Walter Benjamin and Architecture
The essays compiled in this book explore aspects of Walter Benjamins discourse that have contributed to the formation of contemporary architectural theories.
Issues such as technology and history have been considered central to the very modernity of architecture, but Benjamins reflection on these subjects has elevated the discussion to a critical level. The contributors in this book consider his ideas in the context of digitalization of architecture where ones perception of the object is transformed beyond its auratic dimension. They cover the early modernist infatuation with the machine, but also the current use of electronic technologies, which has reached the point where the very technologies themselves determine the processes of design and the final form.
This book proposes that Benjamins anthropological approach to the historicity of architecture should be considered as a major way out of historicism and the inclination to gauge the contemporaneity of architecture in association with technological progress.
This book was published as a special issue of Architectural Theory Review.
Gevork Hartoonian is Associate Professor of Architecture at the University of Canberra. He has practised architecture and taught at several universities in America, including Columbia University and the Pratt Institute. He is a member of the editorial group of Architectural Theory Review. His most recently published book is Crisis of the Object (Routledge, 2006). A Korean edition of his Ontology of Construction (Cambridge University Press, 1994) is scheduled for 2010.
Walter Benjamin and Architecture
Edited by Gevork Hartoonian
LONDON AND NEW YORK
First published 2010
by Routledge
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Simultaneously published in the USA and Canada
by Routledge
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This edition published in the Taylor & Francis e-Library, 2009.
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2010 selection and editorial matter, Gevork Hartoonian; individual chapters, the contributors
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloging in Publication Data
Walter Benjamin and architecture / edited by Gevork Hartoonian.
p. cm.
Includes bibliographical references and index.
1 Benjamin, Walter, 18921940. 2. Architecture, Modern20th century. I. Benjamin,
Walter, 18921940. II. Hartoonian, Gevork.
B3209.B584W335 2010
720.1dc22
ISBN 0-203-86592-8 Master e-book ISBN
ISBN10: 0-415-48292-5 (hbk)
ISBN10: 0-203-86592-8 (ebk)
ISBN13: 978-0-415-48292-9 (hbk)
ISBN13: 978-0-203-86592-7 (ebk)
Contents
GEVORK HARTOONIAN
|
ANDREW LEACH
|
GEVORK HARTOONIAN
|
ANDREW BENJAMIN
|
MAGDALENA J. ZABOROWSKA
|
NADIR LAHIJI
|
LIBERO ANDREOTTI
|
NEIL LEACH
|
TERRY SMITH
|
RENE TOBE
|
Illustration credits
4.1 | Le Corbusier (From Jeanneret-Gris, Charles Edouard Beistegui Apartment.) |
4.2 | Les Halles ( Adoc-photos, Art Resource, New York.) |
4.3 | Les Halles (CNAC/MNAM/Dist. Runion des Muses Nationaux, Art Resource, New York.) |
6.1 | Sironi, political illustration, 1934 (From Fabio Benzi and Andrea Sironi (1988), Sironi Illustratore, Rome: De Luca, p. 226.) |
6.2 | Sironi, Paesaggio Urbano, 1921 (From Claudia Gianferrari ed. (1988), Mario Sironi, Paesaggi urbani, Milan: Mazzotta, p. 60.) |
6.3 | Palazzo delle Esposizioni temporary faade (left) and Via Nazionale on 28 October 1932 (right) (From Dino Alfieri and Luigi Freddi (1933), Mostra della Rivoluzione Fascista, Bergamo, p. 67.) |
6.4 | Sironi and Muzio, Italian Pavilion, facade of the Press Section, Barcelona 1929 (From Emily Braun (2000), Mario Sironi and Italian Modernism, Cambridge: Cambridge University Press, p. 146.) |
6.5 | Sironi and Muzio, Sezione Arti Grafiche at the Villa Reale in Monza, Salone dOnore (left) and overall plan (right) (From Andrea Sironi ed. (2004), Sironi, La Grande Decorazione, Milan: Electa, p. 193.) |
6.6 | EFR, Main Floor Plan, with Sironis rooms P through S (From Dino Alfieri and Luigi Freddi (1933), Mostra della Rivoluzione Fascista, Bergamo, p. 38.) |
6.7 | Libera and de Renzi, EFR temporary faade, plan and elevation (left), guards at the entrance (right) (From Dino Alfieri and Luigi Freddi (1933), Mostra della Rivoluzione Fascista, Bergamo, p. 35.) |
6.8 | Terragni, Sala O, view from the entrance (From Dino Alfieri and Luigi Freddi (1933), Mostra della Rivoluzione Fascista, Bergamo, p. 67.) |
6.9 | Konstantin Melnikov, USSR pavilion, Paris 1925 (left), and Gustav Klutsis, poster 1930 (right) (From Frederick Starr (1992), Il padiglione di Melnikov a Parigi 1925, Rome: Officina, p. 70; and (1992) The Great Utopia: Russian avant-garde 19151932, Catalogue of the exhibition held at the Stedelijk Museum, Amsterdam.) |
6.10 | Terragni, Sala O photomontage (From Dino Alfieri and Luigi Freddi (1933), Mostra della Rivoluzione Fascista, Bergamo, p. 67.) |
6.11 | Terragni, study for Sala O (Reproduced by kind permission of Emilio Terragni, Terragni archives, Como.) |
6.12 | Sironi, view of Room P from the entrance vestibule (From Dino Alfieri and Luigi Freddi (1933), Mostra della Rivoluzione Fascista, Bergamo, p. 67.) |
6.13 | Sironi, three studies for Room P (Courtesy Andrea Sironi and Claudia Gianferrari. From Andrea Sironi ed. (2004), Sironi, La Grande Decorazione, Milan: Electa, p. 79.) |
6.14 | The Roman salute (Source unknown.) |
6.15 | Sironi, Sintesi della Guerra Mondiale (1918) (left) and Ernst Mach, photograph of a bullet in flight (1880s) (right) (From Fabio Benzi and Andrea Sironi (1988), Sironi Illustratore |
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