Cultural Mobility in the Interwar Avant-Garde Art Network
This book explores the issue of cultural mobility within the interwar network of the European avant-garde, focusing on selected writers, artists, architects, magazines and groups from Poland, Belgium and the Netherlands. Regardless of their apparent linguistic, cultural and geographical remoteness, their mutual exchange and relationships were both deep and broad, and of great importance for the wider development of interwar avant-garde literature, art and architecture. This analysis is based on a vast research corpus encompassing original, often previously overlooked periodicals, publications and correspondence gathered from archives around the world.
Micha Wenderski, PhD, is an architect, translator and scholar of modern Dutch literature specialising in the history of European interwar avant-garde. He currently works at Adam Mickiewicz University in Pozna, Poland.
Henryk Staewski, cover design for Grafika 4 from 1931 (detail; Ryszard Cichy Collection) and Theo van Doesburg, Compositie XX from 1920 (detail; Museo Nacional Thyssen-Bornemisza, Madrid)
Routledge Research in Art History
Routledge Research in Art History is our home for the latest scholarship in the field of art history. The series publishes research monographs and edited collections, covering areas including art history, theory, and visual culture. These high-level books focus on art and artists from around the world and from a multitude of time periods. By making these studies available to the worldwide academic community, the series aims to promote quality art history research.
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Cultural Mobility in the Interwar Avant-Garde Art Network
Poland, Belgium and the Netherlands
Micha Wenderski
For a full list of titles in this series, please visit https://www.routledge.com/RoutledgeResearch-in-Art-History/book-series/RRAH
Cultural Mobility in the Interwar Avant-Garde Art Network
Poland, Belgium and the Netherlands
Micha Wenderski
First published 2019
by Routledge
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and by Routledge
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Routledge is an imprint of the Taylor & Francis Group, an informa business
2019 Taylor & Francis
The right of Micha Wenderski to be identified as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
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Library of Congress Cataloging-in-Publication Data
Names: Wenderski, Micha, author.
Title: Cultural mobility in the interwar avant-garde art network : Poland, Belgium and the Netherlands/Micha Wenderski.
Description: New York : Routledge, 2018. | Series: Routledge research in art history | Includes bibliographical references and index.
Identifiers: LCCN 2018002567 | ISBN 9781138493544 (hardback) | ISBN 9781351027908 (ebook)
Subjects: LCSH: Arts, Polish20th century. | Arts, Belgian20th century. | Arts, Dutch20th century. | ArtistsSocial networksPolandHistory 20th century. | ArtistsSocial networksBelgiumHistory20th century. | ArtistsSocial networksNetherlandsHistory20th century.
Classification: LCC NX571.P6 W46 2018 | DDC 709.438/0904dc23
LC record available at https://lccn.loc.gov/2018002567
ISBN: 978-1-138-49354-4 (hbk)
ISBN: 978-1-351-02790-8 (ebk)
Typeset in Sabon
by Apex CoVantage, LLC
Contents
Guide
(between pages 108 and 109)
This book would not have come to fruition without the help and support of numerous individuals and institutions. First of all, I would like to express my gratitude to various organisations which awarded me scholarships and grants that enabled me to conduct the necessary research related to this study: a research project of the Polish National Science Centre (nr. 2014/13/N/HS2/02757), two grants from the Dutch Language Union, a scholarship from the Adam Mickiewicz University Foundation in Pozna. I would also like to thank the very helpful staff from numerous American, Belgian, Dutch, French, German and Polish institutions, who enabled me to gather the necessary archival material for this study.
The completion of this work would be impossible without the guidance and support from my doctoral supervisors Pawe Zajas and Przemysaw Stroek whose comments and input were of great value to this work. I would also like to thank Hubert van den Berg, Geert Buelens, Camiel Hamans and Jerzy Koch, who offered me their scientific guidance and help at various stages of this process. Moreover, I am particularly grateful to Cecilia Gallardo-Rioseco, Jan Willem Hoekstra, Krzysztof Koczorowski, Cyprian Kos cielniak, Robert de Louw, Dariusz Nowak, Celine Postma, Peter Schoenaerts, Wim Troch, Peter Van Kemseke and Joanna Wnuk for all their support.
- AA-SL Architecture Archive Sint-Lukasarchief in Brussels
- AMA Archieven voor Moderne Architectuur/Archives dArchitecture Moderne in Brussels
- AO-NI Archief J.J.P. Oud, Nieuwe Instituut in Rotterdam
- ARA Antykwariat Rara Avis in Cracow
- ATNvD Archive of Theo and Nelly van Doesburg, RKD Nederlands Instituut voor Kunstgeschiedenis in The Hague
- AvE-NI Archief Cornelis van Eesteren, Nieuwe Instituut in Rotterdam
- AWM Archief van de Werkgroep Mondriaan correspondentieproject, RKD Nederlands Instituut voor Kunstgeschiedenis in The Hague
- BCPW Biblioteka Cyfrowa Politechniki Warszawskiej
- BK Bibliothque Kandinsky, Centre de documentation et de recherche du Muse national dart moderne Centre de cration industrielle, Centre Pompidou in Paris
- BN Biblioteka Narodowa, Polona collection
- BPP Bibliothque Polonaise de Paris, archive of Jan Brzkowski
- CMU Centraal Museum in Utrecht, archive of Gerrit Rietveld
- DBNL Digitale Bibliotheek voor de Nederlandse Letteren
- EHC Erfgoedbibliotheek Hendrik Conscience in Antwerp
- FC Fondation Custodia in Paris
- FVB Fonds Victor Bourgeois, Archief voor Hedendaagse Kunst in Belgi/Archives dArt Contemporian en Belgique in Brussels
- GM Groninger Museum in Groningen
- GRI Getty Research Institute in Los Angeles