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Lawrence Weinstein - Grammar for a Full Life: How the Ways We Shape a Sentence Can Limit or Enlarge Us

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Lawrence Weinstein Grammar for a Full Life: How the Ways We Shape a Sentence Can Limit or Enlarge Us
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Grammar for a Full Life

How the Ways We Shape a Sentence Can Limit or Enlarge Us

Lawrence Weinstein

Grammar for a Full Life How the Ways We Shape a Sentence Can Limit or Enlarge Us - image 3

Published by Lexigraphic Publishing, Cambridge, Massachusetts

Copyright 2020 Lawrence Weinstein, All rights reserved.

No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without the prior written permission of the Publisher. Requests to the Publisher for permission should be addressed to Permissions Department, Lexigraphic Publishing, 17 Gurney St. #2, Cambridge, MA 02138.

Limit of Liability/Disclaimer of Warranty: While the publisher and author have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents of this book and specifically disclaim any implied warranties of merchantability or fitness for a particular purpose. No warranty may be created or extended by sales representatives or written sales materials. The advice and strategies contained herein may not be suitable for your situation. You should consult with a professional where appropriate. Neither the publisher nor author shall be liable for any loss of profit or any other commercial damages, including but not limited to special, incidental, consequential, or other damages.

Cover Design: Ayman Alalao

Interior Design and Layout: Marie Stirk

Cover Illustration and Drawings: Juliana Duclos

Publishers Cataloging-In-Publication Data

(Prepared by The Donohue Group, Inc.)

Names: Weinstein, Larry, 1948- author.

Title: Grammar for a full life : how the ways we shape a sentence can limit or enlarge us / Lawrence Weinstein.

Description: Cambridge, MA : Lexigraphic Publishing, [2020] | Includes bibliographical references and index.

Identifiers: ISBN 9781734692709 (paperback) | ISBN 9781734692716 (ePub) | ISBN 9781734692723 (Kindle)

Subjects: LCSH: English languageGrammarPsychological aspects. | Expression (Philosophy)

Classification: LCC PE1398.P79 W45 2020 (print) | LCC PE1398.P79 (ebook) | DDC 425.9dc23

To tell how near a soul has come to being

fully realized, the sign is speech.

NACHMAN OF BRATZLAV

Table of Contents
Landmarks

To Dianes memory and the live Suzanne.

Introduction

The limits of my language mean the limits of my world.

LUDWIG WITTGENSTEIN

W hen my devoted wife, Diane Weinstein, was still livingand avidly contributing her input on the first version of this bookI had a cockeyed dream one night in which she played a crucial part.

In that dream, dinner guests of ours were going for their coats and readying to leave when Diane suddenly came out of the kitchen holding an oversized pot by two handles and chiding me, saying, You forgot to serve the alphabet soup.

At these words, I turned red, sensing the enormity of my omission. I dutifully corralled a few bewildered guests back to our dinner table.

Those few sat right down, picked up spoons, and stared for a moment at what lay in front of them: an engrossing mix of letters and punctuation marks circulating freely in their bowls. They used their spoons to have some wary sips of the dish.

Then, in no time whatsoever, two or three of them pronounced this soup good for a person, more life-giving than wed imagined, etcetera.

As soon as I woke from my dream, I knew that it was actually about this book. The dream had been a ploy by my unconscious to reassure me of the books potential worth to future readers.

The boost to my morale could not have been timed better. Id been getting skittish about going public with this work of mine, so dear to me. In a real sense, I felt tempted just to let it cool and be forgotten in our kitchenand Diane seemed to know that.

A grammar book for enhancing human spirit? As any skeptic worth his salt would say, give me a break. In the minds of a majority of people, that word grammar is about as vibrant with promise of a better life as the words dry pedantry.

How many readers could there be whod entertain the claim that someone can become a fuller person by such means as cutting back on exclamation marks?

Here then, briefly, is the story of how this collection of essaysthis alphabet soup of minecame into existence.

During my own early years of teaching writing, I, too, would have thought it laughable to pen a book suggesting that humanitys short list of practices for hastening personal growth be expanded beyond meditation, yoga, and the martial arts to include achieving more variety in sentence length. Like my colleagues at both Harvard University and Bentley University, I viewed grammar strictly in the light of its well-established basic function: clear communication. A randomly sequenced row of words like hand rake me you that would is gibberishwhereas the grammatical, punctuated sentence Would you hand me that rake? gets the job done.

That was grammars quite substantial gift to usbut its only gift, insofar as I could tell.

With times passage in the classroom, though, I took note of something curious: Each of my hundreds of students had a unique grammatical profile. In fact, the variation was striking.

One class member never used a question markor even just a hedging phrase or clausebut would use italics and intensifiers (like very , without doubt ) freely. Another stood out for inserting the occasional parenthesis or dash as a chatty, conversational touch. A third wrote sentences so long they gave one the impression that she simply couldnt bear to part with her wide-ranging trains of thought, while a fourth wrote timid sentences of fewer than a dozen words.

What is more, these students different grammar choices seemed to correspond to their diverse personalities, their distinct ways of understanding and dealing with life.

Then, I stumbled on the writings of linguist Benjamin Lee Whorf. Whorf was looking at the differences between whole languagessuch as between English as a whole and Hopi as a wholenot between my students types of English prose, but I began to wonder if his central insight about whole (that is, national or standard) languages applied to all those private languages, as well.

According to Whorf, any language will do more than enable its speakers to convey their thinking to each other: It will also somewhat mold their thinking. Whorf argued that, by making certain thoughts easier to express than others, a language helps determine what one thinks and feels in the first place. In English, for example, we have tenses that separate the present from the pastthat put the past behind us, in effect, implying it will never come againand most of us who think in English therefore try not to waste time; we move frenziedly. By comparison, the Hopi Indians Whorf studied, whose management of tense implied that every thing that ever happened still is, had less anxiety than most of us do and led more measured lives. A language, Whorf believed, can contribute either to neuroses (his term) or to more expansive, adaptive ways of thinking and being.

I asked myself, Could the same be said of each of the distinctive tongues I had been hearing within English? Could the variations from one English speaker to the next be linked to different ways of thinking and living, not all of which are equally likely to foster well-being? If so, that seemed to be worth knowing, since making some few tweaks to ones persistent set of grammar practices might, then, alter ones time spent on Earth in consequential ways.

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