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Josh Rosenblatt - Why We Fight: One Man’s Search for Meaning Inside the Ring

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Josh Rosenblatt Why We Fight: One Man’s Search for Meaning Inside the Ring
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Finally, we can talk about Fight Club!
or,
A physical and philosophical mediation on why we are drawn to fight each other for sport, what happens to our bodies and brains when we do, and what it all means
Anyone with guts or madness in him can get hit by someone who knows how; it takes a different kind of madness, a more persistent kind, to stick around long enough to be one of the people who does the knowing.
Josh Rosenblatt was thirty-three years old when he first realized he wanted to fight. A lifelong pacifist with a philosophers hatred of violence and a dandys aversion to exercise, he drank to excess, smoked passionately, ate indifferently, and mocked physical activity that didnt involve nudity. But deep down inside there was always some part of him that was attracted to the idea of fighting. So, after studying Muay Thai, Krav Maga, Brazilian jiu-jitsu, and boxing, he decided, at age forty, that it was finally time to fight his firstand onlymixed martial arts match: all in the name of experience and transcending ancient fears.
An insightful and moving rumination on the nature of fighting, Why We Fight takes us on his journey from the bleachers to the ring. Using his own training as an opportunity to understand how the sport illuminates basic human impulses, Rosenblatt weaves together cultural history, criticism, biology, and anthropology to understand what happens to the human body and mind when under attack, and to explore why he, a self-described cowardly boy from the suburbs, discovered so much meaning in putting his body, and others, at risk.
From the psychology of fear to the physiology of pain, from Ukrainian shtetls to Brooklyn boxing gyms, from Lord Byron to George Plimpton,Why We Fight is a fierce inquiry into the abiding appeal of our most conflicted and controversial fixation, interwoven with a firsthand account of what happens when a mild-mannered intellectual decides to step into the ring for his first real showdown.

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For Katchenstraight down the line

Were more of the love, blood, and rhetoric school. We can do you blood and love without the rhetoric, and we can do you blood and rhetoric without the love, and we can do you all three concurrent or consecutive. But we cant give you love and rhetoric without the blood. Blood is compulsory.

Tom Stoppard, Rosencrantz and Guildenstern Are Dead

Contents

The first time you get hit in the face youre overwhelmed with fear. Fear of the effect it will have on your body but mainly of how youre going to react. Will you cover up or run away or collapse or give up, or will you hit back? This question can be a lifelong torment, and one never knows the answer until the moment arrives.

The second time you get hit in the face you take offense. Now you know you can survive a punch, but you still feel instinctively protective of your body, convinced of its fragility, so you respond with indignation, like an animal protecting its young. Your face gets hot; the impulse to lash out is almost uncontrollablethe physical pain hurts less than the perceived slight.

The third time you get hit in the face you start to like it: you no longer fear the pain or your response to it and dont take it as a personal affront or worry that your body will collapse. You start to feel indestructible. You start to luxuriate in the life-affirming thrill of putting your body at risk and teasing death.

Soon you start to love getting hit in the face, and then you start to need getting hit in the face. You court danger now; life starts to feel empty without it. On bad days getting hit in the face triggers frustration, proof of your technical deficiencies and lingering bad habits as a fighter, even your failings as a human being. On good days getting hit in the face is a validation of your physical existence: I am here; this is my swollen nose; this is my black eye; this is my aching jaw. It pumps the blood faster through your veins; it makes your eyes water and your heart race. It makes the world shimmer. It reminds you of your mortality even as it snaps you into that concentrated present moment mystics call eternity.

Eventually you get used to getting hit in the face. It becomes just another thing you do, like brushing your teeth or getting the mail. Sometimes you find meaning there, sometimes you find nothing.

Its nine oclock on a Saturday morning in August and Im hungover and beaten up. Lying in bed, listening to the roar in my head and tracing the painful bump on the bridge of my nose that was just starting to form last night, I remember that yesterday, in a postfighting, endorphin-fueled moment of madness, I agreed to spar again this morning. I look at the clock. Its too late to back out now. Id never hear the end of it. So, bent and bleary and very nearly broken, I drag myself out of bed.

The first thing I do is examine myself in the bathroom mirror to assess the damage I took last night, the result of a long sparring session with a strong but green partner who hasnt learned yet that enthusiasm is no substitute for technique and who throws all his punches out of hope and panic. Since wild punches thrown with great effort tend to come at you slowly, I had managed to avoid most of them, but near the end of our long session I started to tire and one of those huge punches slipped past my gloves and caught me square on the face, dazing me. My nose is now swollen and purple, the bruising spreading to the area under my left eye. I touch my upper cheek, and though its tender, I know it wont be enough to get me out of sparring again today.

