• Complain

Mims - When we die : the science, culture, and rituals of death

Here you can read online Mims - When we die : the science, culture, and rituals of death full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. City: New York, year: 2000, publisher: St. Martins Press, genre: Romance novel. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

No cover
  • Book:
    When we die : the science, culture, and rituals of death
  • Author:
  • Publisher:
    St. Martins Press
  • Genre:
  • Year:
    2000
  • City:
    New York
  • Rating:
    3 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 60
    • 1
    • 2
    • 3
    • 4
    • 5

When we die : the science, culture, and rituals of death: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "When we die : the science, culture, and rituals of death" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

An unusually comprehensive study of death as both a social and scientific phenomenon, When We Die is as frank as it is informed. This far-reaching discussion considers mortality from the personal and the universal perspective, generously citing past and present poets and physicians from a diverse and telling range of traditions. Mims, who for two decades served as Professor of Microbiology at Londons Guys Hospital, brings a humane, inquisitive, and learned sensibility to his topic. This book is a light-hearted but wide-ranging survey of death, the causes of death, and the disposal of corpses, writes Mims. It tells why we die and how we die, and what happens to the dead body and its bits and pieces. It describes the ways corpses are dealt with in different religions and in different parts of the world; the methods for preserving bodies; and the waysfascinating in their diversityin which corpses or parts of corpses are used and abused.
The volume also explores such crucial death-based notions as the afterlife, the soul, and the prospect of immortality. By way of the books main focus, Mims continues: We should take a more matter-of-fact view of death [and] accept it and talk about it more than we doas we have done with the once taboo subject of sex. This is a work that any student of social anthropology will find equally enlightening and essential.

Mims: author's other books


Who wrote When we die : the science, culture, and rituals of death? Find out the surname, the name of the author of the book and a list of all author's works by series.

When we die : the science, culture, and rituals of death — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "When we die : the science, culture, and rituals of death" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make
Contents
Guide
The author and publisher have provided this e-book to you for your personal use - photo 1

The author and publisher have provided this e-book to you for your personal use - photo 2

The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the authors copyright, please notify the publisher at: us.macmillanusa.com/piracy.

Please note that some of the links referenced in this work are no longer active.

Contents

Acknowledgements

What started me on this trail were my fascinating lunchtime conversations with the late Professor Keith Simpson at Guys Hospital, London. Ruth Richardsons pioneering book Death, Dissection, and the Destitute has been a great inspiration. I cannot match its careful scholarship, but I owe much to her infectious enthusiasm.

I am also indebted to the following for their interest, encouragement and help, although they are in no way responsible for what I have written: Professor Matteo Adinolfi, Dr John Cairns, Vicky Mims, Dr Terry Gibson, Professor A. K. Mant, Jennifer Williams, Norman and Heike Mims, Dr Toshido Inada, Dr Bryan Furnass, Mr L. R. Squires and Mr J. R. Saunders.

Picture Credits

1a Judges Postcards Ltd, Hastings

1b, 2, 4, 6a, 6b, 7b, 7c, 8 The Wellcome Institute Library, London

5a, 5b Copyright the British Museum

7a Trevor Sutton, Studio 2

Sources

Lines from Julian Littens The English Way of Death. The Common Funeral since 1450. Reprinted with permission from The English Way of Death, by Julian Litten, first published by Robert Hale Ltd in 1991.

Lines from Ulysses by James Joyce. Copyright the Estate of James Joyce.

Extract from Autobiography and Other Essays by G.M. Trevelyan, reprinted with permission from Autobiography and Other Essays, by G.M. Trevelyan published by Longman, 1949.

Lines from The Fatal Shore by Robert Hughes. First published in Great Britain by Collins Harvill, 1987; Robert Hughes 1986. Reproduced by permission of the Harvill Press.

Ruth Richardson for lines from Death, Dissection and the Destitute, Penguin Books, 1989.

