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Max I. Dimont - A History of the Jews: The Indestructible Jews, The Jews in America, and Appointment in Jerusalem

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Max I. Dimont A History of the Jews: The Indestructible Jews, The Jews in America, and Appointment in Jerusalem
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Three books on Jewish heritage from the author of Jews, God, and History, the best popular history of the Jews written in the English language (Los Angeles Times).
With over a million and a half copies sold, Jews, God and History introduced readers to the fascinating reasoning of acclaimed scholar Max I. Dimonts bright and unorthodox mind (San Francisco Sunday Examiner and Chronicle). In these three volumes, Dimont builds on the themes and insights presented in that seminal work, providing a rich and comprehensive portrait of the cultural and religious history of the Jewish people.
The Indestructible Jews traces the four-thousand-year journey of the Jewish people from an ancient tribe with a simple faith to a global religion with adherents in every nation. Through countless expulsions and migrations, the great tragedy of the Holocaust and the joy of founding a homeland in Israel, this compelling history evokes a proud heritage while offering a hopeful vision of the future.
The Jews in America offers an overview of Judaism in the United States from colonial times to twentieth-century Zionism. Dimont follows the various waves of immigration, recounts the cultural achievements of those who escaped oppression in their native lands, and discusses the attitudes of American Jewsboth religious and seculartoward Israel.
Appointment in Jerusalem explores the mystery surrounding the predictions Jesus made about his fate. Dimont re-creates the drama in three acts using his knowledge of the events recorded in the Bible. Thoughtful and fascinating, his account offers fresh insights into questions that have surrounded religion for centuries. Who was Jesusthe Christian messiah or a member of a Jewish sect?

Max I. Dimont: author's other books


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A History of the Jews The Indestructible Jews The Jews in America and - photo 1

A History of the Jews

The Indestructible Jews, The Jews in America, and Appointment in Jerusalem

Max I. Dimont

CONTENTS Introduction Illusions of History Man God and the Clash of Ideas - photo 2

CONTENTS

Introduction
Illusions of History: Man, God, and the Clash of Ideas

PRELUDE TO ACT I:
Prescription for Survival

Chronology For Act I
From Abraham To Jesus

ACT I
THE MANIFEST DESTINY

Prelude to Act II:
The Road to Mishna

ACT II
The Existentialist Dilemma

Chronology for Act II
From Jesus To Ben-Gurion

THE FIRST CHALLENGE
The Expanding Society of the Roman World

THE SECOND CHALLENGE
The Interim Society of the Parthian-Sassanid World

THE THIRD CHALLENGE
The Open Society of the Islamic World

PROGRAM NOTE
A Cross-Examination of the Crucifixion

THE FOURTH CHALLENGE
The Closed Society of the Feudal World

THE FIFTH CHALLENGE
The Regression of the Ghetto Age

THE SIXTH CHALLENGE
The Sick Society of the Scientific Age

ACT III
The Paradox Of the Diaspora

Chronology For Act III
From Ben-Gurion To The Messiah

Introduction
American Judaism: Wasteland or Renaissance?

About the Author

Max I. Dimonts Jews, God, and History, with more than a million and a half copies in print, has been acclaimed the best popular history of the Jews written in the English language. It answers the questions of the layman searching for an interpretation and understanding of events and facts covering four thousand years of Jewish and world history. The authors unique approach to his subject is continued in The Indestructible Jews, The Jews in America, and The Amazing Adventures of the Jewish People. His last book, Appointment in Jerusalem, was published, after twenty years of research, shortly before his death in 1992.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook onscreen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of the publisher.

The Indestructible Jews copyright 1971 by Max I. Dimont

The Jews in America copyright 1978 by Max Dimont

Appointment in Jerusalem copyright 1991 by Max I. Dimont

Cover design by Itzy Ramirez

ISBN: 978-1-5040-4961-0

This edition published in 2017 by Open Road Integrated Media, Inc.

