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Mandy Aftel - Essence and Alchemy: A Book of Perfume

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Mandy Aftel Essence and Alchemy: A Book of Perfume
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An artisan perfumer reveals a lost art and its mysterious, sensual history.
For centuries, people have taken what seems to be an instinctive pleasure in rubbing scents into their skin. Perfume has helped them to pray, to heal, and to make love. And as long as there has been perfume, there have been perfumers, or rather the priests, shamans, and apothecaries who were their predecessors. Yet, in many ways, perfumery is a lost art, its creative and sensual possibilities eclipsed by the synthetic ingredients of which contemporary perfumes are composed, which have none of the subtlety and complexity of essences derived from natural substances, nor their lush histories. Essence and Alchemy resurrects the social and metaphysical legacy that is entwined with the evolution of perfumery, from the dramas of the spice trade to the quests of the alchemists to whom todays perfumers owe a philosophical as well as a practical debt. Mandy Aftel tracks scent through the boudoir and the bath and into the sanctums of worship, offering insights on the relationship of scent to sex, solitude, and the soul. Along the way, she imparts instruction in the art of perfume compositions, complete with recipes, guiding the reader in a process of transformation of materials that continues to follow the alchemical dictum solve et coagula (dissolve and combine) and is itself aesthetically and spiritually transforming.

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Table of Contents I D LIKE TO GIVE special thanks to a few people for - photo 1
Table of Contents

I D LIKE TO GIVE special thanks to a few people for their help and support. In the world of fragrance, I am particularly indebted to Annette Green for her generosity and her ongoing encouragement of my work, and to Avery Gilbert, who read and commented on sections of the manuscript. Eleanor Bertino helped me to get launched in the world of perfume. Jean Dougherty scanned all the art that appears in the book, handling my treasured old books with care and giving the images a new lease on life. Joel Bernstein helped with the photographs, deploying his characteristic perfectionism. Kudos to Susan Mitchell, Sanjay Kothari, and Abby Kagan for an inspired design that satisfies my fondest hopes for the look of the book, and thanks to Katrin Wilde for her unflappable good nature and attention to countless details. As ever, I am grateful to my agent, Peter Matson, for his warmth and his unwavering belief in me in all ways.
Ina Risman and Karen Dempsey go to lawyer heaven for their unlawyerly compassion and for bringing their formidable intelligence and skill to the aid of a damsel in distress. William Vollman has been a loyal and protective friend. Robin Lakoff has stood by me on all fronts and has never ceased to encourage my development as a writer. I appreciate Patty Curtans generosity as well as her incomparable eye for design.
Above all, I want to thank Chris Chapman for a love and a deep connection that have immeasurably enriched my life; and Chloe, my daughter, the most precious gift of my life.
Death of a Rolling Stone: The Brian Jones Story

When Talk Is Not Cheap (with Robin Lakoff)

The Story of Your Life: Becoming the Author of Your Experience
Getting started in perfumery requires very little in the way of equipment, as you saw in Chapter 2. And a basic set of essences is not very expensive either. To provide enough variety in your assortment of essences to spark your creativity and sustain your enthusiasm, I would recommend purchasing the second set of essences as well.. (Buy 1/6 ounce or 5 ml)
BASIC SET OF ESSENCES
Base notes :
Benzoin resin
Labdanum absolute
Oakmoss absolute
Peru Balsam resin
Vetiver essential oil
Frankincense essential oil

Middle notes:
Clary Sage essential oil
Clove absolute
Ylang ylang concrete
Lavender absolute
Jasmine concrete
Nutmeg absolute

Top notes:
Bergamot essential oil
Bitter orange essential oil
Bois de rose essential oil
Juniper Berry essential oil
Virginia Cedarwood
Black pepper essential oil
SECOND SET OF ESSENCES
Base notes:
Patchouli
Fir absolute
Tarragon absolute
Sandalwood essential oil
Vanilla absolute

Middle notes:
Neroli essential oil
Rose absolute
Tuberose absolute
Litsea cubeba essential oil
Geranium essential oil

