First published in Great Britain in 2018 by
Pen & Sword History
An imprint of
Pen & Sword Books Ltd
Yorkshire - Philadelphia
Copyright Louise Duckling, Sara Read, Felicity Roberts and Carolyn D. Williams, 2018
Hardback ISBN 978 1 52674 497 5
Paperback ISBN 978 1 52675 139 3
eISBN 978 1 52674 498 2
Mobi ISBN 9 78152 674 499 9
The right of Louise Duckling, Sara Read, Felicity Roberts and Carolyn D. Williams to be identified as Authors of this work has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988.
A CIP catalogue record for this book is available from the British Library.
All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical including photocopying, recording or by any information storage and retrieval system, without permission from the Publisher in writing.
Pen & Sword Books Ltd incorporates the Imprints of Pen & Sword Books Archaeology, Atlas, Aviation, Battleground, Discovery, Family History, History, Maritime, Military, Naval, Politics, Railways, Select, Transport, True Crime, Fiction, Frontline Books, Leo Cooper, Praetorian Press, Seaforth Publishing, Wharncliffe and White Owl.
For a complete list of Pen & Sword titles please contact
PEN & SWORD BOOKS LIMITED
47 Church Street, Barnsley, South Yorkshire, S70 2AS, England
E-mail:
Website: www.pen-and-sword.co.uk
or
PEN AND SWORD BOOKS
1950 Lawrence Rd, Havertown, PA 19083, USA
E-mail:
Website: www.penandswordbooks.com
List of Contributors
Louise Duckling is an independent scholar working on eighteenth-century women writers and their posthumous reputations. She has previously co-edited Woman to Woman: Female Negotiations in the Long Eighteenth Century , with Carolyn D. Williams and Angela Escott (University of Delaware Press, 2010).
Marion Durnin is an editor and author whose focus is the work of Anglo-Irish women writers. She edited a critical edition of Sketches of Irish Character by Mrs S. C. Hall (1800-1881) in the Chawton House Library Series (Pickering and Chatto, 2014) and contributed (with Jarlath Killeen) to Childrens Literature Collections: Approaches to Research (Palgrave, 2017).
Jennifer Evans is a Senior Lecturer in History at the University of Hertfordshire. Her first monograph, Aphrodisiacs, Fertility and Medicine , was published in 2014. She has published articles on the history of infertility and miscarriage. She is currently working on a project exploring mens sexual health in the seventeenth century. She has also co-authored a popular history book, Maladies and Medicine (Pen and Sword, 2017).
Tabitha Kenlon is an Assistant Professor of English at the American University in Dubai. Her work focuses on eighteenth-century English novels, plays, and conduct manuals, with a particular emphasis on women writers and characters. Her forthcoming book, Woman As She Should Be: A History of Conduct Books , will be published next year by Anthem Press.
Jacqueline Mulhallen is an actor, playwright, poet and author of The Theatre of Shelley (Openbooks, 2010) and Percy Bysshe Shelley: Poet and Revolutionary (Pluto Press, 2015). She contributed to the Oxford Handbook of the Georgian Theatre (2014). She is currently touring in her play Sylvia for Lynx Theatre and Poetry.
Marie Mulvey-Roberts is Professor of English Literature at the University of the West of England, Bristol. She is editor and co-founder of the quarterly journal Womens Writing . Her publications include Global Frankenstein (ed. with Carol Margaret Davison, 2018), Dangerous Bodies: Historicising the Gothic Corporeal (2016), winner of the Alan Lloyd Smith Memorial Prize, and Literary Bristol: Writers and the City (2015).
Yvonne Noble is a scholar in eighteenth-century studies and has published articles on John Gay and Anne Finch, Countess of Winchilsea. She has taught at the University of Pennsylvania and New York University and has been tenured at the University of Illinois in Urbana-Champaign. She is a founder member of the Womens Studies Group, 1558-1837.
Sarah Oliver is an independent scholar living in Exeter, UK. She worked as an Associate Lecturer with the Open University, and is now retired. Sarahs interests are eighteenth-century womens writing, particularly rape themes, Mary Hays and radical writers. She is currently co-writing a novel set in the eighteenth century.
Julie Peakman is a Fellow of the Royal Historical Society and Honorary Fellow at Birkbeck College, University of London. Her books include Amatory Pleasures: Explorations in Eighteenth-Century Sexual Culture (Bloomsbury, 2016); The Pleasures All Mine: A History of Perverse Sex (Reaktion, 2013), and Lascivious Bodies: A Sexual History of the Eighteenth Century (London, Atlantic Books, 2004). She is the author of Peg Plunkett: Memoirs of A Whore (Quercus, 2015), and contributor of numerous articles to various books and academic journals.
Peter Radford was Titular Professor at Glasgow University, and Professor of Sport Sciences at Brunel University. He has a particular interest in seventeenth and eighteenth-century sport and the sporting performances and physical capabilities of women in the long eighteenth century. As an athlete he set world records and won Olympic medals in the sprint events.
Sara Read is a Lecturer in English at Loughborough University. She specialises in literary and cultural representations of womens lives and reproductive health in the early modern era. Her publications include Menstruation and the Female Body in Early Modern England (Palgrave, 2013). She has produced two previous volumes for Pen and Sword: Maids, Wives, Widows (2015) and Maladies and Medicine (with Jennifer Evans, 2017).
Felicity Roberts is a member of the Womens Studies Group, 1558-1837, organising committee. She has a particular interest in the connections between natural history, literature, gender and material culture and has published on Mary Delanys botanical collages and manuscript novella.
Brianna E. Robertson-Kirkland is a Lecturer of Historical Musicology at the Royal Conservatoire of Scotland and is the music research associate for the AHRC-funded project The Collected Works of Allan Ramsay. She has a keen interest in eighteenth-century female musicians, and co-organised the Women and Education in the Long Eighteenth Century workshop, which inspired a special issue of Womens History: Journal of the Womens History Network (Spring, 2018).
Valerie Schutte is author of Mary I and the Art of Book Dedications: Royal Women, Power, and Persuasion (Palgrave, 2015). She has published several essays and has edited four collections on royal women, including The Birth of a Queen: Essays on the Quincentenary of Mary I (Palgrave, 2016), the Tudor dynasty, books, and Shakespeare.