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Marcos P. Dias - The Machinic City: Media, Performance and Participation

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Marcos P. Dias The Machinic City: Media, Performance and Participation
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Dias inspiring study makes clear that cities and machines are not always smart. His fascinating case studies show how performance art is perfectly placed to reveal the unpredictable, uncanny, powerful, playful and dysfunctional aspects of both. Drawing on perspectives ranging from philosophy and machine aesthetics to posthumanism and urban studies, Dias shines new light on our contemporary experience of the machinic city in bold and remarkable ways. Steve Dixon, Professor at LASALLE College of the Arts, Singapore, and author of Cybernetic-Existentialism and Digital Performance As human and machine agency become increasingly intermingled and digital media is overlaid onto the urban landscape, The machinic city argues that performance art can help us to understand contemporary urban living. Dias analyses several performance art interventions from artists such as Blast Theory, Rafael Lozano-Hemmer and Rimini Protokoll, which draw from a rich history of avant-garde art movements to create spaces for deliberation and reflection on urban life and to speculate on its future. While cities are increasingly controlled by autonomous processes mediated by technical machines, Dias analyses the performative potential of the aesthetic machine, as it assembles with media, capitalist, human and urban machines. The aesthetic machine of performance art in urban space is examined through its different components -- design, city and technology actants. This unveils the unpredictable nature and emerging potential of performance art as it unfolds in the machinic city, which consists of assemblages of efficient and not-so-efficient machines.

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The machinic city - photo 1

The machinic city

MATERIALISING THE DIGITAL Series editors Adam Fish and Hannah Knox - photo 2

MATERIALISING
THE DIGITAL

Series editors
Adam Fish and Hannah Knox

Materialising the Digital seeks to interrogate the infrastructures, relationships and imaginaries of digital technologies through situated, empirical analyses of the production, circulation and use of digital devices and systems.

Positioned at the intersection of media studies, STS, anthropology and sociology, the series provides original, critical and theoretically innovative understandings of the implications of digital technologies for contemporary social life. The series will provide a solid ground from which to engage and critique the persistence of utopian, functionalist and dystopic visions of technological futures.

Previously published

Ethnography for a data-saturated worldHannah Knox and Dawn Nafus (eds)

The machinic city

Media, performance and participation

Marcos P. Dias

M ANCHESTER U NIVERSITY P RESS

Copyright Marcos P. Dias 2021

The right of Marcos P. Dias to be identified as the author of this work has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988.

Published by Manchester University Press
Altrincham Street, Manchester M1 7JA

www.manchesteruniversitypress.co.uk

British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library

ISBN 978 1 5261 3578 0 hardback

First published 2021

The publisher has no responsibility for the persistence or accuracy of URLs for any external or third-party internet websites referred to in this book, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate.

Cover image: Still from In The Robot Skies(photo by Liam Young)

Cover design: Abbey Akanbi, Manchester University Press

Typeset by
Servis Filmsetting Ltd, Stockport, Cheshire

For my wife and daughters.

Contents

This book is the result of a long process of discovery, serendipity and enjoyment. It slowly took shape over a period of ten years during my studies, teaching and research in Ireland and Australia, and was informed by performance art projects across several countries. However, most importantly, it was influenced by many people along the way, to whom I am very grateful.

I would like to thank all the artists who supported my research and gave me permission to use their images in this book, including Blast Theory, Rimini Protokoll, Rafael Lozano-Hemmer, Dante or Die and Liam Young. I am particularly indebted to Blast Theory artists Matt Adams, Nick Tandavanitj and Ju Row Farr for facilitating my ethnographic research on A Machine To See Within Brighton by giving me access to their archives, production meetings, project testing and for arranging interviews with participants and collaborators.

I am very grateful to Scott McQuire and Nikos Papastergiadis, my supervisors during my PhD studies in the University of Melbourne, who provided me with expert advice, support and encouragement to publish my work. Thanks to all my colleagues from the School of Culture and Communication in the University of Melbourne and the Technology and Culture Reading Group (TCRG) for the conversations, ideas and guidance, including: Tom Apperley, Sean Cubitt, Michael Dieter, Robbie Fordyce, Anna Jackson, Rachael Kendrick, Dale Leorke, Camilla Mhring Reestorff, Bjrn Nansen, Romana Rosalie, Nate Tkacz and Luke van Ryn. The fun and informal weekly readings under the tree beside Tsubu bar informed this book in many ways.

Thanks to all my colleagues from Trinity College Dublin, Dundalk Institute of Technology and Maynooth University for their support, guidance and inspiration. My sincere gratitude to Marie Redmond, Glenn Strong and Feargal Fitzpatrick for giving me advice and assistance during the early phase of my academic career and to Linda Doyle for providing me with access to the facilities in the CTVR/the Telecommunications Research Centre in Dublin during my PhD studies. Thanks to Michiel de Lange, Jussi Parikka, Maria Pramaggiore and Stephanie Rains for their generous advice on book publishing at various stages of the process.

I would also like to thank my colleagues from Dublin City University, where I currently teach and research.

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