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Edward Alexander Sugden - Emergent Worlds: Alternative States in Nineteenth-Century American Culture

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Edward Alexander Sugden Emergent Worlds: Alternative States in Nineteenth-Century American Culture
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Reimagines the American 19th century through a sweeping interdisciplinary engagement with oceans, genres, and timeEmergent Worlds re-locates nineteenth-century America from the land to the oceans and seas that surrounded it. Edward Sugden argues that these ocean spaces existed in a unique historical fold between the transformations that inaugurated the modern eracolonialism to nationalism, mercantilism to capitalism, slavery to freedom, and deferent subject to free citizen. As travellers, workers, and writers journeyed across the Pacific, Atlantic, and Caribbean Sea, they had to adapt their political expectations to the interstitial social realities that they saw before them while also feeling their very consciousness, particularly their perception of time, mutate. These four domainsoceanic geography, historical folds, emergent politics, and dissonant timesin turn, provided the conditions for the development of three previously unnamed genres of the 1850s: the Pacific elegy, the black counterfactual, and the immigrant gothic.In telling the history of these emergent worlds and their importance to the development of the literary cultures of the US Americas, Sugden proposes narratives that alter some of the most enduring myths of the field, including the westward spread of US imperialism, the redemptionist trajectory of black historiography, and the notion that the US Americas constituted a new world. Introducing a new generic vocabulary for describing the literature of the 1850s and crossing over oceans and languages, Emergent Worlds invokes an alternative nineteenth-century America that provides nothing less than a new way to read the era.

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Emergent Worlds America and the Long 19th Century General Editors David - photo 1

Emergent Worlds

America and the Long 19th Century

General Editors: David Kazanjian, Elizabeth McHenry, and Priscilla Wald

Black Frankenstein: The Making of an American Metaphor

Elizabeth Young

Neither Fugitive nor Free: Atlantic Slavery, Freedom Suits, and the Legal Culture of Travel

Edlie L. Wong

Shadowing the White Mans Burden: U.S. Imperialism and the Problem of the Color Line

Gretchen Murphy

Bodies of Reform: The Rhetoric of Character in Gilded Age America

James B. Salazar

Empires Proxy: American Literature and U.S. Imperialism in the Philippines

Meg Wesling

Sites Unseen: Architecture, Race, and American Literature

William A. Gleason

Racial Innocence: Performing American Childhood from Slavery to Civil Rights

Robin Bernstein

American Arabesque: Arabs and Islam in the Nineteenth-Century Imaginary

Jacob Rama Berman

Racial Indigestion: Eating Bodies in the Nineteenth Century

Kyla Wazana Tompkins

Idle Threats: Men and the Limits of Productivity in Nineteenth-Century America

Andrew Lyndon Knighton

Tomorrows Parties: Sex and the Untimely in Nineteenth-Century America

Peter M. Coviello

Bonds of Citizenship: Law and the Labors of Emancipation

Hoang Gia Phan

The Traumatic Colonel: The Founding Fathers, Slavery, and the Phantasmatic Aaron Burr

Michael J. Drexler and Ed White

Unsettled States: Nineteenth-Century American Literary Studies

Edited by Dana Luciano and Ivy G. Wilson

Sitting in Darkness: Mark Twains Asia and Comparative Racialization

Hsuan L. Hsu

Picture Freedom: Remaking Black Visuality in the Early Nineteenth Century

Jasmine Nichole Cobb

Stella

meric Bergeaud

Translated by Lesley Curtis and Christen Mucher

Racial Reconstruction: Black Inclusion, Chinese Exclusion, and the Fictions of Citizenship

Edlie L. Wong

Ethnology and Empire: Languages, Literature, and the Making of the North American Borderlands

Robert Lawrence Gunn

The Black Radical Tragic: Performance, Aesthetics, and the Unfinished Haitian Revolution

