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Josh Berson - The Human Scaffold: How Not to Design Your Way Out of a Climate Crisis

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Josh Berson The Human Scaffold: How Not to Design Your Way Out of a Climate Crisis
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The Human Scaffold: How Not to Design Your Way Out of a Climate Crisis: summary, description and annotation

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Humanity has precipitated a planetary crisis of resource consumption--a crisis of stuff. Indeed, so accustomed are we to living with stuff, it has become difficult to imagine ways out of the environmental crisis that do not come down to substituting a new package of material artifacts (perhaps with a smaller carbon footprint) for those we have today. In The Human Scaffold, anthropologist and philosopher Josh Berson offers a new theory of adaptation to environmental change. Drawing on niche construction, evolutionary game theory, and the enactive view of cognition, Berson considers cases in the archaeology of adaptation in which technology in the conventional, that is, material, sense was virtually absent. Far from being isolated events, these cases exemplify a pervasive feature of human cultural evolution with implications for our own time. In a time when more and more of us are reconsidering our relationship to stuff, we need to ask what the environmental crisis demands of us not as consumers but as biological beings. The Human Scaffold offers a starting point--

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The Human Scaffold

The Human Scaffold How Not to Design Your Way Out of a Climate Crisis - image 1

The publisher and the University of California Press Foundation gratefully acknowledge the generous support of the Ralph and Shirley Shapiro Endowment Fund in Environmental Studies.

GREAT TRANSFORMATIONS

Craig Calhoun and Nils Gilman, Series Editors

1. Renovating Democracy: Governing in the Age of Globalization and Digital Capitalism, by Nathan Gardels and Nicolas Berggruen

2. The Human Scaffold: How Not to Design Your Way Out of a Climate Crisis,by Josh Berson

The Human Scaffold

HOW NOT TO DESIGN YOUR WAY OUT OF A CLIMATE CRISIS

Josh Berson

Picture 2

UNIVERSITY OF CALIFORNIA PRESS

University of California Press

Oakland, California

2021 by Josh Berson

Library of Congress Cataloging-in-Publication Data

Names: Berson, Josh, author.

Title: The human scaffold : how not to design your way out of a climate crisis / Josh Berson.

Other titles: Great transformations ; 2.

Description: Oakland, California : University of California Press, [2021] | Series: Great transformations ; 2 | Includes bibliographical references and index.

Identifiers: LCCN 2020037015 (print) | LCCN 2020037016 (ebook) | ISBN 9780520380486 (cloth) | ISBN 9780520380493 (paperback) | ISBN 9780520380509 (epub)

Subjects: LCSH: Climatic changesSocial aspects. | Climatic changesEffect of human beings on.

Classification: LCC QC903 .B477 2021 (print) | LCC QC903 (ebook) | DDC 304.2/5dc23

LC record available at https://lccn.loc.gov/2020037015

LC ebook record available at https://lccn.loc.gov/2020037016

Manufactured in the United States of America

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For Jessy

the only farms and roads that he can safely build will be tiny lumps and faint roads so absurdly small that even he, their designer, will have to believe that he sees them from across an enormous distance, and even wonders whether he should make his backyard the country of a people like the Aborigines or even some earlier race of people who made no marks at all on the grasslands or in the forests so that he can follow their journeys without plucking out a single weed or altering the lie of the least patch of dust.

Gerald Murnane, Tamarisk Row

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Preface

LIVING EPIPHYTICALLY

What do you do? Where do you live?

Common questions, questions, I imagine, most readers of this book have had cause to ask and answer, perhaps more often than they can recall. For me they pose a challenge. This book is, obliquely, about why I find it so difficult to say what I do and where I live. Partly for this reason, it has been remarkably difficult to write. This is not something I understood at the time. As I wrote the chapters that follow, I ascribed the distinctly effortful quality of my writing days to the cumulative fatigue of having written, depending on how you count, three, or four, or five books back-to-back, to an unfamiliar rhythm of professional responsibilities that obtruded into my working week, to the strain of writing and managing these new responsibilities while at the same time setting up a house in an unfamiliar cityLos Angelesafter ten years living outside the United States, and to my shockcommon, I discovered, among the newly returnedat how the country had changed in those years. These all played a role. But mainly, I have come to see, it was how the themes of this book touched a distinctly personal nerve that made writing it so difficult. Even now, this morning, writing what should be the easy part, I feel an awkwardness, I find myself straining to hear the music, as if from a neighboring room with a closed door between and a kettle coming to a boil at my elbowtestament, no doubt, to how awkward I find writing about myself.

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