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Deborah Sharp - Mama Sees Stars (A Mace Bauer Mystery)

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Mama Sees Stars A Mace Bauer Mystery 2011 by Deborah Sharp All rights - photo 1

Mama Sees Stars A Mace Bauer Mystery 2011 by Deborah Sharp All rights - photo 2

Mama Sees Stars A Mace Bauer Mystery 2011 by Deborah Sharp All rights - photo 3

Mama Sees Stars: A Mace Bauer Mystery 2011 by Deborah Sharp.

All rights reserved. No part of this book may be used or reproduced in any matter whatsoever, including Internet usage, without written permission from Midnight Ink, except in the form of brief quotations embodied in critical articles and reviews.

As the purchaser of this ebook, you are granted the non-exclusive, non-transferable right to access and read the text of this ebook on screen. The text may not be otherwise reproduced, transmitted, downloaded, or recorded on any other storage device in any form or by any means.

Any unauthorized usage of the text without express written permission of the publisher is a violation of the authors copyright and is illegal and punishable by law.

This is a work of fiction. Names, characters, places, and incidents are either the product of the authors imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.

First e-book edition 2011

E-book ISBN: 9780738730837

Book design and format by Donna Burch

Cover design by Lisa Novak

Cover illustration Doron Ben-Ami

Editing by Connie Hill

Midnight Ink is an imprint of Llewellyn Worldwide Ltd.

Midnight Ink does not participate in, endorse, or have any authority or responsibility concerning private business arrangements between our authors and the public.

Any Internet references contained in this work are current at publication time, but the publisher cannot guarantee that a specific reference will continue or be maintained. Please refer to the publishers website for links to current author websites.

Midnight Ink

Llewellyn Worldwide Ltd.

2143 Wooddale Drive

Woodbury, MN 55125

www.midnightink.com

Manufactured in the United States of America

Dedication

To my mother-in-law, Jeann Sanders, who not only
embraces my books, but also gave me a wonderful gift
a kind and caring man whose mama raised him right.

Acknowledgments

At a signing once, a reader surprised me with a blunt question: Why do you acknowledge all those people in your book? Youre the one who wrote it. Aside from the fact my mama taught me to always say thank you, its wrong to think an author does it all alone.

As always, I had help. The title, Mama Sees Stars , came from my brilliant cousin-in-law, Mark Prator. My friend and former newspaper editor, Karen Feldman McCracken, improved the manuscript, as shes done in the past. My fabulous agent, Whitney Lee, also gave it a polish, along with everything else she does. Im grateful to all of them.

Even before I wrote the book, several people assisted in researching the movie setting. Director Brian Carroll, shooting a small independent movie in Stuart, Florida, invited me to watch. Ashlee Webster clued me in on jargon and who does what. Bet she becomes more than an intern someday! I owe a special debt to movie-set Teamster Red Bedell for behind-the-scenes schooling about large-scale Hollywood productions. As a member of Local 769 in Miami, hes worked most of the big location shoots in Florida. Jeff Rollason also helped me. Any errors, or exaggerations about murderous movie folk, are mine, not theirs. Kim Loggins invited me to the Bergeron Rodeo Grounds for a closeup with cattle.

Im grateful to Terri Bischoff and the talented staff at Midnight Ink. Lisa Novak designs great covers; Connie Hills editing skills save me; and Courtney Colton spreads the word about my books.

Okeechobee, Florida, the real-life prototype for fictional Himmarshee, is always in my heart. So is the worlds greatest husband, Kerry Sanders, and the worlds greatest mama, Marion Sharp. Both are sources of unfailing love and inspiration.

Finally, Im indebted to those I named, to anyone I missed, and especially to YOU, for reading this book.

I waited out of camera range holding the bridle on a saddled horse Movie - photo 4

I waited out of camera range, holding the bridle on a saddled horse. Movie lights flooded the scene with brightness. The set was pin-drop quiet.

Action!

I let go of the bridle, slapped the horse on the rump, and stood back so the camera operator could capture the animal racing past. Just as the riderless horse entered a clearing, gathering speed to a gallop, a voice rang out into the silence.

My stars and garters! Somebodys let a horse get loose. Dont just stand there, Mace! Come help me catch him.

An orange blur dashed into the animals path, waving arms and yelling.

Cut! The assistant director put his fingers to his temples and massaged. I could tell him its not so easy to rub away this kind of headache.

A short bald man in a bright red shirt kicked over a chair on the sidelines. Security! The word exploded from his mouth. Would somebody grab that stupid hillbilly?

A muscled guy in a baseball cap started toward The Hillbilly, a.k.a. my mama. Cringing, I stepped forward. Shes with me.

The short man came closer and leveled a glare. And who the hell are you ?

Mace Bauer. I offered my hand. He looked at it like it was bathed, palm to pinky, in manure. Im the animal wrangler.

And I am not impressed. His leathery face scrunched like he smelled a load of hogs.

As I slipped my unshaken hand into the pocket of my jeans, Mama marched to my side. She smoothed her orange-sherbet pantsuit, fluffed her platinum hair, and straightened to her full four foot, eleven inches. The jerk in the red shirt may have had her by a few inches, but she had the Mama Glare, and it was set at stun.

Well, who the blue blazes are you ? All we know is youre a rude little man who has no idea how to talk to a lady. By the way, Floridas as flat as a frying pan, so I cant be a hillbilly, can I?

Whispers and a few snickers traveled around the set. His beady eyes met her glare. Im the boss here. The top dog. Let me put it in terms youll understand. If this movie set was a barbecue joint, Id own the building. Id own the chairs and tables. Id even own the pigs. And Id get to say who gets to sit down for dinner, and who doesnt.

Mama, brows knit, glanced at me. Is he saying I cant come to his rib joint?

I shrugged.

Well, I wouldnt want to go there anyway, she said. I can tell you itll never be as popular as the Pork Pit, which has been in Himmarshee forever. Not only do they have ribs to die for, they make the best peach cobbler, too. Besides, the folks at the Pork Pit know how to treat their customers. You certainly have a lot to learn about how to treat people

As Mama went on, I tried to imagine I was somewhere else. The assistant director massaged his head so hard, I thought hed rub the hair right off his temples. Meanwhile, the old guys face was getting purple. Jabbing his cigar, he looked mad enough to pick Mama up and toss her off the set himself.

Just then, a woman stepped up to him with a cell phone in one hand and a sandwich in the other. She whispered in his ear. He handed her his cigar, took the cell phone, and jammed half the sandwich in his mouth. Then he began shouting into the cell.

What kind of idiot do you think I am? Ill have your ass in the courtroom faster than you can say breach of contract

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