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Chuck Sambuchino - Guide to Literary Agents 2017: The Most Trusted Guide to Getting Published

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Chuck Sambuchino Guide to Literary Agents 2017: The Most Trusted Guide to Getting Published
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The best resource available for finding a literary agent!
No matter what youre writingfiction or nonfiction, books for adults or childrenyou need a literary agent to get the best book deal possible from a traditional publisher. Guide to Literary Agents 2017 is your essential resource for finding that literary agent and getting a contract with one of the countrys top publishers. Along with listing information for more than 1,000 agents who represent writers and their books, this updated edition of GLA includes:

  • A one-year subscription to the literary agent content on WritersMarket.com.
  • The secrets of query-writing success: Learn 5 common mistakes that make an agent stop readingand how to avoid them.
  • New Agent Spotlights: Get targeted profiles of literary reps who are actively building their client lists right now.
  • Informative articles on writing a synopsis, pitching your work online, defining your genre, utilizing writing peers to better your craft, and much more.
  • Includes exclusive access to the webinar 10 Steps to Landing a Literary Agent by Marisa Corvisiero of Corvisiero Literary Agency.

    Chuck Sambuchino: author's other books


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    Contents
    Guide
    GUIDE TO LITERARY AGENTS 2017 26th ANNUAL EDITION Chuck Sambuchino Editor - photo 1
    GUIDE TO
    LITERARY
    AGENTS
    2017
    26th ANNUAL EDITION
    Chuck Sambuchino, Editor

    WritersDigest com Cincinnati Ohio CONTENTS FROM THE EDITOR PHOTO Al - photo 2

    WritersDigest. com
    Cincinnati, Ohio

    CONTENTS
    FROM THE EDITOR

    PHOTO Al Parrish A wonderful part of my job is helping writers answer their - photo 3

    PHOTO: Al Parrish

    A wonderful part of my job is helping writers answer their questions. And one of the most important questions any writer has regarding submissions is why an agent may stop considering their work. In other words: What makes an agent say no? What makes an agent stop reading? I sought answers to these questions in this edition of the Guide to Literary Agents with a new Agents Evaluate First Pages articlean incredible chance to read how four agents judge and analyze writers unpublished first manuscript pages in real time. I hope you find the article as informative and eye-opening as I did.

    Agents are still as hungry as ever for excellent manuscripts and book ideas, so if you want to find a helpful and enthusiastic advocate, youve come to the right place. Welcome to the 26th edition of GLA. As always, we have plenty of great instruction in these pages to help you get published: spotlights on new agents actively building their lists, query letter examples, synopsis writing tips, lists of writers conferences, and much more. Inside this resource is your future agent. Now start researching and find that perfect match.

    Please stay in touch with me through my blogwww.guidetoliteraryagents.com/blogor on Twitter (@chucksambuchino) and continue to pass along feedback and success stories. Until we next meet, good luck on your writing journey. (And dont forget to access your free webinar download at www.writersmarket.com/gla17-webinar.)

    Chuck Sambuchino Editor Guide to Literary AgentsChildrens Writers - photo 4

    Chuck Sambuchino

    Editor, Guide to Literary Agents/Childrens Writers & Illustrators Market

    Author, Get a Literary Agent (2015); Create Your Writer Platform (2012)

    GETTING STARTED
    HOW TO USE GUIDE TO LITERARY AGENTS

    Searching for a literary agent can be overwhelming, whether youve just finished your first book or you have several publishing credits on your rsum. More than likely, youre eager to start pursuing agents and anxious to see your name on the spine of a book. But before you go directly to the listings in this book, take time to familiarize yourself with the way agents work and how you should approach them. By doing so, you will be more prepared for your search and, ultimately save yourself effort and unnecessary grief.

    READ THE ARTICLES

    This book begins with feature articles organized into three sections: Getting Started, Contacting Agents, and Perspectives. These articles explain how to prepare for representation, offer strategies for contacting agents, and provide perspectives on the author/agent relationship. You may want to start by reading through each one and then refer back to relevant articles during each stage of your search.

    Because there are many ways to make that initial contact with an agent, weve also provided a section called. These personal accounts from agents and published authors offer information and inspiration for any writer hoping to find representation.

    DECIDE WHAT YOURE LOOKING FOR

    A literary agent will present your work directly to editors or producers. Its the agents job to get her clients work published or sold, and to negotiate a fair contract. In the Literary Agents section, we list each agents contact information and explain both what type of work the agency represents and how to submit your work for consideration.

    For face-to-face contact, many writers prefer to meet agents at Conferences. By doing so, writers can assess an agents personality, attend workshops, and have the chance to get more feedback on their work than they get by mailing submissions and waiting for a response. The Conferences section lists conferences agents and/or editors attend. In many cases, private consultations are available, and agents attend with the hope of finding new clients to represent.

    UTILIZE THE EXTRAS

    Aside from the articles and listings, this book offers a section of Resources. If you come across a term with which you arent familiar, check out the Resources section for a quick explanation. Also, note the gray tabs along the edge of each page. The tabs identify each section so they are easier to flip to as you conduct your search.

    Finallyand perhaps most importantlyare the Indexes in the back of the book. These can serve as an incredibly helpful way to start your search because they categorize the listings according to different criteria. For example, you can look for literary agents according to their specialties (fiction/nonfiction genres).

    LISTING POLICY AND COMPLAINT PROCEDURE

    Listings in Guide to Literary Agents are compiled from detailed questionnaires and information provided by agents. The industry is volatile, and agencies change frequently. We rely on our readers for information about their dealings with agents, as well as changes in policies or fees that differ from what has been reported to the editor of this book. Write to us (Guide to Literary Agents, F+W, 10151 Carver Road, Suite 200, Cincinnati, OH 45242) or e-mail us () if you have new information, questions, or problems dealing with the agencies listed.

    Listings are published free of charge and are not advertisements. Although the information is as accurate as possible, the listings are not endorsed or guaranteed by the editor or publisher of Guide to Literary Agents. If you feel you have not been treated fairly by an agent or representative listed in Guide to Literary Agents, we advise you to take the following steps:

    • First try to contact the agency. Sometimes one letter or e-mail can clear up the matter. Politely relate your concern.
    • Document all your correspondence with the agency. When you write to us with a complaint, provide the name of your manuscript, the date of your first contact with the agency, and the nature of your subsequent correspondence.
    • We will keep your letter on file and attempt to contact the agency. The number, frequency, and severity of complaints will be considered when we decide whether or not to delete an agencys listing from the next edition.
    • Guide to Literary Agents reserves the right to exclude any agency for any reason.
    FREQUENTLY ASKED QUESTIONS
    1. WHY DO YOU INCLUDE AGENTS WHO ARE NOT SEEKING NEW CLIENTS? Some agents ask that their listings indicate they are currently closed to new clients. We include them so writers know the agents exist and know not to contact them at this time.
    2. WHY ARE SOME AGENTS NOT LISTED? Some agents may not have responded to our requests for information. We have taken others out of the book after we received complaints about them.
    3. DO I NEED MORE THAN ONE AGENT IF I WRITE IN DIFFERENT GENRES? It depends. If you have written in one genre and want to switch to a new style of writing, ask your agent if she is willing to represent you in your new endeavor. Occasionally, an agent may feel she has no knowledge of a certain genre and will recommend an appropriate agent to her client. Regardless, you should always talk to your agent about any potential career move.
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