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Bibek Debroy - The Markandeya Purana

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Bibek Debroy The Markandeya Purana
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    The Markandeya Purana
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A marvellous amalgam of mythology and metaphysics, the Markandeya Purana unfolds as a series of conversations, in which the sage Markandeya is asked to answer some deeper questions raised by events in the Mahabharata. These illuminating exchanges evolve into a multi-faceted exploration of the core concepts of Hindu philosophy-from an excellent exposition of yoga and its unique attributes to a profound treatise on the worship of the goddess, the Devi Mahatmya, which also includes the popular devotional texts known as Chandi or Durga Saptashati.
Brimming with insight and told with clarity, this luminous text is also a celebration of a complex mythological universe populated with gods and mortals, and contains within its depths many nested tales like that of Queen Madalasa and her famous song.
Bibek Debroys masterful translation draws out the subtleties of the Markandeya Purana, enabling a new generation of readers to savour its timeless riches.

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Contents
Translated by BIBEK DEBROY THE MARKANDEYA PURANA - photo 1
The Markandeya Purana - image 2
The Markandeya Purana - image 3
Translated by BIBEK DEBROY
THE MARKANDEYA PURANA
The Markandeya Purana - image 4 PENGUIN BOOKS
The Markandeya Purana - image 5 PENGUIN BOOKS

PENGUIN BOOKS

THE MARKANDEYA PURANA

Bibek Debroy is a renowned economist, scholar and translator. He has worked in universities, research institutes, industry and for the government. He has widely published books, papers and articles on economics. As a translator, he is best known for his magnificent rendition of the Mahabharata in ten volumes, the three-volume translation of the Valmiki Ramayana and additionally the Harivamsha, published to wide acclaim by Penguin Classics. He is also the author of Sarama and Her Children, which splices his interest in Hinduism with his love for dogs. Most recently, he translated the Bhagavata Purana for Penguin Classics.

Praise for The Mahabharata

The modernization of language is visible, its easier on the mind, through expressions that are somewhat familiar. The detailing of the story is intact, the varying tempo maintained, with no deviations from the original. The short introduction reflects a brilliant mind. For those who passionately love the Mahabharata and want to explore it to its depths, Debroys translation offers great promise...Hindustan Times

[Debroy] has really carved out a niche for himself in crafting and presenting a translation of the Mahabharata... The book takes us on a great journey with admirable easeIndian Express

The first thing that appeals to one is the simplicity with which Debroy has been able to express himself and infuse the right kind of meanings... Considering that Sanskrit is not the simplest of languages to translate a text from, Debroy exhibits his deep understanding and appreciation of the mediumThe Hindu

Debroys lucid and nuanced retelling of the original makes the masterpiece even more enjoyably accessibleOpen

The quality of translation is excellent. The lucid language makes it a pleasure to read the various stories, digressions and parablesTribune

Extremely well-organized, and has a substantial and helpful Introduction, plot summaries and notes. The volume is a beautiful example of a well thought-out layout which makes for much easier readingBook Review

The dispassionate vision [Debroy] brings to this endeavour will surely earn him merit in the three worldsMail Today

Debroys is not the only English translation available in the market, but where he scores and others fail is that his is the closest rendering of the original text in modern English without unduly complicating the readers understanding of the epicBusiness Standard

The brilliance of Ved Vyasa comes through, ably translated by Bibek DebroyHindustan Times

Praise for The Valmiki Ramayana

It is a delight to read Bibek Debroys translation of the Valmiki Ramayana. Its like Lord Ram has blessed Dr Debroy, and through him, blessed us with another vehicle to read His immortal storyAmish Tripathi

Bibek Debroys translation of the Ramayana is easy to navigate... It is an effort for which Debroy deserves unqualified praiseBusiness Standard

A nuanced translation of a beloved epic... There is much to recommend this three volume set that can renew our interest in the Ramayana, surely one of the greatest stories ever toldIndian Express

Praise for The Bhagavata Purana

An exhaustive but accessible translation of a crucial mythological textIndian Express

The beauty of recounting these stories lies in the manner in which the cosmic significance and the temporal implications are intermingled. Debroys easy translation makes that experience even more sublimeBusiness Standard

The Puranas are 18 volumes with more than four lakh shlokas, and all in Sanskritthe language of our ancestors and the sages, which only a few can speak and read today and only a handful have the mastery to translate. Bibek Debroy is one such master translator, who wears the twin title of economist and Sanskrit scholar, doing equal justice to bothOutlook

For Uma Banerjee

Introduction

T he word purana means old, ancient. The Puranas are old texts, usually referred to in conjunction with Itihasa (the Ramayana and the Mahabharata). In other words, ItihasaPurana possessed an elevated status. This by no means implies that the word purana, as used in these two Upanishads and other texts too, is to be understood in the sense of the word being applied to a set of texts known as the Puranas today. The Valmiki Ramayana is believed to have been composed by Valmiki and the Mahabharata by Krishna Dvaipayana Vedavyasa. After composing the Mahabharata, Krishna Dvaipayana Vedavyasa is believed to have composed the Puranas. The use of the word composed immediately indicates that ItihasaPurana are smriti texts, with a human origin. They are not shruti texts, with a divine origin. Composition does not mean these texts were rendered into writing. Instead, there was a process of oral transmission, with inevitable noise in the transmission and distribution process. Writing came much later.

Frederick Eden Pargiters book on the Puranas is still one of the best introductions to this corpus. appears as the reciter in some of the present Puranas; and the sutas still retained the right to recite it for their livelihood. But, as stated above, Romaharsana taught it to his six disciples, at least five of whom were brahmans. It thus passed into the hands of brahmans, and their appropriation and development of it increased in the course of time, as the Purana grew into many Puranas, as Sanskrit learning became peculiarly the province of the brahmans, and as new and frankly sectarian Puranas were composed. Pargiter cited reasons for his belief that the Mahabharata was composed after the original Purana, though that runs contrary to the popular perception about the Mahabharata having been composed before the Puranas. That popular and linear perception is too simplistic, since texts evolved in parallel, not necessarily sequentially.

In popular perception, Krishna Dvaipayana Vedavyasa composed the Mahabharata. He then composed the Puranas. Alternatively, he composed an original core Purana text, which has been lost, and others embellished it through additions. The adjective purana, meaning old account or old text, became a proper noun, signifying a specific text. To be classified as a Purana, a Purana has to possess five attributespancha lakshmana. That is, five topics must be discussedsarga, pratisarga, vamsha, manvantara and vamshanucharita. The clearest statement of this is in the Matsya Purana. Unlike the Ramayana and the Mahabharata, there is no Critical Edition of the Puranas. Therefore, citing chapter and verse from a Purana text is somewhat more difficult, since verse, if not chapter, may vary from text to text. With that caveat, the relevant shloka (verse) should be in the fifty-third chapter of the Matysa Purana. Sarga means the original or primary creation. The converse of sarga is universal destruction, or

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