Top notes :
Fresh ginger essential oil
Pink grapefruit essential oil
Lavender essential oil
Lime essential oil
Spearmint essential oil
EQUIPMENT
2 10-ml beakers with markings for 15 ml and 30 ml
6 glass droppers
a dozen small glass bottles
skewers for stirringuse bamboo shish-kebab sticks cut into shorter lengths, cheap wooden chopsticks, or glass cocktail stirrers
perfume blotter strips
perfume alcohol for blending
rubbing alcohol for cleaning droppers
small glasses, shot or otherwise, for holding rubbing alcohol
metal or plastic measuring spoons
small adhesive labels for labeling essences and blends
coffee filters and unbleached filter papers (for filtering out solids)

For making solids:
beeswax
small cheese grater
hot plate (optional)
compacts
SOURCES
Aftelier Perfumes
510-841-2111
www.aftelier.com

Natural perfumes:

Beginning essence and equipment kits
The Natural Perfume Distance Learning Tutorial
The Aftelier Natural Perfume Wheel
Essential oils, absolutes, and concretes sourced by Mandy Aftel

For perfume alcohol

Bryant Laboratory
510-526-3141
garyb@bryantlaboratory.com

Remet
877-939-0171
www.remet.com

For grape alcohol:

Marian Farms (Demeter certified)
559-276-2185
www.marianfarmsbiodynamic.com

Vie-Del
559-834-2525
info@vie-del.com

For essential oils, absolutes, and concretes:

Essential Oil Company
800-729-5912
www.essentialoil.com

The Essential Oil University
812-945-5000
www.essentialoils.org

Liberty Natural Products
800-289-8427
www.libertynatural.com

Original Swiss Aromatics
415-479-9120
www.originalswissaromatics.com

Scents of Knowing
808-573-6733
www.scentsofknowing.com

Sunrose Aromatics
718-794-0391
www.sunrosearomatics.com

White Lotus Aromatics
Fax: 510-528-9441
www.whitelotusaromatics.com

For lab equipment:

Bryant Laboratory
510-526-3141
garyb@bryantlaboratory.com

VWR catalogue
800-932-5000
www.vwr.com

For perfume blotter strips:

Orlandi
631-756-0110
www.orlandi-usa.com

For bottles and packaging:

ABA Packaging
800-443-9799
www.abapackaging.com

O. Berk Company
908-851-9500
www.Oberk.com

SKS Bottle and Packaging
518-899-7488
www.sks-bottle.com

Sunburst Bottle
916-929-4500
www.sunburstbottle.com

For toiletries supplies:

www.mangobutter.com

For small compacts and lockets for solid perfume:

Eli Metal Products Company
800-552-4554
INTRODUCTION
The alchemical symbol Picture 2 means essence.
We who are immersed: Paolo Rovesti, In Search of Perfumes Lost (Venice: Blow-up, 1980), p. 9.
CHAPTER I. THE SPIRIT OF THE ALCHEMIST: A NATURAL HISTORY OF PERFUME
The alchemical symbol Picture 3 means coagulate.
Odor, oftener: Roy Bedichek, The Sense of Smell (London: Michael Joseph, 1960), p. 218.
We are often: Constance Classen, The Color of Angels (London: Routledge, 1998), pp. 15253.
who lived, completely naked: Paolo Rovesti, In Search of Perfumes Lost (Venice: Blow-up, 1980), p. 23.
Umeda hunters: Constance Classen, David Howes, and Anthony Synnott, Aroma (London: Routledge, 1994), p. 7.
The Berbers of Morocco: Gabrielle J. Dorland, Scents Appeal (Mendham, NJ: Wayne Dorland Company, 1993), p. 187.
could recognize an old country house: Classen, The Color of Angels , pp. 15253.
He would often: Patrick Suskind, Perfume (London: Penguin, 1986), p. 35.
Our olfactory experiences: Havelock Ellis, Studies in the Psychology of Sex: Sexual Selection in Man (Philadelphia: F. A. Davis Co., 1905), pp. 5455.
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