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Jeffrey S. Siker - Liquid Scripture: The Bible in a Digital World

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The electronic Bible is here to staypackaged in software on personal computers, available as apps on tablets and cell phones. Increasingly, students look at glowing screens to consult the Bible in class, and congregants do the same in Bible study and worship. Jeffrey S. Siker asks, what difference does it make to our experience of Scripture if we no longer hold a book in our hands, if we again scroll through Scripture? How does the flow of electronic Scripture change our perception of the Bibles authority and significance? Siker discusses the difference made when early Christians adopted the codex rather than the scroll and Gutenberg began the mass production of printed Bibles. He also reviews the latest research on how the reading brain processes digital texts and how churches use digital Bibles, including American Bible Society research and his own surveys of church leaders. Siker asks, does the proliferation of electronic translations reduce the perceived seriousness of Scripture? Does it promote an individualistic response to the Bible? How does the change from a physical Bible affect liturgical practice? His synthesis of the advantages and risks of the digitized Bible merit serious reflection in classrooms and churches alike.

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Liquid Scripture
The Bible in a Digital World
Jeffrey S. Siker
Fortress Press
Minneapolis

LIQUID SCRIPTURE
The Bible in a Digital World

Copyright 2017 Fortress Press. All rights reserved. Except for brief quotations in critical articles or reviews, no part of this book may be reproduced in any manner without prior written permission from the publisher. Email copyright@1517.media or write to Permissions, Fortress Press, PO Box 1209, Minneapolis, MN 55440-1209.

Cover images, clockwise from top left: Codex Sinaiticus (detail of John 1), used by permission of the British Library; Detail of stained glass window from Stanstead Church, Suffolk, UK; YouVersion (screenshot of John 1); The Gutenberg Bible (detail of John 1), used by permission of the British Library.

Cover design: Pat Pickard

Print ISBN: 978-1-5064-0786-9
eBook ISBN: 978-1-5064-0787-6

The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences Permanence of Paper for Printed Library Materials, ANSI Z329.48-1984.

Manufactured in the U.S.A.

Contents
1
Table of Figures
Figures in the Gallery are indicated throughout the text by a G after the figure number.
Fig. 2.1Cuneiform Ark Tablet19
Fig. 2.2Papyrus Plant21
Fig. 2.3Muse Reading Papyrus Scroll22
Fig. 2.4Torah Parchment Scrolls22
Fig. 2.5Wood Tablet with Wax26
Fig. 2.6Chester Beatty Papyrus, p4627
Fig. 2.7Codex Vaticanus29
Fig. 2.8Gutenberg Bible31
Fig. 3.1Roberto Busa and an IBM Computer37
Fig. 3.2Table from Morton, Christianity in the Computer Age39
Fig. 3.3CD Word50
Fig. 3.4GFranklin Electronic King James BibleGallery
Fig. 3.5GInterpreters Bible (1951)Gallery
Fig. 4.1Kaypro II Computer (1983)72
Fig. 4.2GHistory of the iPhoneGallery
Fig. 4.3History of the Kindle76
Fig. 4.4The Reading Brain78
Fig. 4.5GBibleGateway-1Gallery
Fig. 4.6GBibleGateway-2Gallery
Fig. 4.7How the Brain Reads85
Fig. 4.8Goal Switching in the Brain86
Fig. 4.9Z-Shaped Pattern Reading88
Fig. 4.10F-Shaped Pattern Reading89
Fig. 4.11GHeat Map of Eye TrackingGallery
Fig. 5.1The State of the Bible 2011104
Fig. 5.2GThe State of the Bible 2015Gallery
Fig. 5.3Logos Verse of the Day121
Fig. 5.4verseoftheday.com121
Fig. 6.1Greek New Testament, Critical Apparatus130
Fig. 6.2GCodex SinaiticusGallery
Fig. 6.3GBible Version Read Most OftenGallery
Fig. 6.4Michelangelo, Moses with horns151
Fig. 6.5GChagall, Moses with hornsGallery
Fig. 6.6FrankenBible156
Fig. 6.7BibleEmoji of Matthew 5:44180
Fig. 6.8Bible Emoji of Mark 15.36-39181
Fig. 8.1GScreenshot of Logos, Luke 1 Passage GuideGallery
Fig. 8.2GScreenshot of Logos, Luke 1 Exegetical GuideGallery
Fig. 8.3GScreenshot of AccordanceGallery
Fig. 8.4GScreenshot of Accordance, Luke 1Gallery
Fig. 8.5GScreenshot of Bible Works, Isaiah 30Gallery
Fig. 8.6GScreenshot of Bible Works, Luke 1Gallery
Fig. 8.7Screenshot of Olive Tree230
Fig. 8.8Screenshot of Olive Tree, Luke 1231
2
Preface: From Print to Pixels, 1s and 0s