Preface

Most of us would guess that the dead vastly outnumber the living. Three hundred years ago it seemed clear enough to the English poet Edward Young (16831765): Life is the desert, life the solitude; Death joins us to the great majority. Today, though, it is not immediately obvious. The recent dramatic increase in human numbers from about 2,300 million in 1950 to their present level of 5,800 million, with a projected further rise to 8,300 million by the year 2025, makes one wonder whether at some stage there could be more of us alive than all of our ancestors put together. But it is not so. About 1 per cent of the population dies each year and altogether about 130,000 million humans have lived and died since the first emergence of our species. But most of them have lived in the past century, and it has been calculated that each of us today has no more than about twenty ancestors standing behind us. To hold all their corpses you would need a gargantuan cubical coffin measuring about 3 miles (5 km) along each side. They could then be disposed of en masse with no great impact on the landscape.

In his poem The Grave, Robert Blair (16991746) refers to the steady accumulation of corpses:

What is this world?

What but a spacious burial field unwalled,

Strewed with deaths spoils, the spoils of animals

Savage and tame, and full of dead mens bones?

The very turf on which we tread, once lived:

And we that live must lend our carcases

To cover our own offspring: in their turns

They too must cover theirs. Tis here all meet!

Luckily, corpses do not stay around. They disappear, decompose, are degraded, and their component molecules are reutilized in natures elemental cycles. In neolithic (pre-urban) times, with an estimated total human population of about 5 million and about one living person per 10 square km, disposal of the dead presented few problems. But when humans congregated into towns and cities, special burial sites became necessary. Cities, moreover, were until recently unhealthy places in which deaths exceeded births, and were often referred to as graveyards of mankind. Human numbers have increased dramatically in the past 200 years and in the USA and western Europe there are now an average of 50200 humans per square km. The weight in human flesh of those alive at the moment (5.8 billion) is about 300 billion tons. The never-ending stream of corpses has become a torrent: the 627,636 who died in the UK in 1994 would, if laid side by side, extend for 178 miles.

Increasingly efficient methods were needed to deal with such massive increases in the rate of production of dead bodies. Medieval churchyards overflowed long ago, being replaced first by public cemeteries and later by modern crematoria. Most people now die in hospitals or other institutions rather than at home, and their bodies are discreetly removed and cremated. France and England already have funeral supermarkets (the latter in Catford, London, but run by a French firm) where you can load coffin, urn or granite angel into your trolley. We have banished death from everyday life and many of us have never seen a corpse. Yet the funeral itself, which could in the end turn into a mere refuse disposal event, is still something that matters and still retains reminders of its ancient ritual character.

This book is a light-hearted but wide-ranging survey of death, the causes of death, and the disposal of corpses. It tells why we die and how we die, and what happens to the dead body and its bits and pieces. It describes the ways corpses are dealt with in different religions and in different parts of the world (burning, burying, exposing); the methods for preserving bodies (embalming, mummification, freezing); and the ways fascinating in their diversity in which corpses or parts of corpses are used and abused (dissection, organ transplants, cannibalism, human sacrifice).

I have also given consideration to our attitudes to death and to the afterlife. We are the only living things that know we will die. Evolution has endowed the human brain with the consciousness that is the core of humanity: I think, therefore I am. We can contemplate the future, think about it and worry about it. Surely it is unacceptable that each one of us should be snuffed out for good, for ever, as soon as our nerve cells have died? Not unexpectedly, many believe that there is something other than the physical body, a soul or a spirit that will survive putrefaction or cremation. Belief in some sort of afterlife has been an almost universal human preoccupation, the driving force behind some of the great religions and the source of much of the worlds art, architecture and literature.

This overview of death has led me into strange territories, and I have noticed that the more you think about the subject, the less gruesome it becomes. A variety of fascinating topics had to be explored, most of them with a brevity bordering on the scandalous, and then put in place so that the theme was pursued systematically. I hope the reader will be able to share my interest in the use of body parts (transplantation) and the subject of ageing. In many areas I have necessarily relied largely on secondary sources, and there must be errors, but the medical sections at least lay a claim to accuracy.

I have read widely and used material from other books, as listed in the References. Leonardo da Vinci (14521519) once said that anyone who invokes authors in discussion is not using his intelligence but his memory. But in the last years of the twentieth century it is not easy to say things that have never been said before, and I take comfort from the advice of the French novelist and poet Anatole France (18841924): when a thing has been said and said well, have no scruple. Take it and copy it.

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «When we die : the science, culture, and rituals of death»

Look at similar books to When we die : the science, culture, and rituals of death. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «When we die : the science, culture, and rituals of death»

Discussion, reviews of the book When we die : the science, culture, and rituals of death and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.