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Karen Sánchez-Eppler - Touching liberty: abolition, feminism, and the politics of the body

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    Touching liberty: abolition, feminism, and the politics of the body
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In this striking study of the pre-Civil War literary imagination, Karen S?nchez-Eppler charts how bodily difference came to be recognized as a central problem for both political and literary expression. Her readings of sentimental anti-slavery fiction, slave narratives, and the lyric poetry of Walt Whitman and Emily Dickinson demonstrate how these texts participated in producing a new model of personhood, one in which the racially distinct and physically constrained slave body converged with the sexually distinct and domestically circumscribed female body.Moving from the public domain of abolitionist politics to the privacy of lyric poetry, S?nchez-Eppler argues that attention to the physical body blurs the boundaries between public and private. Drawing analogies between black and female bodies, feminist-abolitionists use the public sphere of anti-slavery politics to write about sexual desires and anxieties they cannot voice directly.S?nchez-Eppler warns against exaggerating the positive links between literature and politics, however. She finds that the relationships between feminism and abolitionism reveal patterns of exploitation, appropriation, and displacement of the black body that acknowledge the difficulties in embracing difference, in the nineteenth century as in the twentieth. Her insightful examination of issues that continue to be relevant today will make a distinctive mark on American literary and cultural studies.

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Page iii
Touching Liberty
Abolition, Feminism, and the Politics of the Body
Karen Snchez-Eppler
University of California Press
Berkeley Los Angeles London
Page iv
University of California Press
Berkeley and Los Angeles, California
University of California Press, Ltd.
London, England
First paperback printing 1997
1993 by Karen Snchez-Eppler
Library of Congress Cataloging-in-Publication Data
Snchez-Eppler, Karen.
Touching liberty: abolition, feminism, and the politics of the body /
Karen Snchez-Eppler.
p. cm.
Includes bibliographical references and index.
ISBN 0-520-21234-7 (pbk.: alk. paper)
1. American literature19th centuryHistory and criticism. 2. Slav
eryUnited StatesAnti-slavery movementsHistory19th century.
3. Feminism and literatureUnited StatesHistory19th century 4. Poli
tics and literatureUnited StatesHistory19th century. 5. Women and
literatureUnited StatesHistory19th century. 6. Jacobs, Harriet A.
(Harriet Ann), 18131897Political and social views. 7. Dickinson, Emily,
18301886Political and social views. 8. Whitman, Walt, 18191892Polit
ical and social views. 9. Slavery and slaves in literature. 10. Body, Human,
in literature.
I. Title.
PS217.S55S26 1993
810.9'003dc20 92-20377
CIP
Printed in the United States of America
9 8 7 6 5 4 3 2 1
The paper used in this publication meets the minimum requirements of American National Standard for Information SciencesPermanence of Paper for Printed Library Materials, ANSI Z39.48-1984.Picture 2
The author gratefully acknowledges permission to reprint two chapters of this book that were previously published elsewhere. Chapter 1 appeared under its own title in Representations 24 (copyright 1988 by the Regents of the University of California) and has been reprinted in The New American Studies, edited by Philip Fisher (Berkeley: University of California Press, 1991), in The Culture of Sentiment: Race, Gender, and Sentimentality in Nineteenth-Century America, edited by Shirley Samuels (New York: Oxford University Press, 1992), and as "Vincoli corporei: le intersezioni retoriche di femminismo e abolizionismo" in Communit: revista di informazione culturale 193/194 (March 1992). Chapter 2 appeared as " 'To Stand Between': A Political Perspective on Whitman's Poetics of Merger and Embodiment" in ELH 56 (copyright 1989 by Johns Hopkins University Press).
Emily Dickinson's poetry is reprinted by permission of the publishers and Trustees of Amherst College from The Poems of Emily Dickinson, ed. Thomas H. Johnston (Cambridge, Mass: The Belknap Press of Harvard University), copyright 1951, 1955, 1979, 1983 by the President and Fellows of Harvard College. Poetry copyright 1929, 1935 by Martha Dickinson Bianchi; copyright renewed 1957, 1963 by Mary L. Hampson is reprinted by permission of Little, Brown and Company.
Page v
To Benigno
Page vii
Contents
Acknowledgments
ix
Introduction: Representing the Body Politic
1
1. Bodily Bonds: The Intersecting Rhetorics of Feminism and Abolition
14
2. To Stand Between: Walt Whitman's Poetics of Merger and Embodiment
50
3. Righting Slavery and Writing Sex: The Erotics of Narration in Harriet Jacobs's Incidents
83
4. At Home in the Body: The Internal Politics of Emily Dickinson's Poetry
105
Coda: Topsy-Turvy
133
Notes
143
Select Bibliography
175
Index
189

Page ix
Acknowledgments
The writing of this book has been buoyed and companioned by many people.
Marcie Frank, Alexandra Halasz, Elizabeth Hanson, and Joseph Harrison have read and argued with me since the earliest stages of this project. They have done more to shape the ways I think and write than I can ever thank them for.
In their own different ways Michle Barale, Brenda Bright, Rhonda Cobham-Sanders, Francis Couvares, Thomas Dumm, P. Gabrielle Foreman, Judith Frank, Allen Guttmann, Carolyn Karcher, Barry O'Connell, Andrew Parker, Shirley Samuels, Martha Sandweiss, Valerie Smith, and Sasha Torres have clarified my thinking and enlivened these pages. Their friendship and their companionship in teaching and writing have given me courage and great pleasure.
This book grew out of my doctoral dissertation, and I am grateful to my advisors. Sharon Cameron's luminous insights and demands for precision have made my arguments far stronger than they would have been without her. I owe her thanks for not indulging my frequent wish that this be good enough, and for the faith in and commitment to my work that helped make it better. Larzer Ziff's unfailing good humor, intellectual generosity, and lucid prose have been a source of inspiration and support. The patience and skill of Doris Kretschmer and Erika Bky of the University of California Press have made the final transformations easy.
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