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Condé Maryse - Maryse Condé and the space of literature

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Condé Maryse Maryse Condé and the space of literature

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The Guadeloupean writer and critic Maryse Conde has for the last twenty-five years divided her time between her native Guadeloupe and the United States. If the authors work has attracted much critical attention in the United States, it is the fictional works that have been the focus of this attention with these predominantly read in the light of political themes such as identity and resistance. In these intelligent and sensitive readings, Eva Sansavior argues in favour of adopting a broader thematic and generic approach to the authors work. Sansavior accounts for the multiple and oblique uses of literature in the Condes literary and critical work tracking its complex interactions with tradition, reception, politics and autobiography and also the singular possibilities that these interactions present for re-imagining the ideas of politics, literature, identity and, ultimately, the nature of critical practice itself.

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MARYSE COND AND THE SPACE OF LITERATURE Legenda LEGENDA founded in 1995 by the - photo 1

MARYSE COND AND THE SPACE OF LITERATURE

Legenda

LEGENDA, founded in 1995 by the European Humanities Research Centre of the University of Oxford, is now a joint imprint of the Modern Humanities Research Association and Routledge. Titles range from medieval texts to contemporary cinema and form a widely comparative view of the modern humanities, including works on Arabic, Catalan, English, French, German, Greek, Italian, Portuguese, Russian, Spanish, and Yiddish literature. An Editorial Board of distinguished academic specialists works in collaboration with leading scholarly bodies such as the Society for French Studies and the British Comparative Literature Association.

The Modern Humanities Research Association MHRA encourages and promotes - photo 2

The Modern Humanities Research Association (MHRA) encourages and promotes advanced study and research in the field of the modern humanities, especially modern European languages and literature, including English, and also cinema. It also aims to break down the barriers between scholars working in different disciplines and to maintain the unity of humanistic scholarship in the face of increasing specialization. The Association fulfils this purpose primarily through the publication of journals, bibliographies, monographs and other aids to research.

Routledge is a global publisher of academic books journals and online - photo 3

Routledge is a global publisher of academic books, journals and online resources in the humanities and social sciences. Founded in 1836, it has published many of the greatest thinkers and scholars of the last hundred years, including Adorno, Einstein, Russell, Popper, Wittgenstein, Jung, Bohm, Hayek, McLuhan, Marcuse and Sartre. Today Routledge is one of the world's leading academic publishers in the Humanities and Social Sciences. It publishes thousands of books and journals each year, serving scholars, instructors, and professional communities worldwide.

www.routledge.com

Research Monographs in French Studies

The Research Monographs in French Studies (RMFS) form a separate series within the Legenda programme and are published in association with the Society for French Studies. Individual members of the Society are entitled to purchase all RMFS titles at a discount.

The series seeks to publish the best new work in all areas of the literature, thought, theory, culture, film and language of the French-speaking world. Its distinctiveness lies in the relative brevity of its publications (50,000-60,000 words). As innovation is a priority of the series, volumes should predominantly consist of new material, although, subject to appropriate modification, previously published research may form up to one third of the whole. Proposals may include critical editions as well as critical studies. They should be sent with one or two sample chapters for consideration to Professor Ann Jefferson, New College, Oxford OXI 3BN.

Editorial Committee
Ann Jefferson, New College, Oxford (General Editor)

Adrian Armstrong, Queen Mary, University of London

Janice Carruthers, Queen's University Belfast

Nicholas Harrison, King's College London

Neil Kenny, Cambridge University

Bill Marshall, University of Stirling

Advisory Committee
Wendy Ayres-Bennett, New Hall, Cambridge

Celia Britton, University College London

Sarah Kay, Princeton University

Diana Knight, University of Nottingham

Michael Moriarty, Queen Mary, University of London

Keith Reader, University of Glasgow

Published in This Series

1. Privileged Anonymity: The Writings of Madame de Lafayette by Anne Green

2. Stphane Mallarm. Correspondance: complments et supplments edited by Lloyd James Austin, Bertrand Marchal and Nicola Luckhurst

3. Critical Fictions: Nerval's 'Les Illumins' by Meryl Tyers

4. Towards a Cultural Philology by Amy Wygant

5. George Sand and Autobiography by Janet Hiddleston

6. Expressivism by Johnnie Gratton

7. Memory and Survival: The French Cinema of Krzysztof Kiesowski by Emma Wilson

8. Between Sequence and 'Sirventes' by Catherine Lglu

9. All Puns Intended by Walter Redfern

10. Saint-Evremoud: A Voice From Exile edited by Denys Potts

11. La Cort d'Amor: A Critical Edition edited by Matthew Bardell

12. Race and the Unconscious by Celia Britton

13. Proust: La Traduction du sensible by Nathalie Aubert

14. Silent Witness: Racine's Non-Verbal Annotations of Euripides by Susanna Phillippo

15. Robert Antelme: Humanity, Community, Testimony by Martin Crowley

16. By the People for the People? by Christopher Prendergast

17. Alter Ego: The Critical Writings of Michel Leiris by Sen Hand

18. Two Old French Satires on the Power of the Keys edited by Daron Burrows

19. Oral Narration in Modern French by Janice Carruthers

20. Selfless Cinema? Ethics and French Documentary by Sarah Cooper

21. Poisoned Words: Slander and Satire in Early Modern France by Emily Butterworth

22. France/China: Intercultural Imaginings by Alex Hughes

23. Biography in Early Modern France 1540-1630 by Katherine MacDonald

24. Balzac and the Model of Painting by Diana Knight

25. Exotic Subversions in Nineteenth-Century French Literature by Jennifer Yee

26. The Syllables of Time: Proust and the History of Reading by Teresa Whitington

27. Personal Effects: Reading the 'Journal' of Marie Bashkirtseff by Sonia Wilson

28. The Choreography of Modernism in France by Julie Townsend

29. Voices and Veils by Anna Kemp

30. Syntactic Borrowing in Contemporary French: A Linguistic Analysis of News Translation by Mairi McLaughlin

31. Dreams of Lovers and Lies of Poets: Poetry, Knowledge, and Desire in the 'Roman de la Rose' by Sylvia Huot

32. Maryse Cond and the Space of Literature by Eva Sansavior

33. The Livres-Souvenirs of Colette: Genre and the Telling of Time by Anne Freadman

34. Furetire's Roman bourgeois and the Problem of Exchange by Craig Moyes

35. The Subversive Poetics of Alfred Jarry: Ubusing Culture in the Almanacks du Pre Ubu by Marieke Dubbelboer

www.rmfs.mhra.org.uk

Maryse Cond and the Space of Literature

EVA SANSAVIOR

Research Monographs in French Studies 32 Modern Humanities Research Association - photo 4

Research Monographs in French Studies 32 Modern Humanities Research Association and Routledge 2012

First published 2012

Published by the
Modern Humanities Research Association and Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
711 Third Avenue, New York, NY 10017, USA

LEGENDA is an imprint of the
Modern Humanities Research Association and Routledge

Routledge is an imprint
of the Taylor & Francis Group, an informa business

Modern Humanities Research Association and Taylor & Francis 2012

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, including photocopying, recordings, fax or otherwise, without the prior written permission of the copyright owner and the publisher.

Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

ISBN 13: 978-1-906540-94-4 (hbk)

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