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Aimée Baker - Doe

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Aimée Baker Doe
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Doe: summary, description and annotation

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Doe began as Bakers attempt to understand and process the news coverage of a single unidentified woman whose body was thrown from a car leaving Phoenix, Arizona. It soon grew into a seven-year-long project with the goal to document, mourn, and witness the stories of missing and unidentified women in the United States.

My choice for the award is Doethat book is so good, so well executed with such difficult subject matter. I admire its active courage, its commitment to witnessing what so many reject. It stayed with me through reading all the othersfantastic books, the lot of them. But Doe is a game changer, a silence eliminator.

Allison Joseph, 2016 Akron Poetry Prize judge

Aimée Baker: author's other books


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Doe AKRON SERIES IN POETRY AKRON SERIES IN POETRY Mary Biddinger Editor - photo 1Doe AKRON SERIES IN POETRY AKRON SERIES IN POETRYMary Biddinger, Editor Aime Baker, Doe Emily Rosko, Weather Inventions Emilia Phillips, Empty Clip Anne Barngrover, Brazen Creature Matthew Guenette, Vasectomania Sandra Simonds, Further Problems with Pleasure Leslie Harrison, The Book of Endings Emilia Phillips, Groundspeed Philip Metres, Pictures at an Exhibition: A Petersburg Album Jennifer Moore, The Veronica Maneuver Brittany Cavallaro, Girl-King Oliver de la Paz, Post Subject: A Fable John Repp, Fat Jersey Blues Emilia Phillips, Signaletics Seth Abramson, Thievery Steve Kistulentz, Little Black Daydream Jason Bredle, Carnival Emily Rosko, Prop Rockery Alison Pelegrin, Hurricane Party Matthew Guenette, American Busboy Joshua Harmon, Le Spleen de Poughkeepsie Titles published since 2010. For a complete listing of titles published in the series, go to www.uakron.edu/uapress/poetry.

Doe
Aime Baker Copyright 2018 by The University of Akron Press All rights reserved First - photo 2 Copyright 2018 by The University of Akron Press All rights reserved First Edition 2018 Manufactured in the United States of America. All inquiries and permission requests should be addressed to the publisher, The University of Akron Press, Akron, Ohio 44325-1703. ISBN: 978-1-629220-84-0 (paper) ISBN: 978-1-629220-85-7 (ePDF) ISBN: 978-1-629220-86-4 (ePub) Library of Congress Cataloging-in-Publication Data Names: Baker, Aime, author. Title: Doe / Aime Baker.

Description: Akron, Ohio : The University of Akron Press, [2018] | Series: Akron series in poetry | Includes bibliographical references. | Identifiers: LCCN 2017051216 (print) | LCCN 2018000080 (ebook) | ISBN 9781629220857 (ePDF) | ISBN 9781629220864 (ePub) | ISBN 9781629220840 (pbk. : alk. paper) Classification: LCC PS3602.A5835 (ebook) | LCC PS3602.A5835 A6 2018 (print) | DDC 811/.6dc23 LC record available at https://lccn.loc.gov/2017051216 The paper used in this publication meets the minimum requirements of ANSI/NISO z39.481992 (Permanence of Paper). Cover image: Dream by Max Wanger. Doe was designed and typeset in Minion by Amy Freels and printed on sixty-pound natural and bound by Bookmasters of Ashland, Ohio. Doe was designed and typeset in Minion by Amy Freels and printed on sixty-pound natural and bound by Bookmasters of Ashland, Ohio.

Contents

(Girly Chew Hossencofft, 36, missing since September 9, 1999, from Albuquerque, New Mexico) 1. Capture On the drive home, she still finds bits of glass incandescent in the stillness of the car. Wind scuttling through a hole in her window, symmetrical like a fist. Again, surrounded by the grey light of her room, she leaves an offering to the goddess of mercy poured from the tap. From behind she cannot see the approach of the other woman whose skin phosphoresces with the waning day. 2. 2.

