Jennifer Dawes - Dark Tourism in the American West
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- Book:Dark Tourism in the American West
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This Palgrave Macmillan imprint is published by the registered company Springer Nature Switzerland AG
The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
I would like to thank Palgrave Macmillan and particularly editor Mary Al-Sayed for commissioning this book.
My contributors also deserve thanks for their excitement about and engagement with the project. Thank you for your patience in the process.
Special thanks to Ellis College of Arts and Sciences at Henderson State University for providing research funding for my work.
The Writers Group at Henderson State University deserves a round of applause for their invaluable feedback at every stage of this process from the initial proposal to the final manuscript. They include: Angela Boswell, Matthew Bowman, Maryjane Dunn, Travis Langley, Michael Taylor, Trudi Sabaj, Constanze Weise, and Stephanie Haley Williams.
Thanks to all my family and friends who offered support and encouragement throughout the process.
is an English graduate student at California State University, Los Angeles. As a South American transplant living in Southern California, her work is guided by the biodiversity of the Southwest. She is also the editor-at-large of Helen: A Literary Magazine . Her interests include contemporary American poetry, affect, attachment, queer theory, performance, memory, and diasporic studies. Inspired by the biodiversity of Southern California, she aims to read locally, write globally.
is a doctoral student in American Studies at the University of Texas at Austin. His primary academic interest is in locating and understanding the processes and dynamics of the cultural construction of knowledge in America, with a specific focus on the role and work of the prison in American culture.
is Chair of the Department of English, Humanities, and Philosophy and Professor of English at Midwestern State University in Wichita Falls, Texas. She has long been attracted to dark places. Her previously published work includes the book Across the Plains: Sarah Royces Western Narrative, as well as essays on cannibalism in films and authenticity in Western fiction.
is a senior lecturer in the Department of Writing Studies at the University of Minnesota. He has published essays on ultralight backpacking, land art, Alaskan literature, and sperm donation. His current work concentrates on county history museums in the Great Plains states.
is Hobart Professor of Classical Languages and Professor of History and Classics at Trinity College, Hartford, Connecticut. His work includes the investigation of human interaction, across time and space, with desert environments. His essays related to this research have been published in Cultural History , Extrapolation , and Boom California , and in collected volumes dealing with the Greek and Roman world.
is a Ph.D. student in U.S. History at Indiana University, Bloomington. His primary research interests are U.S. immigration policy in the Progressive Era, Russian immigrant communities in pre-World War II U.S. and Canada, and public history. A former Fulbright scholar, Serdiukov holds an M.A. in American Studies from California State University, Fullerton.
is the Executive Director of the South Park National Heritage Area, Department of Heritage, Tourism and Community Development in Park County, Colorado. Originally from England, Spencer has been professionally involved in interpretation and heritage for over 20 years. He has a masters degree in Heritage Management from Birmingham (U.K.) and specializes in the role of interpretation and memory within heritage landscapes.
is Associate Professor of Comparative Ethnic Studies in the School of Languages, Cultures, and Race at Washington State University. Streamas is an immigrant Japanese American, and his scholarly work examines race in higher education, the cultures of Japanese American wartime incarceration, and the racial politics of fictional temporalities and spatial enclosures such as in barbed wire. His published work includes fiction, poetry, and personal essays.
What is so dark about the American West? For the masses of westering pioneers in the nineteenth century, the West represented opportunity, freedom, and a new start. For those people who already inhabited the western United States , the West was (and is) home. Artists, photographers, and writers, inspired by the grandeur and purity of western landscapes, recreated its image and, in doing so, created the West as an imagined space, the interplay between the real and the imaginary perpetuating their awe. Years ago, looking at the sky over the Sierra Nevada mountains, I exclaimed that it seemed almost like a painting. My hiking companion replied, No, the paintings look like the sky. I was almost certainly thinking of Bierstadts elegant and dreamlike renderings of western vistas.
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