180 Maiden Lane

New York, NY 10038

www.openroadmedia.com

The Indestructible Jews A FABLE OF OUR TIMES On the wall of a subway station - photo 3

The Indestructible Jews A FABLE OF OUR TIMES On the wall of a subway station - photo 4
The Indestructible Jews
A FABLE OF OUR TIMES:

On the wall of a subway station in New York someone had scrawled:

God is dead.

Nietzsche

Someone else had crossed it out and scrawled underneath:

Nietzsche is dead.

God

Preface

For all too long, Jews and Christians have distorted Jewish history with so many pious frauds and smothered it with so much pious mythology that at times it has been difficult for scholar or layman to perceive its real grandeur.

It was not always thus. The Old Testament, most of it unequaled for sheer narrative skill, gives us an entirely different picture of Jewish historyproud, grand, and dynamic. It is also the first historical record, in the modern sense of the word, so accurate that an archaeologist can go to where the Bible said things happened and find the evidence.

The Greeks and Romans patterned their historical writings on the Jewish idea of history as a continuous biography of a people. But with the decline of Greece and the fall of Rome, the writing of objective history disappeared for close to a thousand years.

After the Renaissance it became the fashion in Church circles to denigrate Jewish history in order to ennoble the Christian view of things, thus reducing Jewish history to a meaningless, minor footnote. In ghetto circles, it became fashionable to count dead Jews in order to enhance Jewish suffering, thus reducing Jewish history to a meaningless, boring dirge.

In the nineteenth century, with the era of the German Enlightenment (Aufklrung), so-called scientific Judaism was born. A more apt phrase would be public-relations Judaism. In their eagerness to portray Jews to Christians as nice, tolerant, taxpaying citizens, German Reform Jewish scholars began to suppress anything they thought was unfavorable to the Jews. In their works, the Jew emerged as an innocent shnook, pushed by predatory Christians to the slaughter-bench of history. Retroactively, they conferred the crown of martyrdom on Jews all the way back to Abraham.

With the twentieth century, scholars at last began to discard the stereotypes of Church, ghetto, and apologetes. Modern scholarsboth Jewish and Christianbegan to reexamine Jewish history with new, objective, critical eyes. Jewish scholars especially began to arm themselves with general world history, religious and secular. They let the facts fall where they would, and as obscuring myths were discarded, Jewish history was revealed in a new light.

History can be compared to a vast smrgsbord, with the facts spread on a prepared table like exotic dishes, each vying for attention. There are two ways the historian can serve himself. He can close his eyes and help himself to a chance sampling of what the table has to offer, in which case he would have that highly praised mode of history known as objective. Or he can select those facts that suit his concept of history, in which case he would construct that highly criticized mode of history known as interpretive. We prefer the second school, becauseto paraphrase an epigram by Oscar Wildeobjective history gives us the dates of everything and the meaning of nothing. Facts in themselves have no intrinsic worth other than that they happened. Meaning can come only after facts have been sifted through the human mind and clothed with value.

The same holds true for every great work of art, which is not only an aesthetic presentation but a statement of value as well. For example, the Duke of Ferrara in Brownings My Last Duchess kills his wife because of her inability to make value judgments. In Brownings words, the Dukes complaint was:

Sir, twas all one! My favor at her breast,

The dropping of the daylight in the West,

The bough of cherries some officious fool

Broke in the orchard for her, the white mule

She rode with round the terraceall and each

Would draw from her alike the approving speech,

Or blush at least. She thanked men, good! but thanked

SomehowI know not howas if she ranked

My gift of a nine-hundred-years-old name

With anybodys gift.

Just as the Duke demanded from his Duchess a value differentiation between a bough of cherries and his nine-hundred-years-old name, so a reader can demand that a historian make a value differentiation between an earthquake killing a million people and a dictator ordering the murder of a like number of people. Not the quantity but the morality of the act is the meaningful factor.

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