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Elaine M. Fisher - Hindu Pluralism: Religion and the Public Sphere in Early Modern South India (South Asia Across the Disciplines)

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Elaine M. Fisher Hindu Pluralism: Religion and the Public Sphere in Early Modern South India (South Asia Across the Disciplines)
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In Hindu Pluralism, Elaine M. Fisher complicates the traditional scholarly narrative of the unification of Hinduism. By calling into question the colonial categories implicit in the term sectarianism, Fishers work excavates the pluralistic textures of precolonial Hinduism in the centuries prior to British intervention. Drawing on previously unpublished sources in Sanskrit, Tamil, and Telugu, Fisher argues that the performance of plural religious identities in public space in Indian early modernity paved the way for the emergence of a distinctively non-Western form of religious pluralism. This work provides a critical resource for understanding how Hinduism developed in the early modern period, a crucial era that set the tenor for religions role in public life in India through the present day.

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CONTENTS

Luminos is the open access monograph publishing program from UC Press. Luminos provides a framework for preserving and reinvigorating monograph publishing for the future and increases the reach and visibility of important scholarly work. Titles published in the UC Press Luminos model are published with the same high standards for selection, peer review, production, and marketing as those in our traditional program. www.luminosoa.org

The publisher gratefully acknowledges the generous support of the Philip E. Lilienthal Asian Studies Endowment Fund of the University of California Press Foundation, which was established by a major gift from Sally Lilienthal.

Hindu Pluralism

SOUTH ASIA ACROSS THE DISCIPLINES

Edited by Muzaffar Alam, Robert Goldman, and Gauri Viswanathan

Dipesh Chakrabarty, Sheldon Pollock, and Sanjay Subrahmanyam, Founding Editors

Funded by a grant from the Andrew W. Mellon Foundation and jointly published by the University of California Press, the University of Chicago Press, and Columbia University Press

South Asia Across the Disciplines is a series devoted to publishing first books across a wide range of South Asian studies, including art, history, philology or textual studies, philosophy, religion, and the interpretive social sciences. Series authors all share the goal of opening up new archives and suggesting new methods and approaches, while demonstrating that South Asian scholarship can be at once deep in expertise and broad in appeal.

Extreme Poetry: The South Asian Movement of Simultaneous Narration , by Yigal Bronner (Columbia)

The Social Space of Language: Vernacular Culture in British Colonial Punjab, by Farina Mir (UC Press)

Unifying Hinduism: Philosophy and Identity in Indian Intellectual History, by Andrew J. Nicholson (Columbia)

The Powerful Ephemeral: Everyday Healing in an Ambiguously Islamic Place, by Carla Bellamy (UC Press)

Secularizing Islamists? Jamaat-e-Islami and Jamaat-ud-Dawa in Urban Pakistan, by Humeira Iqtidar (Chicago)

Islam Translated: Literature, Conversion, and the Arabic Cosmopolis of South and Southeast Asia , by Ronit Ricci (Chicago)

Conjugations: Marriage and Form in New Bollywood Cinema , by Sangita Gopal (Chicago)

Unfinished Gestures: Devad s s, Memory, and Modernity in South India, by Davesh Soneji (Chicago)

Document Raj: Writing and Scribes in Early Colonial South India, by Bhavani Raman (Chicago)

The Millennial Sovereign: Sacred Kingship and Sainthood in Islam, by A. Azfar Moin (Columbia)

Making Sense of Tantric Buddhism: History, Semiology, and Transgression in the Indian Traditions, by Christian K. Wedemeyer (Columbia)

The Yogin and the Madman: Reading the Biographical Corpus of Tibets Great Saint Milarepa, by Andrew Quintman (Columbia)

Body of Victim, Body of Warrior: Refugee Families and the Making of Kashmiri Jihadists, by Cabeiri deBergh Robinson (UC Press)

Receptacle of the Sacred: Illustrated Manuscripts and the Buddhist Book Cult in South Asia, by Jinah Kim (UC Press)

Cut-Pieces: Celluloid Obscenity and Popular Cinema in Bangladesh, by Lotte Hoek (Columbia)

From Text to Tradition: The Naisadh yacarita and Literary Community in South Asia, by Deven M. Patel (Columbia)

