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Donald Phillip Verene - Hegel’s Recollection: A Study of Images in the Phenomenology of Spirit

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Donald Phillip Verene has advanced a completely new reading of Hegels Phenomenology of Spirit. He shows that the philosophic meaning of this work depends as much on Hegels use of metaphor and image as it does on Hegels dialectical and discursive descriptions of various stages of consciousness. The focus is on Hegels concept of recollection (Erinnerung). Consciousness confronts itself with the aim of achieving absolute knowing. This is the first commentary to regard metaphor, irony, and memory as keys to the understanding of Hegels basic philosophical position.

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title Hegels Recollection A Study of Images in the Phenomenology of - photo 1

title:Hegel's Recollection : A Study of Images in the Phenomenology of Spirit SUNY Series in Hegelian Studies
author:Verene, Donald Phillip.
publisher:State University of New York Press
isbn10 | asin:0887060110
print isbn13:9780887060113
ebook isbn13:9780585090245
language:English
subjectHegel, Georg Wilhelm Friedrich,--1770-1831.--Phnomenologie des Geistes, Spirit, Consciousness, Truth, Metaphor, Irony, Imagination.
publication date:1985
lcc:B2929.V47 1985eb
ddc:193
subject:Hegel, Georg Wilhelm Friedrich,--1770-1831.--Phnomenologie des Geistes, Spirit, Consciousness, Truth, Metaphor, Irony, Imagination.
Page i
Hegel's Recollection
Page ii
SUNY SERIES IN HEGELIAN STUDIES
Quentin Lauer, Editor
Page iii
Hegel's Recollection
A Study of Images in the Phenomenology of Spirit
Donald Phillip Verene
PROFESSOR OF PHILOSOPHY
EMORY UNIVERSITY
State University of New York Press
Albany
Page iv
Published by
State University of New York Press, Albany
1985 State University of New York
All rights reserved
Printed in the United States of America
No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews.
For information, address State University of New York Press, State University Plaza, Albany, N.Y., 12246
Library of Congress Cataloging in Publication Data
Verene, Donald Phillip, 1937
Hegel's recollection.
(SUNY series in Hegelian studies)
Includes index.
1. Hegel, Georg Wilhelm Friedrich, 17701831.
Phnomenologie des Geistes. 2. Spirit. 3. Conscience.
4. Truth. 5. Metaphor. 6. Irony. 7. Imagination.
I. Title. II. Series.
B2929.V47Picture 21985Picture 3Picture 4193Picture 5Picture 684-26884
ISBN 0-88706-011-0
ISBN 0-88706-012-9 (pbk.)
10 9 8 7 6 5 4 3 2 1
Page v
For Ernesto Grassi
In friendship
Page vii
Contents
Preface
ix
Citations in Text
1 Introduction: Hegel's Imagination
1
2 The Method of In-itself
14
3 Das Meinen, "Meaning"
27
4 The Topsy-turvy World
39
5 Masterhood and Servitude
59
6 The Unhappy Consciousness
70
7 Phrenology
80
8 Two Forms of Defective Selfhood: The Spiritual Animal Kingdom and the Beautiful Soul
92
9 Religion versus Absolute Knowing
104
10 Epilogue
115
Appendix: Hegel's Titles and Contents
121
Notes
127
Index
143

Page viii
Picture 7
If this essay had to do with such artifice, these words should not have been allowed to enter right from the start; but like the cabinet minister in a comedy, they should have been required to walk around throughout the whole play in an overcoat, unbuttoning it only in the last scene, allowing the star of wisdom to flash forth.
Hegel, Wer denkt abstrakt? (1807)
Page ix
Preface
Hegel had an extraordinary command of metaphor and irony as well as a deeply rational mind. In his major writings Hegel employs these powerful tropes together with the discursive statement of his philosophy. We have only to think of the much-quoted owl of Minerva metaphor from the preface to the Philosophy of Right or the assertion that the true is a bacchanalian revel from the preface to the Phenomenology of Spirit to realize that Hegel combines the great discursive power of his thought with an equally great rhetorical power of expression. What Hegel says in his philosophy is extraordinary and how he says it is equally extraordinary. We have become so accustomed to regarding the rhetorical elements in a philosopher's thought as mere embellishments that we read right past them. Later we may use the philosopher's metaphors as keys to recall the meanings of his doctrine without a very clear awareness of the role these are playing in giving us access to the thinker's thoughts.
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