CONTENTS
The Blackwell Philosophy and Pop Culture Series
Series Editor: William Irwin
South Park and Philosophy Edited by Robert Arp Metallica and Philosophy Edited by William Irwin Family Guy and Philosophy Edited by J. Jeremy Wisnewski The Daily Show and Philosophy Edited by Jason Holt Lost and Philosophy Edited by Sharon Kaye 24 and Philosophy Edited by Jennifer Hart Weed, Richard Davis, and Ronald Weed Battlestar Galactica and Philosophy Edited by Jason T. Eberl The Office and Philosophy Edited by J. Jeremy Wisnewski Batman and Philosophy Edited by Mark D. White and Robert Arp House and Philosophy Edited by Henry Jacoby Watchmen and Philosophy Edited by Mark D. White X-Men and Philosophy Edited by Rebecca Housel and J. Jeremy Wisnewski Terminator and Philosophy Edited by Richard Brown and Kevin Decker Heroes and Philosophy Edited by David Kyle Johnson Twilight and Philosophy Edited by Rebecca Housel and J. Jeremy Wisnewski Final Fantasy and Philosophy Edited by Jason P. Blahuta and Michel S. Beaulieu Alice in Wonderland and Philosophy Edited by Richard Brian Davis Iron Man and Philosophy Edited by Mark D. White True Blood and Philosophy Edited by George Dunn and Rebecca Housel Mad Men and Philosophy Edited by James South and Rod Carveth 30 Rock and Philosophy Edited by J. Jeremy Wisnewski The Ultimate Harry Potter and Philosophy Edited by Gregory Bassham The Ultimate Lost and Philosophy Edited by Sharon Kaye Green Lantern and Philosophy Edited by Jane Dryden and Mark D. White The Girl with the Dragon Tattoo and Philosophy Edited by Eric Bronson Arrested Development and Philosophy Edited by Kristopher Phillips and J. Jeremy Wisnewski Inception and Philosophy Edited by David Kyle Johnson
Copyright 2012 by John Wiley and Sons. All rights reserved
Published by John Wiley & Sons, Inc., Hoboken, New Jersey
Published simultaneously in Canada
No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600, or on the web at www.copyright.com . Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, (201) 748-6011, fax (201) 748-6008, or online at http://www.wiley.com/go/permissions .
Limit of Liability/Disclaimer of Warranty: While the publisher and the author have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents of this book and specifically disclaim any implied warranties of merchantability or fitness for a particular purpose. No warranty may be created or extended by sales representatives or written sales materials. The advice and strategies contained herein may not be suitable for your situation. You should consult with a professional where appropriate. Neither the publisher nor the author shall be liable for any loss of profit or any other commercial damages, including but not limited to special, incidental, consequential, or other damages.
For general information about our other products and services, please contact our Customer Care Department within the United States at (800) 762-2974, outside the United States at (317) 572-3993 or fax (317) 572-4002.
Wiley also publishes its books in a variety of electronic formats and by print-on-demand. Some content that appears in standard print versions of this book may not be available in other formats. For more information about Wiley products, visit us at www.wiley.com .
Library of Congress Cataloging-in-Publication Data:
Inception and philosophy : because its never just a dream / edited by David Johnson.
p. cm. (The Blackwell philosophy and pop culture series)
Includes bibliographical references and index.
ISBN 978-1-118-07263-9 (pbk.); ISBN 978-1-118-16889-9 (ebk.); ISBN 978-1-118-16890-5 (ebk.); ISBN 978-1-118-16891-2 (ebk.)
1. Inception (Motion picture) I. Johnson, David (David Kyle)
PN1997.2.I62I57 2012
791.43684dc23
2011028933
For Zorro, who kept me company through the entire editing process. There will never be a dog better than you. May you always live on in my dreams.
ACKNOWLEDGMENTS
The Dream Team
The dream that is this book would not be possible without a great many people. It is a shared dream.
I wish to thank the contributing authors for their tireless efforts and philosophical architecture. Like Ariadne, they designed the dreamI just filled it with my subconscious. Hopefully, it didnt turn on them too severely.
My thanks also go to Connie Santisteban, at John Wiley and Sons, for her hard work and dedication. Like Arthur, she makes sure everything runs smoothly. This shared dream wasnt possible without her. Likewise, I would like to thank all the folks at Wiley who work behind the scenes to make this series possible. They are the Saito to my Cobb; their giant bankroll made this book possible. If only I could get them to buy me an airline.
Last, I wish to thank my good friend and colleague William Irwin, for his patience, incredible feedback, and dedication to the cause. Im very glad, my friend, that we have the shared dream of incepting the public with knowledge of philosophy.
THE EDITORS TOTEM
An Elegant Solution for Keeping Track of Reality
I know, I know. An editors note. Who cares, right? Wrong! Dont skip it. This is important stuff. If you care about understanding Inception , and this book, youll want to hear me out.
Editing this book wasnt easy. Inception is so ambiguous, I had to worry about whether the contributing authors interpreted, and thus would speak about, the movie in the same way. One problem, in particular, kept popping up around every corner like Cobol agents in Mombasa. How much of Inception is a dream? Is the end a dream? Is everything after Yusufs basement a dream? Could the whole movie be a dream? If I wasnt careful, the book could have ended up looking like it was about two or three different movies.
So I came up with an elegant solution for keeping track of reality. Throughout the book, the authors refer to the world in which the inception is plannedthe world in which Mal jumps from the window, where Cobb is on the run, meets Ariadne, and doesnt wear his wedding ring anymoreas the real world . The italics are importantthey indicate a title, not a description. By the use of the italicized phrase, the authors will not assume that the real world actually is the real world (notice, no italics that time). That way, when we need to ignore the issue, we can; and when the issue is important, we can concentrate on it.
Now, thats all you need to know to start reading the book. But if you want to know why we cant just assume that the real world of Inception actually is real, and you want to gain a much deeper understanding and appreciation of the movie, continue reading.
How much of Inception is a dream? Most people think the answer lies in an event just beyond our reach. Does the top fall at the end of the movie after the screen cuts to black? If it does, then Cobb is awake; if it doesnt, then Cobb is still dreaming. A careful examination of the film, however, shows us that this is not the case.
First of all, Cobbs totem is extremely unreliable as a dream detector. Arthur specifically points out, when telling Ariadne about totems, that they work only to tell you that you are not in someone elses dream. So even if the top falls, Cobb could still be in his own dream. Totems have this weakness because, if the dreamer knows how the totem behaves in reality, the dreamer could dream that it behaves that way; and obviously the owner of a totem knows how it behaves in reality. This is why you dont want anyone else to touch your totem. If anyone gets a hint of how it is supposed to behave, they could dream that it behaves that way, and then your totem couldnt tell you that you are not in their dream world.
Next page