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Gesa Kirsch - Methods and methodology in composition research

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In original essays, fourteen nationally known scholars examine the practical, philosophical, and epistemological implications of a variety of research traditions. Included are discussions of historical, theoretical, and feminist scholarship; case-study and ethnographic research; text and conversation analysis; and cognitive, experimental, and descriptive research. Issues that cross methodological boundaries, such as the nature of collaborative research and writing, methodological pluralism, the classification and coding of research data, and the politics of composition research, are also examined. Contributors reflect on their own research practices, and so reflect the current state of composition research itself.

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title Methods and Methodology in Composition Research author - photo 1

title:Methods and Methodology in Composition Research
author:Kirsch, Gesa.; Sullivan, Patricia A.
publisher:Southern Illinois University Press
isbn10 | asin:0809317265
print isbn13:9780809317264
ebook isbn13:9780585162416
language:English
subjectEnglish language--Composition and exercises--Research--Methodology, English language--Rhetoric--Research--Methodology.
publication date:1992
lcc:PE1404.M47 1992eb
ddc:808/.042/072
subject:English language--Composition and exercises--Research--Methodology, English language--Rhetoric--Research--Methodology.
Page iii
Methods and Methodology in Composition Research
Edited by
Gesa Kirsch and
Patricia A. Sullivan
Southern Illinois University Press
Carbondale and Edwardsville
Page iv
Copyright 1992 by the Board of Trustees,
Southern Illinois University
All rights reserved
Printed in the United States of America
Edited by Mara Lou Hawse
Design and production by Natalia Nadraga
96 95 94 93 92 5 4 3 2 1
Library of Congress Cataloging-in-Publication Data
Methods and methodology in composition research /
edited by Gesa Kirsch and Patricia A. Sullivan.
p. cm.
Includes bibliographical references and index.
1. English languageComposition and exercises
ResearchMethodology. 2. English language
RhetoricResearchMethodology.
I. Kirsch, Gesa. 1961- II. Sullivan, Patricia A., 1956
PE1404.M47 1992 91-20141
808.042072dc20 CIP
ISBN 0-8093-1726-5ISBN 0-8093-1727-3 (pbk.)
The paper used in this publication meets the minimum
requirements of American National Standard for
Information SciencesPermanence of Paper for Printed
Library Materials, ANSI Z39.48-1984.Picture 2
Page v
CONTENTS
Acknowledgments
vii
Introduction
Gesa Kirsch and Patricia A. Sullivan
1
Part I. Research Methods and Methodology
1. Dreams and Play: Historical Method and Methodology
Robert J. Connors
15
2. Feminism and Methodology in Composition Studies
Patricia A. Sullivan
37
3. Writing Theory : : Theory Writing
Susan Miller
62
4. Context-Sensitive Text Analysis
Thomas N. Huckin
84
5. Analyzing Talk about Writing
Peter L. Mortensen
105
6. The Narrative Roots of the Case Study
Thomas Newkirk
130
7. Ethnography and Composition: Studying Language at Home
Beverly J. Moss
153

Page vi
8. Composition from the Teacher-Research Point of View
Ruth Ray
172
9. Connecting Cognition and Context in Composition
Karen A. Schriver
190
10. Experimental and Descriptive Research Methods in Composition
Richard Beach
217
Part II. Research Problems and Issues
11. Methodological Pluralism: Epistemological Issues
Gesa Kirsch
247
12. Coding Data: Issues of Validity, Reliability, and Interpretation
Keith Grant-Davie
270
13. Collaborative Scholarship in Composition: Some Issues
Duane H. Roen and Robert K. Mittan
287
14. Methods, Methodologies, and the Politics of Knowledge: Reflections and Speculations
Lisa Ede
314
Notes on Contributors
333
Index
339

Page vii
ACKNOWLEDGMENTS
We would like to acknowledge all the people who helped make this book possible. Our thanks go to all the authors who wrote and rewrote the chapters and who responded with kindness and patience to our editorial suggestions and deadlines.
We are grateful for the support and suggestions from Kenney Withers; working with him on this project has been a true delight. We would also like to express thanks to our home institutionsthe University of New Hampshire and Wayne State Universitywhose support made the many phone calls and numerous correspondences between authors, editors, and publisher possible.
Special thanks go to close personal friendsMark Weritz and Anthony Schreiner.
Page 1
INTRODUCTION
Gesa Kirsch and Patricia A. Sullivan
"Research," Roland Barthes writes, is the name we give to "the activity of writing:... whatever it searches for, it must not forget its nature as languageand it is this which renders finally inevitable an encounter with writing" (198). Barthes calls attention to the nature of research as language to remind us that research is a discourse, that whatever it searches for, it finally and inevitably entails an act of writing. We encounter writing in the languages with which we conduct our search and in the discourses we compose to convey our findings to others. In composition studies, researchers encounter writing immediately as well as inevitably. Writing is not only the medium we use to make discoveries and impart findings to others but the very ''it" we search for. In this respect, writing is what differentiates composition studies from other fields of inquiry and unites its practitioners as a research community.
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