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Anthi Chrysanthou - Defining Orphism: The Beliefs, the ›teletae‹ and the Writings

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Anthi Chrysanthou Defining Orphism: The Beliefs, the ›teletae‹ and the Writings
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The complex matter of Orphism has so far been addressed by scholars through studies focusing on one of its components each time, primarily the Derveni Papyrus and the Gold Tablets while the text of the Orphic Rhapsodies has remained under-examined mostly due to its fragmentary nature and the lack of a reconstruction. This book brings all of the major components of Orphism together in one study, in this way highlighting both parallels and divergences between them, and a wide range of non-Orphic sources referring to Orphic practices, beliefs and texts. For the complete analysis of the Orphic Rhapsodies a reconstruction of the text was necessary, which is included in this book along with a commentary and translation. This work proposes a new definition of Orphism and it can constitute a whole-encompassing and concise guide for scholars and students interested in Orphism. The reconstruction of the Orphic Rhapsodies could also contribute on shifting the understanding of this work to new perspectives as it demonstrates that the Orphic Rhapsodies was a more complex text rather than a single continuous theogonic narrative as has been approached up to this date.

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Contents
Guide
Defining Orphism The Beliefs the teletae and the Writings - image 1

Anthi Chrysanthou

Defining Orphism

Trends in Classics Supplementary Volumes

Defining Orphism The Beliefs the teletae and the Writings - image 2

Edited by

Franco Montanari and Antonios Rengakos

Associate Editors

Stavros Frangoulidis Fausto Montana Lara Pagani

Serena Perrone Evina Sistakou Christos Tsagalis

Scientific Committee

Alberto Bernab Margarethe Billerbeck

Claude Calame Jonas Grethlein Philip R. Hardie

Stephen J. Harrison Stephen Hinds Richard Hunter

Christina Kraus Giuseppe Mastromarco

Gregory Nagy Theodore D. Papanghelis

Giusto Picone Tim Whitmarsh

Bernhard Zimmermann

Volume 94

ISBN 978-3-11-067839-0 e-ISBN PDF 978-3-11-067845-1 e-ISBN EPUB - photo 3

ISBN 978-3-11-067839-0

e-ISBN (PDF) 978-3-11-067845-1

e-ISBN (EPUB) 978-3-11-067853-6

ISSN 1868-4785

Library of Congress Control Number: 2020932271

Bibliographic information published by the Deutsche Nationalbibliothek

The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de.

2020 Walter de Gruyter GmbH, Berlin/Boston

Editorial Office: Alessia Ferreccio and Katerina Zianna

Logo: Christopher Schneider, Laufen

www.degruyter.com

Defining Orphism The Beliefs the teletae and the Writings - image 4

To my Family

List of Tables
Abbreviations
ARVBeazley, J.D. (1963). Attic Red-Figure Vase-Painters , Oxford: Clarendon Press.
BTOlbian Bone Tablets
CMSCorpus of Minoan and Mycenaean Seals
DFHGDigital Fragmenta Historicorum Graecorum [Online] Available at: http://www.dfhg-project.org/
DKDiels, H. and Kranz, W. (1952), Fragmente der Vorsokratiker (6th edn.), Weidmannsche Buchhandlung.
DPDerveni Papyrus
EOAGWilson, N. (2013). Encyclopedia of ancient Greece . London: Routledge.
FGrHistJacoby, F. (1923). Fragmente der griechischen Historiker . Weidmann: Berlin.
GTGold Tablets
ICInscriptiones Creticae [IC] III [Online] Available at: https://epigraphy.packhum.org/book/292?location=1362
IGInscriptiones Grecae [Online] Available at: https://epigraphy.packhum.org/biblio#b20
KPTKouremenos, Parssoglou, Tsantsanoglou edition and translation of the Derveni Papyrus. Kouremenos, T., Parssoglou G.M., Tsantsanoglou, K. (2006). The Derveni Papyrus . Firenze: Leo S. Olschki Editore.
KRSKirk, G.S., Raven, J.E., Schofield, M. (1983). The Presocratic Philosophers: A critical history with a selection of text . Cambridge: Cambridge University Press.
OF(number) (Kern)Orphic Fragments from Kerns Orphicorum Fragmenta (1922).
OF(number)FOrphic Fragments from Bernabs Orphicorum et Orphicis similium testimonia et fragmenta. Pars II, Fasc. 1 and 2 (20042005)
OF(number)TOrphic Testimonia from Bernabs aforementioned edition of the Orphic fragments.
ORThe text and translation of the Orphic Rhapsodies by the author as found in section 6.4.
PEGBernab, A. (ed.) (1987). Poetae epici Graeci, testimonia et fragmenta . Pars I. Leipzig: B.G. Teubner.
PfPfeiffer, R. (1949). Callimachus , vol. i: Fragmenta . Oxford: Clarendon Press.
TrGFSnell, B., Kannicht, R., Radt, S. (eds.) (19712004). Tragicorum Graecorum Fragmenta . Gttingen: Vandenhoeck & Ruprecht.
1Introduction

