Paula R. Feldman - Romantic women writers: voices and countervoices
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Essays forging a new definition of Romanticism that includes the wide range of womens artistic expression.
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English literature--Women authors--History and criticism, English literature--19th century--History and criticism, English literature--18th century--History and criticism, Women and literature--Great Britain--History, Romanticism--Great Britain.
publication date
:
1995
lcc
:
PR457.R4568 1995eb
ddc
:
820.9/9287/0903
subject
:
English literature--Women authors--History and criticism, English literature--19th century--History and criticism, English literature--18th century--History and criticism, Women and literature--Great Britain--History, Romanticism--Great Britain.
Page iii
Romantic Women Writers
Voices and Countervoices
Edited by Paula R. Feldman and Theresa M. Kelley
Page iv
University Press of New England, Hanover, NH 03755 1995 by University Press of New England All rights reserved Printed in the United States of America 5 4 3 2 1
Library of Congress Cataloging-in-Publication Data Romantic women writers: voices and countervoices/edited by Paula R. Feldman and Theresa M. Kelley. p. cm. Includes bibliographical references (p. ) and index. ISBN 0-87451-711-7 (cl).ISBN 0-87451-714-9 (pa) 1. English literatureWomen authorsHistory and criticism. 2. English literature19th centuryHistory and criticism. 3. English literature18th centuryHistory and criticism. 4. Women and literatureGreat BritainHistory. 5. Romanticism Great Britain. I. Feldman, Paula R. II. Kelley, Theresa M. PR457.R4568 1995 820.9'9287'0903dc20 94-39710
Page v
CONTENTS
Contributors
vii
Acknowledgments
ix
Introduction
Theresa M. Kelley and Paula R. Feldman
1
Part One: Reimagining Romantic Canons
The Gush of the Feminine: How Can We Read Women's Poetry of the Romantic Period?
Isobel Armstrong
13
Gendering the Soul
Susan Wolfson
33
Mary Shelley, Frankenstein, and the Woman Writer's Fate
Stephen Behrendt
69
De-Romanticizing the Subject: Maria Edgeworth's "The Bracelets," Mythologies of Origin, and the Daughter's Coming to Writing
Mitzi Myers
88
Part Two: Textual Strategies
"We Hoped the Woman Was Going to Appear": Repression, Desire, and Gender in Anna Letitia Barbauld's Early Poems
William McCarthy
113
Felicia Hemans and the Effacement of Woman
Anthony John Harding
138
Page vi
Resurrection of the Fetish in Gradiva, Frankenstein, and Wuthering Heights
Judith Pike
150
Part Three: Nationalism, Patriotism, and Authorship
Gender, Nationality, and Textual Authority in Lady Morgan's Travel Books
Jeanne Moskal
171
Expanding the Limits of Feminine Writing: The Prose Sketches of Sydney Owenson (Lady Morgan) and Helen Maria Williams
Richard C. Sha
194
Janet Little and Robert Burns: The Politics of the Heart
Moira Ferguson
207
Part Four: Performance and the Marketplace
"Out of the Pale of Social Kindred Cast": Conflicted Performance Styles in Joanna Baillie's De Monfort
Catherine B. Burroughs
223
The Gipsy is a Jewess: Harriett Abrams and Theatrical Romanticism
Susan Levin
236
Mary Robinson and the Literary Marketplace
Judith Pascoe
252
Notes
269
Index
317
Page vii
CONTRIBUTORS
Isobel Armstrong holds the established Chair of English at Birkbeck College, University of London, and has published widely in Victorian literature. Her most recent work includes Victorian Poetry: Poetry, Poetics and Politics (1993) and a study of Jane Austen (in press). She is preparing an anthology of women's poetry in the nineteenth century for Oxford University Press.
Stephen C. Behrendt is George Holmes Distinguished Professor of English at the University of Nebraska. His recent books include Shelley and His Audiences (1989), Reading William Blake
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