Early Modern Women's Manuscript Writing
Because print publishing was often neither possible nor desirable for women in the early modem period, in order to understand the range of writing by women and indeed women's literary history itself, it is important that scholars consider women's writing in manuscript. Since the body of critical studies on women's writing for the most part prioritizes print over manuscript, this essay collection provides an essential corrective. The essays in this volume discuss many of the ways in which women participated in early modern manuscript culture. The manuscripts studied by the contributors originated in a wide range of different milieux, including the royal Court, the universities, gentry and aristocratic households in England and Ireland, and French convents. Their contents are similarly varied: original and transcribed secular and devotional verse, religious meditations, letters, moral precepts in French and English, and recipes are among the genres represented. Emphasizing the manuscripts' social, political and religious contexts, the contributors challenge commonly held notions about women's writing in English in the early modem period, and bring to light many women whose work has not been considered before.
Victoria E. Burke is Assistant Professor of English at the University of Ottawa, Canada.
Jonathan Gibson has held lectureships in English at Queen Mary, University of London and the universities of Exeter and Durham. He is currently Research Fellow at the Perdita Project, University of Warwick.
Early Modern Women's Manuscript Writing
Selected Papers from the Trinity/Trent Colloquium
Edited by
Victoria E. Burke
University of Ottawa
Jonathan Gibson
The Perdita Project, University of Warwick
First published 2004 by Ashgate Publishing
Published 2016 by Routledge
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British Library Cataloguing in Publication Data
Early modern women's manuscript writing : selected papers from the Trinity/Trent colloquium
1. English literature Early modern, 1500-1700 History and criticism Congresses 2. English literature Women authors History and criticism Congresses 3. Manuscripts, English History 16th century Congresses 4. Manuscripts, English History 17th century Congresses 5. Women and literature Great Britain History 16th century Congresses 6. Women and literature Great Britain History 17th century Congresses
I. Burke, Victoria E. II. Gibson, Jonathan, 1965
820.9'9287'09031
Library of Congress Cataloging-in-Publication Data
Early modern women's manuscript writng : selected papers from the Trinity/Trent Colloquium / edited by Victoria E. Burke and Jonathan Gibson
p. cm.
Includes bibliographical references and index.
ISBN 0-7546-0469-1 (alk.paper)
1. English literatureEarly modern, 1500-1700History and criticism. 2. Women and literatureGreat BritainHistory16th century. 3. Women and literautreGreat BritainHistory17th century. 4. English literatureWomen authorsHistory and criticism. 5. Transmission of textsGreat BritainHistory16th century. 6. Transmission of textsGreat BritainHistory17th century. 7. Literature publishingGreat BritainHistory. 8. Authors and readersGreat BritainHistory. 9. Books and readingGreat Britain-History. 10. ManuscriptsGreat Britain. I. Burke, Victoria E. II. Gibson, Jonathan.
PR113.E26 2004
820.9'9287'09031dc22
2003065371
ISBN 13: 978-0-7546-0469-3 (hbk)
ISBN 13: 978-1-138-25748-1 (pbk)
Caroline Bowden is an associate research fellow in the Centre for Religious History at St. Mary's College, University of Surrey. She received her PhD from the Institute of Education, University of London in 1996 and has published articles on female education in History of Education, Paedogogica Historia and Recusant History.
Victoria E. Burke is Assistant Professor of English at the University of Ottawa. Her articles on early modem women's manuscript writing include those published in The Seventeenth Century , English Manuscript Studies 1100-1700 , and The Library (the last co-authored). She has co-edited The 'Centuries' of Julia Palmer (2001) with Elizabeth Clarke.
Marie-Louise Coolahan is a lecturer at the National University of Ireland, Galway. She completed a doctorate on gender and occasional poetry in seventeenth-century manuscript culture as the research student on the Perdita Project, and has written two articles for the New Dictionary of National Biography.
Jonathan Gibson is Research Fellow at The Perdita Project, University of Warwick. He has published articles on early modern topics in The Review of English Studies, Essays in Criticism and The Seventeenth Century.
Elizabeth Heale teaches in the Department of English at the University of Reading. She has published The Faerie Queene: A Reader's Guide (1987) and Wyatt, Surrey, and Early Tudor Poetry (1998) and is at present working on a book project on the construction of the self in sixteenth-century verse.
Arnold Hunt is a research fellow in History at the University of Nottingham. His book The Art of Hearing: English Preachers and their Audiences 1590-1640 is forthcoming from Cambridge University Press.
Erica Longfellow is a lecturer in English at Kingston University. Her doctoral thesis traced the image of mystical marriage in five seventeenth-century women's religious poetry. She is conducting an ongoing project on the history of early modern women's reading practices.
Sara Pennell works at the Institute of Historical Research. She completed her doctorate on the material culture of food in early modern England in 1997. She has co-edited a volume of essays with Natasha Glaisyer on early modern didactic literature and the creation of expertise, forthcoming with Ashgate. She works on aspects of food culture in the seventeenth century.
Sarah Ross wrote her doctorate on female-authored devotional verse in seventeenth-century manuscript culture at St Hilda's College, Oxford. She has been involved in research and writing for the Perdita Project, and has published a co-authored article in The Library.
Alison Shell is a lecturer in the Department of English Studies at the University of Durham. She is the author of Catholicism, Controversy and the English Literary Imagination, 1558-1660 (1999) and has co-edited The Book Trade and its Customers (1997).
Jane Stevenson is Reader in English at the University of Aberdeen. She has co-edited Early Modern Women Poets (1520-1700): An Anthology (2001), and is completing a study of women's poetry in Latin for the Clarendon Press. She is also the author of three works of fiction, published by Jonathan Cape, Several Deceptions , London Bridges and Astraea.