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Gerald Peters - The mutilating God: authorship and authority in the narrative of conversion

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title The Mutilating God Authorship and Authority in the Narrative of - photo 1

title:The Mutilating God : Authorship and Authority in the Narrative of Conversion
author:Peters, Gerald.
publisher:University of Massachusetts Press
isbn10 | asin:0870238914
print isbn13:9780870238918
ebook isbn13:9780585184715
language:English
subjectNarration (Rhetoric)--Psychological aspects, Autobiography--Authorship, Conversion in literature, Identity (Psychology) in literature, Authority in literature, Literature, Modern--History and criticism.
publication date:1993
lcc:PN212.P48 1993eb
ddc:809/.93592
subject:Narration (Rhetoric)--Psychological aspects, Autobiography--Authorship, Conversion in literature, Identity (Psychology) in literature, Authority in literature, Literature, Modern--History and criticism.
Page iii
The Mutilating God
Authorship and Authority in the Narrative of Conversion
Gerald Peters
Page iv Copyright 1993 by The University of Massachusetts Press All rights - photo 2
Page iv
Copyright 1993 by
The University of Massachusetts Press
All rights reserved
Printed in the United States of America
LC 93-22151
ISBN 0-87023-891-4
Designed by Susan Bishop
Printed and bound by Thomson-Shore, Inc.
Library of Congress Cataloging-in-Publication Data
Peters, Gerald, 1952
The mutilating God : authorship and authority in the
narrative of conversion / Gerald Peters.
p. cm.
Includes bibliographical references and index.
ISBN 0-87023-891-4 (alk. paper)
1. Narration (Rhetoric)- Psychological aspects.
2. Autobiography-Authorship. 3. Conversion in
literature. 4. Identity (Psychology) in literature.
5. Authority in literature. 6. Literature, Modern - History
and criticism. 1. Title.
PN212.P48 1993
809'.93592 -dc20 93-22151
British Library Cataloguing in Publication data are available.
This book is published with the support and cooperation of the University of Massachusetts at Boston.
Page v
For my parents
Page vii
CONTENTS
Acknowledgments
ix
Introduction
1
Part I. Authorizing Inscriptions: Prefiguring the Freudian Text
23
1. The Hieroglyphic Phase
25
2. The Hieratic Phase
35
3. The Demotic Phase
44
4. Conversion and the Symbolic Order
51
Part II. A Matter of Life and Death in the Psyche: Incorporating the Freudian Paradigm
63
5. Authorizing the Self in Joyce's Portrait
65
6. Freud's "Magic Slate" and Stephen Dedalus's Aesthetic
77
7. The Mirror of the Text: Rilke's "Other Self"
87
8. Rilke's God
100
Part III. From Elder Son to Big Brother: The Death of the Freudian Subject in Orwell's Nineteen Eighty-Four
117
9. The Vicissitudes of an "Instinct" in the Conversion of Paul
119
10. Inside the Writing Machine: The Diary of Winston Smith
128
11. Reforming Desire
137
12. Unified Self/"Docile Body"
147
Part IV. Conclusions
155
13. Epitome: The Dream of Salvation
157
14. Epilogue: Kafka's "Nightmare"
160
Works Consulted
167
Author Index
177

Page ix
ACKNOWLEDGMENTS
Initial research for this book was facilitated by a fellowship from the Social Sciences and Humanities Research Council of Canada. The final process of revision and rewriting was expedited by a University of Southern Maine Summer Faculty Fellowship. A short section in Chapter 6 first appeared in an article in The Maine Scholar 2 (Autumn 1989). An earlier version of Chapter 7 originally appeared in MOSAIC 25, no. 1 (Winter 1992).
I wish to thank Michael Palencia-Roth for his encouragement and insightful criticism throughout the process of writing this work. More than anyone I know, Michael has understood the importance of maintaining a personal investment in the often rarefied activity of scholarship. I am also grateful to F. C. McGrath for his careful reading of the manuscript when it was nearly completed and for the two afternoon fishing expeditions from which I returned richer in helpful suggestions for revision than in fish.
I thank my children, Sarah, Katherine, Michael, and Ryan, for bringing such joy and meaning to my life. I owe my deepest gratitude and appreciation to my friend and partner, Anita, without whom this book could not have been written.
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