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Silvia Granata - The Victorian aquarium: Literary discussions on nature, culture, and science

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Silvia Granata The Victorian aquarium: Literary discussions on nature, culture, and science
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The Victorian aquarium explores the vogue for home tanks that spread through Great Britain around the middle of the nineteenth century. This book offers an example of how the study of a particular object can be used to address a broad spectrum of issues. The Victorian aquarium became in fact a point of intersection between scientific, technological and cultural trends; it engaged with issues of class, gender, nationality and inter-species relations; it drew together home dcor and ideals of domesticity, travel and tourism, exciting discoveries in marine biology and tensions between competing views of science; it also marked an important moment in the development of a burgeoning environmental awareness. Through the analysis of a wide range of sources, including aquarium manuals, articles and fictional works, The Victorian aquarium unearths the historical significance of nineteenth-century tanks, reconstructing their far-ranging cultural resonance.

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The Victorian aquarium
Series editors Anna Barton Andrew Smith Editorial board David Amigoni - photo 1
Series editors: Anna Barton , Andrew Smith
Editorial board: David Amigoni, Isobel Armstrong, Philip Holden, Jerome McGann, Joanne Wilkes, Julia M. Wright
Interventions :Rethinking the Nineteenth Century seeks to make a significant intervention into the critical narratives that dominate conventional and established understandings of nineteenth-century literature. Informed by the latest developments in criticism and theory the series provides a focus for how texts from the long nineteenth century, and more recent adaptations of them, revitalise our knowledge of and engagement with the period. It explores the radical possibilities offered by new methods, unexplored contexts and neglected authors and texts to re-map the literary-cultural landscape of the period and rigorously re-imagine its geographical and historical parameters. The series includes monographs, edited collections, and scholarly sourcebooks.
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The Victorian aquarium
Literary discussions on nature, culture, and science
Silvia Granata
Manchester University Press
Copyright Silvia Granata 2021
The right of Silvia Granata to be identified as the author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988.
Published by Manchester University Press
Altrincham Street, Manchester M1 7JA
www.manchesteruniversitypress.co.uk
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library
ISBN 978 1 5261 5196 4 hardback
First published 2021
The publisher has no responsibility for the persistence or accuracy of URLs for any external or third-party internet websites referred to in this book, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate.
Cover image: The ancient wrasse, in Philip Henry Gosse, The Aquarium: An Unveiling of the Wonders of the Deep Sea, second Edition, revised and enlarged (London: John Van Voorst, 1856) via Wikimedia Commons
Typeset by Newgen Publishing UK
Contents
Early drafts of this work have been presented at conferences and seminars in the United Kingdom, France, and Italy: Victorian Paraphernalia (Leeds Trinity University, 2015); Becoming Animal with the Victorians, SFEVE 2016 Conference (Universit Paris Diderot); Victorian Animal Encounters (University of Portsmouth, 2018), Underwater Worlds: Aquatic Visions in Art, Science and Literature (Oxford Research Centre in the Humanities, University of Oxford, 2015); Lo Spazio e il Tempo, Cantieri di Primavera (University of Pavia, 2018); Victorian Popular Genres and Travel, Translation and Communication (VPFA, Senate House, 2015 and 2016); these provided fruitful opportunities to discuss my research and allowed me to receive feedback and suggestions from organisers and other delegates.
This book has been long in the making, and I owe much to all the colleagues that read parts of my work, even in its early stages, offering helpful and encouraging comments: Meghan Freeman, Laurence Roussillon-Constanty, Sara Thornton, Helen Kingstone, Kate Lister, Will Abberley, and Mariaconcetta Costantini. My gratitude also goes to the series editors, Anna Barton and Andrew Smith, for believing in my project and for their patient assistance. Very special thanks to Lia Guerra for her indefatigable generosity, support, and advice.
This research was carried out in the framework of the project Dipartimenti di Eccellenza 20182022 (Ministry of University and Research).
I am grateful to the publishers for granting me permission to quote from Griffiths, Devin, The Age of Analogy: Science and Literature Between the Darwins, p. 11. 2016 Devin Griffiths. Reprinted with permission of Johns Hopkins University Press; from Fathoming the Ocean: the Discovery and Exploration of the Deep Sea by Helen M. Rozwadowski, Cambridge, Mass.: The Belknap Press of Harvard University Press, Copyright 2005 by the President and Fellows of Harvard College; and from Rebecca Stott, Darwins Barnacles: Mid-Century Victorian Natural History and the Marine Grotesque, in Roger Luckhurst and Josephine McDonagh (eds), Transactions and Encounters: Science and Culture in the Nineteenth Century (Manchester University Press, 2002).
For quotations from Natascha Adamowsky, The Mysterious Science of the Sea, 17751943 (Routledge, 2015), Melanie Keene, An Active Nature: Robert Hunt and the Genres of Science Writing, in Ben Marsden, Hazel Hutchison and Ralph OConnor (eds),
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