Yes, it is a press, certainly, but a press from which shall flow in inexhaustible streams the most abundant and most marvelous liquor that has ever flowed to relieve the thirst of men! Through it, God will spread His Word.

Johannes Gutenberg

These words, attributed to Johannes Gutenberg in his reflection upon the invention of the printing press, ironically could just as easily be applied to the advent of digital media in its many permutations as it was to the printing press. From personal computers to the web to e-readers to email to messaging to Twitter and Facebook to smartphones and tablets of all kinds, the digital age in which we now live has witnessed no less than an inexhaustible torrent of 1s and 0s (that most marvelous liquor) that has ever flowed to relieve (and frustrate) the thirst of millions of people. This torrent shows no signs of abating. Indeed, it is now commonplace to talk about information overload in the extreme, due largely to the capacity of just about anyone to hurl just about anything in writing, image, and sound out into the digital world.

The goal of this book is to trace just one stream amidst the larger flood, the ongoing shift from print Bibles to digital Bibles. While a great deal of attention has been given to the general turn from printed page to pixelated screen, discussion of the digital turn in Bibles has been episodic at best. Though it is increasingly impossible to give a full account of digital Bibles with all of their promises and pitfalls, it is possible to address in a relatively comprehensive manner developments in the world of digital Bibles over the last 30 years or so (the last generation), especially since the rise of personal computers in the mid-1980s and their subsequent offspring (smartphones and tablets). As the Bible-app YouVersion loudly proclaims: The Bible is everywhere. Of course, by the time you read this, there will, no doubt, be something else on the YouVersion home page. By the time you read this, YouVersion may have completely morphed into something else. Digital media makes it so easy to morph.

And so, here is the first paradox. The Bible is supposedly the unchanging Word of God, and yet, all things digital are anything but unchanging. What does it mean to bring the relatively fixed Bible into a medium that is utterly transient? For some people, it makes no difference, since the Bible was originally communicated in oral snippets rather than bound together in its current form. For others, however, there is cause for concern since the increasingly digital form of the Bible opens it up to the kind of change that is rather unsettling for sacred scriptures that, somewhat like Jesus himself, are supposed to beas Hebrews puts itthe same yesterday, today, and forever (13:8).

A few years ago, several students in my undergraduate Intro New Testament class at Loyola Marymount University asked if they could use the Bibles they had downloaded on their smartphones, tablets, or laptop computers instead of lugging around the expensive and heavy traditional print study Bible I had asked students to purchase for the class. I thought about it for a moment, calling to mind that I had used various Bible programs on my iPhone, iPad, and MacBook, and so, without much deliberation, I told them they could. Around the same time, I began noticing that church members in different congregations where I teach Bible studies were also coming and pulling out their smartphones rather than opening a traditional print Bible. Hmmm, I thought, thats an interesting development. While my undergraduate students have varying understandings and mostly little knowledge of the Bible, especially from an academic perspective, the church members come to study the Bible because they view it as sacred scripture, a sacred text, in one regard or another. What did it mean for them that they could study their scripture in digital or print form? Or did this distinction mean anything in particular?

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