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Julius J. Lipner - Hindu Images and their Worship with special reference to Vaisnavism: A philosophical-theological inquiry

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Hinduism comprises perhaps the major cluster of religio-cultural traditions of India, and it can play a valuable role in helping us understand the nature of religion and human responses to life. Hindu image-worship lies at the core of what counts for Hinduism up-front and subject to much curiosity and misunderstanding, yet it is a defining feature of this phenomenon.

This book focuses on Hindu images and their worship with special reference to Vaiavism, a major strand of Hinduism. Concentrating largely, but not exclusively, on Sanskritic source material, the author shows in the course of the book that Hindu image-worship may be understood via three levels of interpretation: the metaphysical/theological, the narratival or mythic, and the performative or ritual. Analysing the chief philosophical paradigm underlying Hindu image-worship and its implications, the book exemplifies its widespread application and tackles, among other topics such as the origins of image-worship in Hinduism, the transition from Vedic to image worship, a distinguishing feature of Hindu images: their multiple heads and limbs. Finally, with a view to laying the grounds for a more positive dialogic relationship between Hinduism and the Abrahamic faiths, which tend to condemn Hindu image-worship as idolatry, the author examines the theological explanation and justification for embodiment of the Deity in Hinduism and discusses how Hinduism might justify itself against such a charge.

Rich in Indological detail, and with an impressive grasp of the philosophical and theological issues underlying Hindu material culture, and image-worship, this book will be of interest to academics and others studying theology, Indian philosophy and Hinduism.

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Hindu Images and their Worship with special reference to Vaiavism Hinduism - photo 1
Hindu Images and their Worship with special reference to Vaiavism
Hinduism comprises perhaps the major cluster of religio-cultural traditions of India, and it can play a valuable role in helping us understand the nature of religion and human responses to life. Hindu image-worship lies at the core of what counts for Hinduism up-front and subject to much curiosity and misunderstanding, yet it is a defining feature of this phenomenon.
This book focuses on Hindu images and their worship with special reference to Vaiavism, a major strand of Hinduism. Concentrating largely, but not exclusively, on Sanskritic source material, the author shows in the course of the book that Hindu image-worship may be understood via three levels of interpretation: the metaphysical/theological, the narratival or mythic, and the performative or ritual. Analysing the chief philosophical paradigm underlying Hindu image-worship and its implications, the book exemplifies its widespread application and tackles, among other topics such as the origins of image-worship in Hinduism, the transition from Vedic to image-worship, a distinguishing feature of Hindu images: their multiple heads and limbs. Finally, with a view to laying the grounds for a more positive dialogic relationship between Hinduism and the Abrahamic faiths, which tend to condemn Hindu image-worship as idolatry, the author examines the theological explanation and justification for the embodiment of the deity in Hinduism and discusses how Hinduism might justify itself against such a charge.
Rich in Indological detail, and with an impressive grasp of the philosophical and theological issues underlying Hindu material culture, and image-worship, this book will be of interest to academics and others studying theology, Indian philosophy and Hinduism.
Julius J. Lipner is Professor Emeritus of Hinduism and the Comparative Study of Religion at the University of Cambridge, UK, and a Fellow of the British Academy. He is the author of a number of books, including Hindus: Their religious beliefs and practices (2nd edn, Routledge, 2010).
Routledge Hindu Studies Series
Series Editor: Gavin Flood
Oxford Centre for Hindu Studies
The Routledge Hindu Studies Series in association with the Oxford Centre for - photo 2
The Routledge Hindu Studies Series, in association with the Oxford Centre for Hindu Studies, intends the publication of constructive Hindu theological, philosophical and ethical projects aimed at bringing Hindu traditions into dialogue with contemporary trends in scholarship and contemporary society. The series invites original, high-quality, research-level work on religion, culture and society of Hindus living in India and abroad. Proposals for annotated translations of important primary sources and studies in the history of the Hindu religious traditions will also be considered.
The Death and Afterlife of Mahatma Gandhi
Makarand R. Paranjape
Bhakti and Embodiment
Fashioning Divine Bodies and Devotional Bodies in Ka Bhakti
Barbara A. Holdrege
Textual Authority in Classical Hindu Thought
Rmnuja and the Viu Pura
Sucharita Adluri
Indian Thought and Western Theism
The Vednta of Rmnuja
Martin Ganeri
Debating Conversion in Hinduism and Christianity
Ankur Barua
Nonviolence in the Mahabharata
Sivas Summa on Rishidharma and the Gleaners of Kurukshetra
Alf Hiltebeitel
The Other Ramayana Women
Regional Rejection and Response
Edited by John Brockington and Mary Brockington
The Integral Philosophy of Aurobindo
Hermeneutics and the Study of Religion
Brainerd Prince
Hindu Images and their Worship with special reference to Vaiavism
A Philosophical-Theological Inquiry
Julius J. Lipner
River and Goddess Worship in India
Changing Perceptions and Manifestations of Sarasvati
R.U.S. Prasad
Hindu Images and their Worship with special reference to Vaiavism
A Philosophical-Theological Inquiry
Julius J. Lipner
First published 2017 by Routledge 2 Park Square Milton Park Abingdon Oxon - photo 3
First published 2017
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
and by Routledge
711 Third Avenue, New York, NY 10017
Routledge is an imprint of the Taylor & Francis Group, an informa business
2017 Julius J. Lipner
The right of Julius J. Lipner to be identified as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloging in Publication Data
A catalog record for this book has been requested
ISBN: 978-1-138-29113-3 (hbk)
ISBN: 978-1-315-26565-0 (ebk)
Typeset in Times New Roman
by Wearset Ltd, Boldon, Tyne and Wear
Every effort has been made to contact copyright holders for their permission to reprint material in this book. The publishers would be grateful to hear from any copyright holder who is not here acknowledged and will undertake to rectify any errors or omissions in future editions of this book.
Contents
P gamaprmya
BhP Bhgavata Pura
DHI The Development of Hindu Iconography
KP Klik Pura
Mbh Mahbhrata
NKA Nyyakusumjali
N Nya stra
NT Nivsa Tantra
OFFS Offering Flowers, Feeding Skulls, Popular Goddess Worship in West Bengal
RV g Veda
SK Skhya Krik
Skr Sanskrit
VDP Viudharmottara Pura
VSU Vstustra Upaniad
For my wife, Anindita
To reconstruct a past world, doubtless with a view to the highest purposes of truth what a work to be in any way present at, to assist in, though only as a lamp-holder!
(From Middlemarch (ch. II) by George Eliot, edited by David Carroll)1
It does not take long for someone studying and teaching that somewhat amorphous body of religious-cultural traditions we call Hinduism to come up against the practice of image-worship. As one brought up in India, how could I be an exception? And the more I encountered some facet or other of this multi-stranded phenomenon which seemed to lie at the heart of Hinduism its diverse iconography, its elaborate liturgy, its array of colourful shapes and forms the more I became fascinated by it all and resolved to come to some understanding of its underlying rationale(s).
You know how it is. You resolve to make a considered statement about a wide-ranging topic of your growing expertise, and the nuts and bolts of the job get in the way: preparing lectures, giving tutorials, supervising research students, writing articles and books, attending interminable committee meetings and that original resolution fails to materialize. It gets put off to One day when I have more time [].
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