new Time Warner Center, I was going in as Ron was coming out. I reached to open my purse, and saw him smile, his Israeli radar letting me know I was busted. He seemed familiar, and happy; I stopped. We spent ten minutes trying to figure out where we knew each other from. The army? No, he left before he was eighteen, never served; the Peace Now rally in D.C.? No, I knew nothing about it; after a while, we gave up.

* * *

Zo wants to step outside to smoke. We leave our coats and grab our bags. There is intimacy between us and a wide-shouldered guy with dreadlocks as we are squeezing our way out. Dreadlocks looks up at Zos shirt and Zo says, Keep an eye on our stuff, okay? as if this is our friend and thats the least he can do. Dreadlocks nods; I can see inside his mind, very briefly, and it is full of one word: boobs.

Outside on Crosby Street, optimistic people believe that seats for this event are in abundance, so they just stand there, smoking or chatting. Zo bums a cigarette from a pale baby-faced guy who looks familiar. I hear her say, No you dont get my number in return, and then a second later, You get my gratitude, and then laughter. They are equidistant from me, but she is louder and I hear only her. Zo never has cigarettes because shes quit smoking, so she always has to bum from people who havent quit smoking yet. These people are usually around, though, and always into helping Zo, so theres no reason to change the MO. Unless you count Ron as a reason; every time he smells cigarettes on Zos breath he squints and says, You need to commit to your health, Zo, not just talk about it.

* * *

In Tel Aviv, walking into a bar is like stepping into a cloud. If you spend more than an hour inside the cloud, scent molecules get under your hair and skin, and they often take their time getting out. When you get back from the bar, if you dont want to inhale smoke from the pillow in your sleep, you head straight to the shower and turn the faucet all the way to red until the small room fills with steam. When Im in Tel Aviv, I usually think, No big deal; then I get back to New York and feel indebted to the non-yellow walls, the guarantee of nicotine-free air once you walk into a room. It is true that in New York when you wash your clothes the water turns gray; you scrub, and inside the bubbles you see soot. But I dont mind it; I know that this urban dirt is the side effect of speed and productivity. I think: New York 1, Tel Aviv 0. Its an ongoing competition, a game that Ron and I invented, but I forget to keep track, so I have to start counting all over again every time.

* * *

Zo is standing across from me smoking fast like she has to go somewhere and the cigarette is holding her back. I say, Theres still plenty of time, you know. Zo says, I might go with this guy for a drink. I give her a look. She says, Nothing serious, and looks away. I say, I think he used to work at the restaurant. Zo pretends not to hear me, or maybe she really doesnt. Dont worry, Ill be back in time for Keith, she says; hes reading last. I think: As if thats the problem.

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