I would like to thank the University of Leeds for giving me the opportunity to undertake the research which led to the publication of this book. I would also like to express my sincere gratitude to Dr. Emma Stafford and Prof. Malcolm Heath for their support and constructive feedback. This book would not have been possible without the constant encouragement of my family: Anna, Chrysanthos, Tania, Antonia and Michalakis. Finally, I would like to thank my husband Dovydas for always being there for me.

When I began my research on Orphism I quickly realised that there was not a specific and widely accepted definition of this phenomenon and that the vast amount of sources referring to Orphism is not directly proportionate to how important its place in ancient Greek history is considered by scholarship. By the time I reached the end of my research I was more convinced than ever that there needs to be a major shift in the way that the disputed matter of Orphism is perceived by scholars. Despite the long and significant history of Orphic scholarship I believe that as time went by the study of Orphism has been somewhat inhibited by academic blind-spotting rooted deeply into doctrines of what is and is not acceptable or expected in ancient Greek religion. In this book, I aim to approach the material with a fresh look, without any presuppositions and limitations in order to reach a clear understanding of this phenomenon. This is not of course to say that previous theories on the matter will not be taken into consideration or to take away of the significance of previous scholarship but that the attitude of this book will be more exploratory rather than deterministic. More specifically, this book aims to bring together in one discussion all the basic constituents of Orphism and the majority of non-Orphic ancient sources which refer to Orphism in order to propose a redefinition of what exactly Orphism was and to evaluate its place in ancient Greek religion. The basic constituents I will be analysing are: the Derveni Papyrus, the Gold and Bone Tablets and the Orphic Rhapsodies , which are broadly considered by scholarship to be important sources relating to Orphism. Other ancient sources range from Platonic passages to archaeological remains and coins, ranging chronologically from the archaic period to Late Antiquity. I hope that this book can offer new insights into the matter and a new definition of the Orphic phenomenon while at the same time serve as a concise introductory guide for Orphic researchers.

The general tendency of scholarship on Orphism has been constantly changing. Perhaps one of the first scholarly opinions on Orphism can be considered the

Linforth shifted scholarly opinion on Orphism in the opposite direction. In The Arts of Orpheus in 1941 he collected a large number of ancient sources related to Orphism, divided them to ante and post 300 B.C. and analysed them to conclude that there is no such thing as a systematic set of Orphic beliefs. Dodds, in his discussion of Orphism in The Greeks and the Irrational (1951), mentions that his view on Orphism was influenced by Linforths work, which led him to suggest that Orphism as a concept stands on fragile ground, patched up with material from the fantastic theogonies of Proclus and Damascius. of the Derveni Papyrus containing an allegorical interpretation of an Orphic Theogony would stir the waters again due to its early date, since the papyrus is dated to the 4th century B.C. and the theogony itself even earlier.

The prevalent tendency amongst more recent scholars has been to identify Orphism through its literature, and define as Orphic the works associated with Orpheus and the religious spirit that pervades these works. Gruppe maintained that there is a doctrine prevalent in the Orphic theogonies, which he summarised in a single phrase attributed to Musaeus: Everything comes to be out of One and is resolved into One.

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