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John Cage - Musicage: Cage muses on words, art, music

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The entire range of John Cages work and thought, explored in three wide-ranging dialogues, which constitute his last unified statement on his art.

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title Musicage Cage Muses On Words Art Music author Cage - photo 1

title:Musicage : Cage Muses On Words, Art, Music
author:Cage, John.; Retallack, Joan.
publisher:Wesleyan University Press
isbn10 | asin:0819552852
print isbn13:9780819552853
ebook isbn13:9780585378831
language:English
subjectCage, John--Interviews, Composers--United States--Interviews.
publication date:1996
lcc:ML410.C24A5 1996eb
ddc:780/.92
subject:Cage, John--Interviews, Composers--United States--Interviews.
Page i
Musicage
Page ii
JOHN CAGE
in Conversation with Joan Retallack
Page iii
Musicage
Cage Muses On Words, Art, Music
Joan Retallack, Editor
Page iv Wesleyan University Press Published by University Press of New - photo 2
Page iv
Wesleyan University Press
Published by University Press of New England, Hanover, NH 03755
1996 by Joan Retallack
All rights reserved
Printed in the United States of America 5 4 3 2 1
CIP data appear at the end of the book
Page v
this book is dedicated to
H C (W) E
Page vii
CONTENTS
List of Illustrations
ix
Acknowledgments
xi
Introduction: Conversations in Retrospect
Joan Retallack
xiii
I. Words
Art Is Either a Complaint or Do Something Else
John Cage
3
Cage's Loft, New York City: September 67, 1990
John Cage and Joan Retallack
43
II. Visual Art
Cage's Loft, New York City: October 2123, 1991
John Cage and Joan Retallack
83
III. Music
Cage's Loft, New York City: July 1517, 1992
John Cage and Joan Retallack
169
July 18, 1992
John Cage, Joan Retallack, and Michael Bach
246
July 30, 1992
John Cage and Joan Retallack
291
Appendixes
A. Selected Cage Computer Programs
315
B. Mesostic Introduction to The First Meeting of the Satie Society
316
C. Writing through Ulysses (Muoyce II). Typescript Page from Part 17 based on the ''Nighttown" section of Ulysses
319
D. Excerpts from Manuscript and Score of Two6 (1992)
320
E. Notated Time Bracket Sheets for Thirteen (1992), Pages 14, 15, 16
328
F. Writing through Ulysses (Muoyce II), Part 5
331
G. IC Supply Sheet Marked by Cage with Red, Blue, and Black Pencils
332

Page viii
H. Excerpts from Score for Europera5
333
I. Europera5 at MOMA
340
J. Letter Outlining Plans for Noh-Opera
341
K. Notated Time Bracket Sheets for 58 (1992), Pages 2 and 4
342
L. Project for Hanau Squatters
344
M. First Page of One8 (1991)
345
N. First Page of Ten (1991), Violin 1
346
Index
347

Page ix
ILLUSTRATIONS
Figure 1. John Cage Working at Crown Point Press, 1981
97
Figure 2. John Cage, Changes and Disappearances, 197982, No. 17
98
Figure 3. John Cage Working on Changes and Disappearances at Crown Point Press, 1981
98
Figure 4. John Cage, Where There Is, Where ThereUrban Landscape, 198789, No. 22
114
Figure 5. John Cage, Global Village 3748, 1989
115
Figure 6. John Cage Lighting a Fire on the Etching Press Bed at Crown Point Press, January 1992
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