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(Fictitious character) Batman - Batman and ethics

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Batman has been one of the worlds most beloved superheroes since his first appearance in issue #27 ofDetective Comicsin 1939. Clad in his dark cowl and cape, he has captured the imagination of thousands of fans with his acrobatic fighting skills, high-tech crimefighting gadgets, and swift but often violent brand of justice. But why has he enjoyed such long-lived popularity as a character? And why have his actions caused debate among fans and philosophers?
Based on four decades of comic book storylines,Batman and Ethicsexplores the concepts and contradictions of the ethical and moral code of the Dark Knight. From the logic behind his aversion to killing, to the implication of his use of torture, to the moral status of vigilantism in the pursuit of justice, Batmans ethical precepts are both compelling and deeply flawed.Starting with the character-defining work of Denny ONeil and Neal Adams in the early 1970s, through the revolutionary era of the reimagined superhero comic in the 1980s and 1990s, to the new directions in the modern works of Grant Morrison, Ed Brubaker, Scott McDaniel, and ending with the release of the New 52,Batman and Ethicsexplores the developments of Batmans most troubling ethical dilemmas. It is a thought-provoking and entertaining journey through four decades of Batmans struggles and triumphs - a perfect way for readers to approach the complex questions of ethics and moral philosophy through one of the most popular canons in comic book history.

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Table of Contents Guide Pages Batman and Ethics Mark D White This edition - photo 1
Table of Contents
Guide
Pages
Batman and Ethics

Mark D. White

This edition first published 2019 2019 John Wiley Sons Ltd All rights - photo 2

This edition first published 2019
2019 John Wiley & Sons Ltd

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by law. Advice on how to obtain permission to reuse material from this title is available at http://www.wiley.com/go/permissions.

The right of Mark D. White to be identified as the author of this work has been asserted in accordance with law.

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John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, USA
John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK

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For details of our global editorial offices, customer services, and more information about Wiley products visit us at www.wiley.com.

Wiley also publishes its books in a variety of electronic formats and by printondemand. Some content that appears in standard print versions of this book may not be available in other formats.

Limit of Liability/Disclaimer of Warranty
While the publisher and authors have used their best efforts in preparing this work, they make no representations or warranties with respect to the accuracy or completeness of the contents of this work and specifically disclaim all warranties, including without limitation any implied warranties of merchantability or fitness for a particular purpose. No warranty may be created or extended by sales representatives, written sales materials or promotional statements for this work. The fact that an organization, website, or product is referred to in this work as a citation and/or potential source of further information does not mean that the publisher and authors endorse the information or services the organization, website, or product may provide or recommendations it may make. This work is sold with the understanding that the publisher is not engaged in rendering professional services. The advice and strategies contained herein may not be suitable for your situation. You should consult with a specialist where appropriate. Further, readers should be aware that websites listed in this work may have changed or disappeared between when this work was written and when it is read. Neither the publisher nor authors shall be liable for any loss of profit or any other commercial damages, including but not limited to special, incidental, consequential, or other damages.

Library of Congress CataloginginPublication Data

Name: White, Mark D., 1971 author.
Title: Batman and ethics / Mark D. White.
Description: First edition. | Hoboken, NJ : WileyBlackwell, 2019. | Includes index. |
Identifiers: LCCN 2018052863 (print) | LCCN 2018052978 (ebook) | ISBN 9781119038047 (AdobePDF) | ISBN 9781119038030 (ePub) | ISBN 9781119038023 (paperback)
Subjects: LCSH: Batman (Fictitious character) | Comic books, strips, etc.Moral and ethical aspects. | BISAC: PHILOSOPHY / Eastern.
Classification: LCC PN6728.B36 (ebook) | LCC PN6728.B36 W5 2019 (print) | DDC 741.5/973dc23
LC record available at https://lccn.loc.gov/2018052863

Cover Design: Wiley
Cover Images: dovate/iStock.com, dwleindecker/iStock.com, panda3800/iStock.com, daboost/iStock.com

Acknowledgments

I wish to thank the people at Wiley Blackwell that saw this project through from formulation to completion: Liam Cooper, Deirdre Ilkson, Rachel Greenberg, Manish Luthra, and especially Marissa Koors, who helped me see what I was trying to say with this book the entire time. I also thank Louise Spencely for her expert copyediting, and three anonymous reviewers for helpful comments and criticism.

I thank E. Paul Zehr (Becoming Batman) and Travis Langley (Batman and Psychology), my bearded brothers in the bat, for support and feedback at a crucial point in this project, and William Irwin, Rob Arp, and all the contributors to Batman and Philosophy, which is really where the current book (and all my popular writing on superheroes) began. I thank Jeff Peters, formerly of Commuter Comics, for helping me find my Batman love again after many years away, and Steve Nemeckay at Amazing Heroes for sustaining it ever since. And as always, I thank my friends that help preserve my spirit while writing: William Irwin, Lauren Hale, Anita Leirfall, Carol Borden, and Heidi Page.

Of course, I wouldnt be writing this book if not for the creative genius of Bob Kane and Bill Finger, nor all the writers, artists, editors, actors, directors, and producers that have put their indelible and invaluable stamp on Batman and his world. I owe each and every one of them more than I can ever put into words, so to them I dedicate this book, full of the best words I could come up with.

Introduction

Youve decided to become a costumed crimefighter. Congratulations! Youve got your outfit, having made the critical decisions regarding colors, mask or cowl, and cape or no cape. Youve got your secret lair, your cool car (unless you can fly), and all the equipment you need to confront the criminal element and protect the innocent citizens of your fair city.

But wait thats just the easy part. What are you going to do now? Are you going to look for muggers and burglars, or tackle corruption in government and business? Are there already supervillains to fightor will they instead be inspired by you? How far are you willing to go in your crusade for justice? What degree of violence are you comfortable using? Will you break bones, put thugs in the hospitalor will you cross the line and end them once and for all?

The questions dont stop there. Who else will you enlist in your mission? Will you bring in a sidekick, maybe even a young boy or girl to watch your back and train to become a fullfledged hero someday? Will you cooperate with other masked crimefighters? What relationship will you cultivate with the local authorities? How far will you go to protect your secret identity? How will you balance your superhero life with your personal life, including your love life? Will you let your friends and family know what youre doing?

It turns out theres a lot more to being a costumed crimefighter than gearing up and jumping into the fray. As with many things in life, being able to do something is not the same thing as knowing what to do with it or the best way to do it. As a wise sage once said, with great power must come great responsibility: deciding what to do with your power is the hard part, and the answer you choose separates the superheroes from the truly dangerous (if not villainous).

Being a superhero, then, opens a green hornets nest of ethical conundrumsand if youre anything like me, you find those moral dilemmas just as interesting as the exciting, cataclysmic battles between good and evil. It turns out that stories about superheroes in comic books, TV shows, and movies are great ways to start discussions about ethics and morality. The difficult ethical spots that superheroes find themselves in may not always look like the ones you and I face, but they can be examined using the same basic schools of ethics that philosophers have developed over the last couple thousand years. Even better, they apply much more to our daytoday moral issues than you might think.

That also happens to be why I wrote this book. But why did I choose Batman as my companion along the way? There are several reasons, but the simplest one is that hes incredibly cool! And Im not alone in thinking that. Batman is one of the most popular and enduring superheroes all of time, appearing regularly in the comics since his introduction in 1939, becoming a TV star in the 1960s, and a movie star starting in the 1980s. He has appeared in many different forms, styles, and moods, yet there is an essential quality of Batmanness that persists through all of them and continues to fascinate us.

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