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Brandy Williams - For the Love of the Gods

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Brandy Williams For the Love of the Gods
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Follow the footsteps of history
Discover the path to the gods

For the Love of the Gods tells the epic story of theurgy, from its roots in ancient Egypt to its modern day practice. The lives and passions of the early Pagan philosophers come alive in these pages, immersing you in the bustling cities and diverse cultures that spawned theurgy as we know it today. Theurgy is best understood when it is deeply experienced. The stories presented here re-create the experience of these ancient practices and show how they were passed down through generations of teachers and students of differing ethnicities, genders, and ages.

Its commonly believed that ancient Pagan theurgy traditions were erased from the earth and replaced by monotheistic religionsbut this is a myth. The way to the gods was never lost. For the Love of the Gods shares step-by-step instructions for theurgic rituals, so that you can create relationships with the gods...

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Alex Williams About the Author Brandy Williams Washington is a Pagan - photo 1

Alex Williams About the Author Brandy Williams Washington is a Pagan - photo 2

Alex Williams

About the Author

Brandy Williams (Washington) is a Pagan Theurgist and a Woman Magician. She is passionate about sharing the knowledge of the gods and particularly passionate about making magical traditions accessible to women. She has been an active organizer, teacher, and writer for more than thirty years, presenting frequently at conferences in the magical communities. Her books include P ractical Magic for Beginners and The Woman Magician .

Williams works in Western Traditional Magic as a Thelemite, Golden Dawn Magician, and Witch. She cofounded the sororal order Sisters of Seshat, is the founder and director of Seattle Pagan Scholars, and is a past president of Covenant of the Goddess. Since 2001, she has been active in Ordo Templi Orientis, having served as a master of Vortex Oasis and on Anahata Rose Croix Chapter. Williams is an ordained priestess in Eccclesia Gnostica Catholica and celebrates the Gnostic Mass with Vortex Oasis.

In her spare time, she sings with the Medieval Womens Choir and keeps bees.

Llewellyn Publications Woodbury Minnesota Copyright Information For the - photo 3

Llewellyn Publications

Woodbury, Minnesota

Copyright Information

For the Love of the Gods: The History and Modern Practice of Theurgy 2016 by Brandy Williams.

All rights reserved. No part of this book may be used or reproduced in any matter whatsoever, including Internet usage, without written permission from Llewellyn Publications, except in the form of brief quotations embodied in critical articles and reviews.

As the purchaser of this e-book, you are granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. The text may not be otherwise reproduced, transmitted, downloaded, or recorded on any other storage device in any form or by any means.

Any unauthorized usage of the text without express written permission of the publisher is a violation of the authors copyright and is illegal and punishable by law.

First e-book edition 2016

E-book ISBN: 9780738749778

Book design by Bob Gaul
Cover art by superstock/866 - 11423/Christies Images Ltd./Christies Images Ltd.

Cover design by Lisa Novak
Editing by Laura Graves

Llewellyn Publications is an imprint of Llewellyn Worldwide Ltd.

Library of Congress Cataloging-in-Publication Data

Names: Williams, Brandy, 1956 author.

Title: For the love of the gods : the history and modern practice of theurgy

/ Brandy Williams.

Description: First Edition. | Woodbury : Llewellyn Worldwide, Ltd, 2016. |

Includes bibliographical references and index.

Identifiers: LCCN 2016017113 (print) | LCCN 2016025633 (ebook) | ISBN

9780738744698 | ISBN 9780738749778 ()

Subjects: LCSH: Theurgy.

Classification: LCC BF1623.T56 W55 2016 (print) | LCC BF1623.T56 (ebook) |

DDC 203/.2dc23

LC record available at https://lccn.loc.gov/2016017113

Llewellyn Publications does not participate in, endorse, or have any authority or responsibility concerning private business arrangements between our authors and the public.

Any Internet references contained in this work are current at publication time, but the publisher cannot guarantee that a specific reference will continue or be maintained. Please refer to the publishers website for links to current author websites.

Llewellyn Publications

Llewellyn Worldwide Ltd.

2143 Wooddale Drive

Woodbury, MN 55125

www.llewellyn.com

Manufactured in the United States of America

contents

  • : Stories from the Ancestors
  • : Priestess of Kemet
  • : Plato
  • : Plotinus
  • : Sosipatra
  • : Proklos and Asklepigenia
  • : Boethius
  • : Geber
  • : Psellos
  • : Plethon
  • : Tullia DAragona
  • : Thomas Taylor
  • : Modern Theurgists
  • : The Survival of Theurgic Ritual
  • : The Living Tradition
  • : Preparing for Practice
  • : Studying Theurgic Religious Philosophy
  • : Crafting a Theurgic Practice
  • : Theurgic Ritual Workbook
  • : The Story Yet to Be Written
  • : Theurgy FAQ, A Dialogue between Teacher and Student
  • : Theurgic Study Course
  • : Glossary

acknowledgments

I am indebted to all the teachers in this book and to the many people I have learned from in the past and in the present. Three teachers in particular have been very kind to me in my own research and practice. Bruce McLennan, my first teacher (through the Internet) who brought Hypatia to life; whenever I have a particularly thorny question he unfailingly directs me on the right path. Tony Mierzwicki, an extraordinary teacher, meticulously recreates practice for the love of the gods. Richard Reidys Kemetic rituals brought the practice of creating living statues within the reach of contemporary practitioners; his recent passing has robbed us of a great mind and a good friend.

Glenn Turner took me seriously as a theurgist. Her ongoing belief in me has given me the courage to present and write on the subject.

Editor Elysia Gallo tells me what I need to hear and always makes my work better. I am privileged to work with her.

Alex and Ted live without me for extended periods while I write and still lavish on me their unwavering physical, emotional, and spiritual support. Without their love, my work would be significantly less joyful.

Introduction

The gods call us, and we answer. We are drawn to learn about them, approach them, move into their presence. As our love for them grows, we seek teachers who can show us the path to know them even more intimately.

Pagan instruction in the way of the gods historically passed from teacher to student, person to person. But the deliberate suppression of Pagan religion seems to have broken our connection with their teachings. What happens to the story of our lives if what we are called to do was not passed to us by our ancestors? We feel a rupture, a loss of continuity, a lack of authenticity. This is what has happened to Pagan religion in the monotheistic world. How can we bridge the gap between what we want to do and the people who could teach us how to do it?

What if there was no gap?

Theurgy is a Pagan religious and magical practice that was passed from teacher to student. Although some have declared that the connection to our Pagan past was destroyed, this book links contemporary rituals with ancient teachers, reclaiming Pagan theurgic practice in the continuity of history.

of this book, Stories from the Ancestors, tells our history from a Pagan perspective. Why tell this history in stories? We can learn philosophy from texts and rituals from academic and popular descriptions, but critical analysis keeps the teachers themselves at a distance. When we immerse ourselves in the lives of the teachers, we can recreate the experience of being in their presence, learning from them directly.

of this book, The Living Tradition, describes the specific theurgic rituals that bring us into the presence of the gods. The teachers instruct us how to engage in study, prayer, and ritual to raise our souls to the experience of the gods and of the One. As we learn from them, we realize that our practice keeps the Pagan theurgic tradition alive.

Theurgy participates in the project to restore Pagan religion. Together with indigenous peoples, reconstructionists, and those who create new paths, theurgists embody Pagan religion in living practice today.

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