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Moura - Folk Magic, Fairy Lore & Herb Craft

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Moura Folk Magic, Fairy Lore & Herb Craft
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Folk Magic, Fairy Lore & Herb Craft: summary, description and annotation

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Learn the basics of Witchcraft from a third-generation Witch raised in a family tradition. Positive, practical, and easy to use, Green Witchcraft brings together the best of both modern Wicca and the authors family heritage of herb craft and folk magic.

Green Witchcraft explores the fundamentals of the Wiccan religion, providing magical training for the independent thinker. Step-by-step instructions on a wide variety of magical techniques as well as basic rules of conduct make this the ideal book to get you started. Green rituals for self-initiation, rites of passage, seasonal celebrations and activities provide an excellent foundation for your own magical tradition.

Discover the fine art of spellcasting, the magical uses of herbs, divination with the tarot and more. Explore the Sabbats, Esbats, and other rituals attuned to the cycles of nature and the universal powers...

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About the Author Ann Moura Aoumiel has been a solitary practitioner of Green - photo 1

About the Author

Ann Moura (Aoumiel) has been a solitary practitioner of Green Witchcraft for over thirty years. She derived her Craft name, Aoumiel, to reflect her personal view of the balance of the male and female aspects of the Divine. Her mother and grandmother were Craftwise Brazilians of Celtic-Iberian descent who, while operating within a general framework of Catholicism, passed along a heritage of folk magic and Craft concepts that involved spiritism, ancient Celtic deities, herbal spells, Green magic, reincarnation belief, and rules for using the power.

The Craft was approached casually in her childhood, being experienced or used as situations arose. With the concepts of candle spells, herbal relationships to magic, spiritism, reincarnation, Rules of Conduct, and calling upon the elementals and the Divine already established through her mothers teachings in particular, she was ready to proceed in her own direction with the Craft by the time she was fifteen. In her practice of the Craft today, Aoumiel has moved away from the Christianized associations used by her mother and grandmother. She is focused on the basic Green level of Witchcraft and is teaching the next generation in her family. She took both her Bachelor of Arts and Master of Arts degrees in history. She is married, has a daughter and a son, and is a certified history teacher at the high school level.

Llewellyn Publications Woodbury Minnesota Copyright Information Green - photo 2

Llewellyn Publications

Woodbury, Minnesota

Copyright Information

Green Witchcraft 1996 by Ann Moura (Aoumiel).

All rights reserved. No part of this book may be used or reproduced in any matter whatsoever, including Internet usage, without written permission from Llewellyn Publications, except in the form of brief quotations embodied in critical articles and reviews.

As the purchaser of this e-book, you are granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. The text may not be otherwise reproduced, transmitted, downloaded, or recorded on any other storage device in any form or by any means.

Any unauthorized usage of the text without express written permission of the publisher is a violation of the authors copyright and is illegal and punishable by law.

First e-book edition 2013

E-book ISBN: 9780738718095

first edition

Twentieth Printing, 2011

Cover design by Maria Mazzara

Illustrations by Nyease Somersett

Book design, layout, and editing by Rebecca Zins

Llewellyn Publications is an imprint of Llewellyn Worldwide Ltd.

Llewellyn Publications does not participate in, endorse, or have any authority or responsibility concerning private business arrangements between our authors and the public.

Any Internet references contained in this work are current at publication time, but the publisher cannot guarantee that a specific reference will continue or be maintained. Please refer to the publishers website for links to current author websites.

Llewellyn Publications

Llewellyn Worldwide Ltd.

2143 Wooddale Drive

Woodbury, MN 55125

www.llewellyn.com

Manufactured in the United States of America

This book is dedicated to the memory of Wanda Lee, who after a sudden illness passed into the realm of the Lord of Shadows on March 24, 1993. This lovely lady had the gift of divination with Tarot cards and gave me the push I needed to write about the Craft. She encouraged me to reach for my star and to do what I really wanted.