Democracy against Development: Lower Caste Politics and Political Modernity in Postcolonial India, by Jeffrey Witsoe (Chicago)

Into the Twilight of Sanskrit Poetry: The Sena Salon of Bengal and Beyond, by Jesse Ross Knutson (UC Press)

Voicing Subjects: Public Intimacy and Mediation in Kathmandu, by Laura Kunreuther (UC Press)

Writing Resistance: The Rhetorical Imagination of Hindi Dalit Literature , by Laura R. Brueck (Columbia)

Wombs in Labor: Transnational Commercial Surrogacy in India, by Amrita Pande (Columbia)

I Too Have Some Dreams: N. M. Rashed and Modernism in Urdu Poetry, by A. Sean Pue (UC Press)

The Place of Devotion: Siting and Experiencing Divinity in Bengal-Vaishnavism, by Sukanya Sarbadhikary (UC Press)

We Were Adivasis: Aspiration in an Indian Scheduled Tribe, by Megan Moodie (Chicago)

Writing Self, Writing Empire: Chandar Bhan Brahman and the Cultural World of the Indo-Persian State Secretary, by Rajeev Kinra (UC Press)

Landscapes of Accumulation: Real Estate and the Neoliberal Imagination in Contemporary India, by Llerena Searle (Chicago)

Polemics and Patronage in the City of Victory: Vyasatirtha, Hindu Sectarianism, and the Sixteenth-Century Vijayanagara Court, by Valerie Stoker (UC Press)

Hindu Pluralism: Religion and the Public Sphere in Early Modern South India, by Elaine M. Fisher (UC Press)

Hindu Pluralism

Religion and the Public Sphere in Early Modern South India

Picture 1

Elaine M. Fisher

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UNIVERSITY OF CALIFORNIA PRESS

University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu .

University of California Press

Oakland, California

2017 by The Regents of the University of California

Suggested citation: Fisher, Elaine. Hindu Pluralism: Religion and the Public Sphere in Early Modern South India . Oakland: University of California Press, 2017. doi: https://doi.org/10.1525/luminos.24

This work is licensed under a Creative Commons CC-BY-NC-ND license. To view a copy of the license, visit http://creativecommons.org/licenses .

Library of Congress Cataloging-in-Publication Data

Names: Fisher, Elaine M., 1984- author.

Title: Hindu pluralism: religion and the public sphere in early modern South India / Elaine M. Fisher.

Other titles: South Asia across the disciplines.

Description: Oakland, California: University of California Press, [2017] | Series: South Asia across the disciplines | Includes bibliographical references and index.

Identifiers: LCCN 2016046548 (print) | LCCN 2016048637 (ebook) | ISBN 9780520293014 (pbk.: alk. paper) | ISBN 9780520966291 (e-edition)

Subjects: LCSH: Hinduism India, South. | Re ligious pluralism India, South. | India, South--Religion.

Classification: LCC BL1153.7.S68 F57 2017 (print) | LCC BL1153.7.S68 (ebook) | DDC 294.50954/8--dc23

LC record available at https://lccn.loc.gov/2016046548

CONTENTS
ACKNOWLEDGMENTS

As was common wisdom in the classical genres of Sanskrit textuality, a book simply cannot be undertaken without a preliminary homage of reverence to the sources of inspiration to whom we owe our existence as scholars and human beings. Words cannot do justice to my gratitude for the unwavering support and the depth of enthusiasm I have encountered from advisors, colleagues, and companions alike. The first iteration of this book originated as a doctoral dissertation at Columbia University written under the mentorship of Sheldon Pollock, who first opened my eyes to the potential of philology to envision possible pasts both inside and outside of the text. What this book has become today would have been inconceivable without his unwavering confidence both in the project itself and in the intellectual freedom to take risks on new archives and archaeologies. My gratitude goes out to the members of my dissertation committee, Jack Hawley, Sudipta Kaviraj, Rachel McDermott, and Indira Peterson, for their generous feedback and encouragement on every draft at each step of the journey. I owe my introduction to the textual canons of aivism and the world of digital philology to the generous mentorship of Somadeva Vasudeva during his time at Columbia.

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