Procedure She once helped a boy create a spaceship from cardboard and duct tape. Smoothed ridges over angles. A thing of industry, now looped around her wrists, pulled tight across lips. It is like this that they examine her body. Leave their mark. 3.

Tour Within a triangle, things are lost. There is a house on the moon where he once told her he has been alive for several thousand years, yet still there was strength in his hands the time he wrapped them around her throat. There is a house where he made love to his creature, her skin glittering under arcs of light. And there is her home, the fiery orange carpet creased with bleach and the goddess of mercy keeping watch. 4. Time On the road to Magdalena, sound is cyclical.

This is how minutes go missing. There is just breathing. The dry sound of gestures. Voices. It is easy to forget what came before: the scent of jackfruit and fig, the weight of air before a monsoon, the electric blue heat that used to be love. 5.

Return The narrative leaves space for her bodys return. A ritual passage from one place to another. The ability to be left with a sense of foreboding. It remains empty. 6. Aftermath In the distance, like Bengal lights, beams of light flash by on the highways.

Incandescent lanes scaling through the sand. Here, the air is cleansed of water. The breeze heavy with iron as the world seems to collapse in on itself. This is the way stars burn out.

(Virginia Pictou-Noyes, 26, missing since April 24, 1993, from Bangor, Maine) The brothers beat love into her skin under the pulse-electric hum of the tavern bar sign. And her body conducts the static swell of nightair into the violet bloom of oiled tarmac.

They beat love as blood sparks across the dark pavement like small electrodes. And her body conducts the cries of children caught in a nightfire into the stinging bulb of loosened teeth. They beat love while each man tells her she is like a hook, burst deep into their lips. And her body conducts the cold yellow moon, nightnicked into a grid of blood at her wrists. The brothers beat love into her skin while the stars die out.

(Mary Shotwell Little, 26, missing since October 14, 1965, from Atlanta, Georgia) He gives her red roses stripped of thorns, delivered in cellophane that crinkles in her hands while she looks for the note that reads secret admirer.

He gives her his body pressing against hers pressing against her car, his hand cupping her mouth, his voice in her ear asking her if she recalls what it felt like when he ran his fingers down her neck. He gives her a cheek pressed against dim grey upholstery, her groceries rolling around the backseat clashing into her legs, her scarab bracelet callusing her wrist. He gives her the sparkle of mile markers, a way to count the distance from her husbands hands. He gives her a green sign that announces her hometown, and because the morning sun scorches the letters, she cannot see the name, but she knows where she is, remembers the curvature of the road, the dips and rises that announce lovers lanes, the cobbling together of buildings along the skyline. He gives her the ticking of a streetlight outside a gas station where she gets out to use a restroom while he and an attendant holding a greasy rag watch her stumble in her bare feet, blood twirling around her knees. He gives her the percussion of rain on her body, the rivulets of water down her collarbone, the float of crisp red leaves against her wrists and across her back, the hush of roadways.

He gives her the joining of body and ground.

(Lola Celli, 24, missing since February 23, 1946, from Grandview Heights, Ohio) The name of the star was sorrow, but her tongue caught no dust, no whirling tumbleweeds stuck deep in her throat. What if she didnt want to see other lands, big mountains, big oceans except through the glass light beneath Marvels hands? She wouldnt have plucked an apple from beneath glimmering leaves while a toucan watched the way her lips moved over its flesh, or caressed the locked jaw of a man without heart enough not to yield an ax. When the hand of God reached to hold her own, she wouldnt have fought with her eyes closed, or slid off the edge of the screen into the technicolor spaces we only see in the poppy-drunk dawn. She would have left those ruby red slippers on the road through the nightmare forest, evidence that hearts will never be practical, until they can be made unbreakable.
(Deanna Michelle Merryfield, 13, missing since July 22, 1990, from Killeen, Texas) Inside the car she slides against corsages of cigarette smoke and their foxed skin.
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