Take your rest in the loving care of the Lady and the Lord, dear sister, and blessed be.

Contents

The Green

Basics

Witches and Herbs

Green Living

Magic

Magical Practices

Green Rituals

The Esbats

Yule Sabbat (December 21)

Imbolc Sabbat (February 2)

Ostara Sabbat (March 21)

Beltane Sabbat (May 1)

Litha Sabbat (June 21)

Lughnassadh Sabbat (August 1)

Mabon Sabbat (September 21)

Samhain Sabbat (October 31)

: Aryan and Dravidic Influences on Western Religions

: Mail Order Supplies

The Green I t is my intention to discuss the Green elements of modern - photo 3

The Green

I t is my intention to discuss the Green elements of modern Witchcraft and neopagan practices as well as relate those elements to my own Craft practice and the bits and pieces of Iberian-Celtic tradition handed down to me from my mother and her mother. My approach is both historical and personal; my interests lie in history, and I would be untrue to myself if I discarded history (which is so great a part of my perspective on life) in any presentation of Craft practices. My family associations with the Craft did not come through formal training or through recognized tradition, but by observation, activities, and verbal guidance.

Much of Craft practice has been softly muffled through its passage over the generations. It has only been in recent decades, with the formalization of Witchcraft traditions, that practices have been created to preserve oral traditions that otherwise might have faded. I am very grateful for the Gardners and the Bucklands and all the other writers of the Craft who have worked so diligently to preserve an ancient religion. My purpose here is to show the underlying thread that appears to run through most traditions and relate it to the ancient historical past, while also presenting insights as to how this thread weaves its way through three generations of my family, and is now entering the warp and weave of a fourth.

This does not mean that I know all there is to know about any one traditionI dont. I am a solitary practitioner and have been for over thirty years. My information on traditions comes from reading about them and keeping current with the Craft through newsletters and other pagan publications. I correspond with a number of Wiccans, some with coven traditions and some who are solitaries, and I have found that some issues are repeatedly addressed, which I will bring out in this book. I have found that there are terms and there are terms, which means that words like tradition can lose their generic, mundane inference and be seen as representing a formal school of the Craft. I shall avoid using this particular word except in its accepted Wiccan form whenever possible. The generic version will be substituted with words like custom or practice. Another word that sometimes carries negative inferences is Aryan. From the historians point of view, the Aryans were a people from the Central Asian areas that extended as far west as the Ukraine who were absorbed some three thousand years ago into the cultures they conquered. Any connection of Aryans with twentieth-century Nazis or modern racial, ethnic, and religious bigotry does not figure into this writing. The Aryans as a separate people simply dont exist anymore, although their heritage, like that of the Dravidic people of the Indian subcontinent, can be found throughout the modern world.

My own practices involve elements that appeal to me, but do not reflect an endorsement of any one tradition or practice. To be fair, many pagan usages recognized as belonging to a particular group are really older, common practices formalized by that group. To use a circle is not to be a Ceremonialist any more than to call upon Brigid is to be a Roman Catholic. Circles are a custom that pre-date Medieval Ceremonialism by many thousands of years, and Brigid was a Goddess long before she became a Christian saint. Just as old Pagan temples and holy sites are recognized today as Christian onesfrom Lourdes to Notre Damethe ancient beliefs underlying the modern ones cannot be claimed as a possession of the modern with any sort of historical validity. The four directions, the elementals, the center of the spirit, the five-pointed star, the star in the circleall these are primal images that go back ten to twenty thousand years with no formalized Wiccan or Ceremonial tradition. Yet it is due to the Ceremonialist and modern Wiccan traditions that these ancient symbols and usages have not lost their meaningfulness. Most of the images of the Craft and Ceremonialism can be found lurking in the dark recesses of modern mainstream religions like Judaism, Christianity, and Islam, but it took the neopagan movement to pull these out of the shadows and back into a primary focal point.

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