Jeremy Matthew Glick

Undisciplined: Science, Ethnography, and Personhood in the Americas, 18301940

Nihad M. Farooq

The Latino Nineteenth Century

Edited by Rodrigo Lazo and Jesse Alemn

Fugitive Science: Empiricism and Freedom in Early African American Culture

Britt Rusert

Before Chicano: Citizenship and the Making of Mexican American Manhood, 18481959

Alberto Varon

Emergent Worlds: Alternative States in Nineteenth-Century American Culture

Edward Sugden

Emergent Worlds
Alternative States in Nineteenth-Century American Culture

Edward Sugden

Picture 2

NEW YORK UNIVERSITY PRESS

New York

NEW YORK UNIVERSITY PRESS

New York

www.nyupress.org

2018 by New York University

All rights reserved

References to Internet websites (URLs) were accurate at the time of writing. Neither the author nor New York University Press is responsible for URLs that may have expired or changed since the manuscript was prepared.

Library of Congress Cataloging-in-Publication Data

Names: Sugden, Edward (Edward Alexander), 1986 author.

Title: Emergent worlds : alternative states in nineteenth-century American culture / Edward Sugden.

Description: New York : New York University Press, 2018. | Series: America and the long 19th century | Includes bibliographical references and index.

Identifiers: LCCN | ISBN 9781479899692 (cl : alk. paper) | ISBN 9781479889266 (pb : alk. paper)

Subjects: LCSH : American literature19th centuryHistory and criticism. | Social change in literature. | Literature and historyUnited States. | Melville, Herman, 18191891Political and social views. | AmericaHistory19th century. | Social changeHistory19th century. | Political cultureHistory19th century.

Classification: LCC PS217.S58 S84 2018 | DDC 810.9/003dc23

LC record available at https://lccn.loc.gov/2017060984

New York University Press books are printed on acid-free paper, and their binding materials are chosen for strength and durability. We strive to use environmentally responsible suppliers and materials to the greatest extent possible in publishing our books.

Manufactured in the United States of America

10 9 8 7 6 5 4 3 2 1

Also available as an ebook

Contents
Interstitial States in the Oceanic Nineteenth Century
The Brief Interlude

Call me Ishmael.

However, it is the second sentence, or at least the start of it, that has always drawn me in, in spite of it not receiving anywhere near like the same critical attention: Some years agonever mind how long preciselyhaving little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world (3). Some years agonever mind how long precisely... The phrase can pass one by as the paragraph establishes its ebbing, symphonic rhythm, with its references to classical history and subconscious instinct, but it nonetheless stands out to me. It has When placed against this larger context, there appears to be an awful lot at stake in Melvilles misdirection as he points us away from asking when it was that the voyage took place. On this basis, I suspected that these two clauses, although offhand, would grant us a gateway into a conceptual universe every bit as deep as the equally blandly equivocal opening sentence.

And so it proved: this sentence ultimately was the seed out of which this work grew, raising the issues of historical framing, geographical placement, elusive politics, time consciousness, and the roots of a series of alternative, internationalist genres that crystallized into a cogent organization in the 1850s with which it is concerned. It now appears to me that we can find in this sentence a concentrated, compacted gesture toward the definitional crisis that has engulfed the study of the US Americas, and, as a subset of this field, nineteenth-century American literature, insofar as such a thing exists, in the last fifteen years. It forces us to ask what the whens, wheres, whats, and whos of these fields of study are and the social relationship of the imagination to these same questions. But I am getting ahead of myself: let us return to the text and see what else it might tell us. Melville actually gives us the answer to how many years ago precisely it was that Ishmael went to sea reasonably soon after this sentence, before, indeed, the close of the first chapter. Yet the answer he gives is less important than the terms in which he frames it:

And, doubtless, my going on this whaling voyage, formed part of the grand programme of Providence that was drawn up a long time ago. It came in as a sort of brief interlude and solo between more extensive performances. I take it that this part of the bill must have run something like this:

  • Grand Contested Election for the Presidency of the United States.
  • WHALING VOYAGE BY ONE ISHMAEL .
  • BLOODY BATTLE IN AFFGHANISTAN . (7)

This framework would place Ishmaels adventure at some point in the late 1830s or early 1840sor, not without some significance, as we will see in the conclusion, sometime between 1999 and 2003. However, I am more interested inand indeed think that the novel is more interested inthe tantalizing phrase embedded there, the brief interlude that for him characterizes the relationship between Ishmaels voyage and history and, by extension,

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