Calum Neill - Lacanian Perspectives on Blade Runner 2049
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Jacques Lacan is one of the most important and influential thinkers of the 20th century. The reach of this influence continues to grow as we settle into the 21st century, the resonance of Lacan's thought arguably only beginning now to be properly felt, both in terms of its application to clinical matters and in its application to a range of human activities and interests. The Palgrave Lacan Series is a book series for the best new writing in the Lacanian field, giving voice to the leading writers of a new generation of Lacanian thought. The series will comprise original monographs and thematic, multi-authored collections. The books in the series will explore aspects of Lacan's theory from new perspectives and with original insights. There will be books focused on particular areas of or issues in clinical work. There will be books focused on applying Lacanian theory to areas and issues beyond the clinic, to matters of society, politics, the arts and culture. Each book, whatever its particular concern, will work to expand our understanding of Lacan's theory and its value in the 21st century.
More information about this series at http://www.palgrave.com/gp/series/15116
Cover illustration: Pictorial Press Ltd/Alamy Stock Photo
This Palgrave Macmillan imprint is published by the registered company Springer Nature Switzerland AG
The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
For Claire,
with one more kiss, dear.
is an associate professor of English at Pacific University, where he teaches courses in nineteenth-century British literature, critical theory, and film theory. His articles have appeared in several journals, including LFQ: Literature/Film Quarterly, Mediations: Journal of the Marxist Literary Group, ELH: English Literary History, and V21 Collective. He is author of the book Spectral Dickens: The Uncanny Forms of Novelistic Characterization, forthcoming on Manchester University Press, and is currently at work on a book entitled Extimate Materialism that Explores the Relation Between Film and the novel through critical theories of comedy, the uncanny, and characterization.
is a psychoanalyst and writer, and co-creator of the Everyday Analysis project. He has published widely on Lacanian psychoanalysis, critical theory, and politics, and is author of Joyce and Lacan: Reading, Writing, and Psychoanalysis, and 2001: A Space Odyssey and Lacanian Psychoanalytic Theory, which is also in the Palgrave Lacan Series.
received his Ph.D. from the University of St Andrews and is a professor in both the Department of Art & Design and the Department of Philosophy & Humanities at East Tennessee State University, where he teaches aesthetics, the aesthetics of technology, artistic identity and contemporary art history as well as being the Director of the Bert C. Bach Fine & Performing Arts Scholars program in the Honors College. He is the author of The Potential Role of Art in Kierkegaards Description of the Individual (2004) and co-author with ukasz Mirocha of The New Aesthetic and Art: Constellations of the Postdigital (2016).
is associate professor of Rhetoric and Communications at The University of Winnipeg, Canada. He is the author of Algorithmic Desire: Toward a New Structuralist Theory of Social Media (2021), Postmodern Theory and Blade Runner (2017), and The Symbolic, The Sublime, and Slavoj ieks Theory of Film (2012), and co-editor of iek and Media Studies: A Reader.
is associate professor of Individualized Studies at Metropolitan State University. She has published numerous articles on psychoanalysis and culture, and contributed chapters on the psychoanalysis of film to Psychoanalyzing Cinema (Jan Jagodzinski, ed. 2012) and Lars Von Tiers Women (Rex Butler and David Denny, eds., 2017), as well as edited the collection, Cinematic Cuts: Theorizing Film Endings (SUNY Press, 2016).
teaches theory and film at the University of Vermont. He is the author of Universality and Identity Politics, Emancipation After Hegel, Only a Joke Can Save Us: A Theory of Comedy, Capitalism and Desire, and other works. He is the co-editor of the Diaeresis series with Slavoj iek and Adrian Johnston at Northwestern University Press and editor of the Film Theory in Practice series at Bloomsbury.
recently received her Ph.D. in psychoanalysis and philosophy from Kingston University. Her thesis is entitled The Psychoanalysis of Artificial Intelligence. Her work has appeared in Stillpoint Magazine, Psychoanalytische Perspectieven, Vestigia, JCFAR journal
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