Fla.) Florida State University Conference on Literature and - Fearful Symmetry: Doubles and Doubling in Literature and Film (Florida State University Conference on Literature and Film Selected Papers)
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Fearful Symmetry: Doubles and Doubling in Literature and Film (Florida State University Conference on Literature and Film Selected Papers)
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Fearful Symmetry : Doubles and Doubling in Literature and Film : Papers From the Fifth Annual Florida State University Conference On Literature and Film
author
:
Crook, Eugene Joseph.
publisher
:
University Press of Florida
isbn10 | asin
:
0813007232
print isbn13
:
9780813007236
ebook isbn13
:
9780813019321
language
:
English
subject
Doubles in literature--Congresses, Doubles in motion pictures--Congresses.
publication date
:
1981
lcc
:
PN56.D67F5 1980eb
ddc
:
809/.93352
subject
:
Doubles in literature--Congresses, Doubles in motion pictures--Congresses.
Page iii
Fearful Symmetry: Doubles and Doubling in Literature and Film
Papers from the Fifth Annual Florida State University Conference on Literature and Film
Edited by Eugene J. Crook
A Florida State University Book UNIVERSITY PRESSES OF FLORIDA Tallahassee 1981
Page iv
University Presses of Florida is the central agency for scholarly publishing of the State of Florida's university system. Its offices are located at 15 NW 15th Street, Gainesville, FL 32603. Works published by University Presses of Florida are evaluated and selected for publication by a faculty editorial committee of any one of Florida's nine public universities: Florida A&M University (Tallahassee), Florida Atlantic University (Boca Raton), Florida International University (Miami), Florida State University (Tallahassee), University of Central Florida (Orlando), University of Florida (Gainesville), University of North Florida (Jacksonville), University of South Florida (Tampa), University of West Florida (Pensacola).
Florida State University Conference on Literature and Film (5th : 1980 : Tallahassee, Fla.) Fearful symmetry.
"A Florida State University book." Includes index. 1. Doubles in literature--Congresses' 2. Doubles in motion pictures--Congresses. I. Crook, Eugene Joseph. II. Title. PN56.D67F5 1980 809.93352 81-19684 ISBN 0-8130-0723-2AACR2
Copyright 1982 by the Board of Regents of the State of Florida
PRINTED IN THE UNITED STATES
Page v
Contents
Preface
vii
1. The Double As Incomplete Self: Toward a Definition of Doppelgnger
Clifford Hallam (Ohio State University)
1
2. Fearful Symmetry: The Mother-Daughter Theme in La Religieuse and Paul Et Virginie
Carolyn A. Durham (College of Wooster)
32
3. Structure Versus Symmetry in Crime and Punishment
David M. Bethea (Middlebury College)
41
4. Doubling the Double
T. Jefferson Kline (Boston University)
65
5. Wife as Mother and Double: The Origin and Importance of Bipolar Personality and Erotic Ambivalence in the Work of Gerhart Hauptmann
Sammy McLean (University of Washington)
84
6. Binary Narrative Structure and Moral Intent: Rousseau and Gide
Doris Kadish (Kent State University)
100
7. Louis-Ferdinand Cline's Normance : The Weight of Guilt
Philip H. Solomon (Southern Methodist University)
113
8. "The Line Down' the Middle" In Autobiography: Critical Implications of the Quest for the Self
R. Victoria Arana (Howard University)
125
Page vi
9. "The Line Down the Middle": Politics and Sexuality in Fassbinder's Despair
Dolores M. Burdick (Oakland University)
138
10. Rugby and the Arts: The Divided Self in David Storey's Novels and Plays
Laura H. Weaver (University of Evansville)
149
11. Diffrance: Hypostatization of the Dialectic Synthesis
William G. Plank (Eastern Montana College)
163
Page vii
Preface
These eleven essays from the Fifth Annual Florida State University Conference on Literature and Film take a variety of approaches to the theme of the doppelgnger and the phenomenon of doubling in literature and film. Two of the essays provide comprehensive critical approaches to the theme, two others analyze treatments of the double in film, and the remaining essays concern themselves with doubles and doubling in literature. The authors of these papers investigate the double in films by Bertolucci and Fassbinder and in literary works by Diderot, Saint-Pierre, Dostoevski, Hauptmann, Rousseau, Gide, Cline, Nabokov, and Storey. The approaches vary: psychological, feminist, structuralist, semantic, symbolist, autobiographical, and semiotic criticism all find their proponents in these pages.
Clifford Hallam's essay bridges the disciplines of psychology and literary criticism to develop a definition of the doppelgnger. Hallam argues that the double arises through repression of the self, constituting a phenomenon that has had a continuing literary history from pre-Socratic medicine, through Renaissance humors theory, down to Freud and Jung and beyond.
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