After a quick breakfast devoid of any of the flavors and fats and sugars that make waking up tolerable but that I have to deny myself now that Im officially in training, I fill my gigantic gym bag, which still smells sour and sweaty from the night before, with three white T-shirts, an extra pair of gray running shorts, a pair of small mixed martial arts gloves, a pair of larger boxing gloves, a pair of kickboxing shin guards, a pair of bright red hand wraps (to make a single thumping unit of my fists and prevent my fingers and wrists from breaking upon impact with another humans skull), a state-of-the-art form-fitted mouthpiece (to protect my skull from the impact of another humans fists and shins), a jockstrap and protective cup, an enormous water bottle, and three towels. I throw the heavy bag over my sore shoulder and head out into the bright, muggy Brooklyn morning.

My walk to the subway station is long and goes entirely by way of a treeless street, and by the time I get there my shirt is soaked through. The subway car, of course, is freezing cold, sending a chill up my sweat-lined back, and after a twenty-minute ride I have another long walk, this time through a park in Greenpoint, a Polish enclave at the northwestern tip of Brooklyn long under siege from artists and musicians and other young people from neighboring Williamsburg. But no onenot Poles or hipstersis in the park as I walk through. Its too early and too hot. Only mad dogs and the obsessed are on the streets this morning.

I walk into the gym and feel a familiar despondency. The great, cavernous rooma converted three-thousand-square-foot, two-story warehouse covered in thick mats and lined with punching bagsisnt air-conditioned, and its ten degrees hotter inside than it is out. As a result, the room is nearly empty, just a few students in judo gis learning to throw each other to the ground as part of a Brazilian jiujitsu class in the far corner and one or two kickboxers punching the heavy bags that hang next to the boxing ring. Otherwise, the gym is uncharacteristically silent: no shouts from instructors, no hip-hop music blasting from the large speakers that hang in every corner. After dropping my bag from my aching shoulder with a groan, I lie down on one of the mats lining the floor and close my eyes. I can feel the residue of the whiskey and the fights from the night before overwhelming me. My nose throbs. My stomach is tentative. My head is foggy. All my muscles and joints seem tender. I could sleep right here. Maybe Anthony wont show up, I think. Maybe Im off the hook. I let myself drift off for a happy moment. No, Anthony will be here. Anthony would never back out of a sparring session.

I need to get myself together. Despite having trained for less time than I have, Anthony has already fought three amateur mixed martial arts fights, and he trains with the zeal of the newly converted: at the gym for hours every day, long runs over the Brooklyn Bridge and back, god only knows what kind of byzantine dietary regimen he follows or how rarely he allows himself to be hungover. Meanwhile Im forty years old, given to bouts of extreme physical degradation, and in training for only my first fight. Still, I have an advantage. For all his devotion, Anthony is small, probably four inches shorter and twenty pounds lighter than I am, and while its important as a fighter to have skill, tenacity, athleticism, bravery, endurance, health, and luck, in the cage, size is destiny. The fact that I routinely beat Anthony when we spar says nothing about Anthony or me and everything about the cold realities of anatomy. He can hit me all he wants, I tell myself, and I will be fine. In fighting, you cant put a price tag on that kind of unearned biological confidence.

Generally, my rounds with Anthony unfold in accordance with the laws of physics (force = mass x acceleration) and tradition. I keep him far away with my jab and my kicks while he uses his speed to try and get in close, speed being the consolation nature grants smaller fighters. I poke at him, he rushes at me: weve been doing this dance for years. Today, though, something is different. Either Anthonys gotten better or Ive gotten worse or Im just as hungover as I thought I was, but I can barely lay a hand on him. He bobs and weaves and darts in and out, chipping away at me with his kicks, little slaps to my thighs and sides that dont hurt but that, taken together, aggravate, which is worse. Shots like these get in your head and cause you to react irrationally, like an animal swatting at a swarm of bees. Before I know it, Ive abandoned technique (ten years of costly training) and Im stalking Anthony around the ring like a wounded bear, lunging at him with wild punches that hes already moving away from by the time Ive started to swing. Sensing my frustration, he starts throwing punches of his own at my face, all of which seem to land. Again, theres very little pain (even with his speed, Anthony only has so much mass to turn into force), only the rising swell of irritation and wounded pride.

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