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Ann Blockley - Creativity Through Nature: Foraged, Recycled and Natural Mixed-Media Art

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Ann Blockley Creativity Through Nature: Foraged, Recycled and Natural Mixed-Media Art
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    Creativity Through Nature: Foraged, Recycled and Natural Mixed-Media Art
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Creativity Through Nature: Foraged, Recycled and Natural Mixed-Media Art: summary, description and annotation

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A passionate and purposeful book on finding real creativity through nature.

An essential book for our times and all artists at whatever level. In her most passionate and personal book to date, acclaimed watercolour artist Ann Blockley takes both budding and more experienced artists through a series of ideas for working with nature in its widest sense to nurture our creativity, inspire us, make us more sustainable artists, and replenish energy and flow when our artistic streams run dry.

In Go Outside and Play, the author exhorts artists to recapture a fun, no-pressure way of being outside and use that feeling when creating. In Connecting Materials to Place she creates her own paint from the local pond. In The Slow Movement, the artist reveals her year of working on a specific local hedgerow and painting a series of different interpretation in its every-changing detail. She created regular creative rituals, using her weekly playing card as a starting point for a new painting to reflect the season each week. She reuses old paintings, and tissue and paper wabi-sabi style to create new textures and even new paintings.

Including work from other artists as well as her own, she shows the ideas and work from textile and mixed-media artists. From allotment inspiration to reusing old painting and from nature prints to the alchemy of found materials, this is a journey to find new creativity through our connection with our natural world.

Ann Blockley: author's other books


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Contents
Guide
Foxgloves and Cow Parsley Watercolour Contents - photo 1
Foxgloves and Cow Parsley Watercolour Contents In the Pink Watercolour - photo 2
Foxgloves and Cow Parsley Watercolour Contents In the Pink Watercolour - photo 3

Foxgloves and Cow ParsleyWatercolour.

Contents
In the Pink Watercolour and ink collage Foreword We are increasingly - photo 4

In the PinkWatercolour and ink collage.

Foreword

We are increasingly disconnected from nature. We live on a planet that is under threat due to our own casual disregard for and disrespect towards it. We largely live in an urban, technology-based world, governed by rules and boundaries. Our need for economic progress drives us to want more of everything, to have our goods ready-made, convenient and fast. Art has become a commodity another interior-design trapping, an increasingly product-based activity and cog in the commercial rat race. Bombarded with imagery on the internet and social media, we have become stressed and bewildered by choice, competitive, hierarchal and in danger of losing sight of Art for arts sake. We share, compare and despair but are more isolated in this time of sophisticated communication than ever before. Is it any wonder that so many artists struggle to be creative when we live under such pressure, in such an unnatural way as we quickly destroy the environment and ecosystem, whose complexity and beauty we are a part of?

I am writing this at a defining moment in our time. I have not left the house for weeks and outside the Covid 19 pandemic is raging. It is scary. When the idea for this book was conceived, we had no concept of what lay ahead. I was concerned at the time about the crisis facing the health and future of our planet and the fact that, in most of the world, 21st-century living was beneficial neither to nature nor to nourishing a creative life. I wanted to comment on this with a view to how artists might reassess their contribution, values and priorities. Little did I know when I started, that many of the discussions I planned would become so painfully pertinent to the situation that has developed. I did not know that many people would be told not to leave their houses; only able to communicate to each other through technology. However, during this period, positive changes have emerged. Changes in how artists are connecting with and supporting each other. There are acts of kindness, giving and sharing. There is a rediscovery of the earth beneath our feet. We are finding beauty in the everyday, making do and mend, going back to living in more sustainable ways, being creative and valuing nature, family and friends above wealth and productivity. I do not know, as I write this, what the world will be like when this book is published. My hope is that by the time you read this, we will be back to a new normal but continuing to build on some of the lessons we started to relearn during this time.

July 2020

Blackberry Hedgerow Watercolour and ink using hedgerow materials for - photo 5

Blackberry HedgerowWatercolour and ink using hedgerow materials for mark-making.

Teasels and Rosehips Watercolour and inks using wild rose leaves for - photo 6

Teasels and RosehipsWatercolour and inks, using wild rose leaves for mark-making.

Introduction

This book explores whether an immersion in nature might help stimulate or re-engage artists in their creative process and help alleviate negative artists blocks. It also looks at a variety of more organic and possibly more sustainable practices and mediums. Nature is not simply a picturesque subject; it is wild, even uncomfortable, but also has the potential to rejuvenate and fill our senses with wonder and delight. Being connected with nature extends far beyond the visual, and the book is not only concerned with finding different ways to record nature but also how to be in a more natural way. It is not just about using watercolour; it is a holistic approach to encourage an art-making lifestyle that flows from a first-hand knowledge of the natural world, using mediums that are more friendly to that world. We will explore how drawing closer to our primal roots can be beneficial to ourselves, our art and our environment.

I want to delve into a darker, earthier kind of nature and establish more grounded connections with place. I have included many of my usual subjects such as hedgerows, landscapes and woodlands but, as the planet succumbs to increasingly frightening events, it felt appropriate to confront the very elements of nature too. We will adventure into the rituals, myths and magic that are becoming alien to us and invoke enchantment, a childish outlook or a beginners mind. Lets feel the dirt under our fingernails; go back in time to our foraging and gathering heritage. Let the guiding principle be to enjoy the process and intrinsic values of being creative within all areas of our lives, rather than concentrating on an end product. We will explore how we can create in alternative ways with a particular emphasis on found materials, reducing, reusing and recycling. Ephemeral and conceptual ways of working will also be looked at.

If we are mindful of what is happening in nature, it is likely to give back to us in immeasurable ways, nurturing our creativity, inspiring us and breathing back flow when our artistic stream runs dry.

Deep in the forest theres an unexpected clearing that can be reached only by someone who has lost his way.

Tomas Transtrmer

The story of a book unfolds

Quite recently, I thought I had reached the end of the road as an artist. I questioned whether I wanted to continue painting and was certain that I had written my final book. I felt that I had nothing left to say. But gradually, the bud of an idea formed and grew until my thinking blossomed. Some thoughts flourished while others withered, but once the main concept properly took root, within just two seasons my world had turned. I was excited to recognize being at the start of an adventure that was personally life-changing and realized that my ideas might resonate with other artists. This book is the fruit of my discoveries and my way of spreading these fertile seeds of thought about a different way to be an artist in the modern world. I have shared stories about how I have coped with and reacted to fears and situations that have affected my own creativity. I hope this personal chronicle will give you positive thoughts for moving forward with your own creative narrative. If the book is too autobiographical, I make no apologies. The only thing that I am truly an expert in is being myself and only by speaking from this personal position could there be strength and authenticity behind my words.

A few years ago, I had breast cancer. It is a common disease but it was a devastating time and I felt as though I was no longer me. I remember returning from hospital one desperate day and sitting under our magnolia tree. As I looked around our magical garden, I felt the warm sun on my back, heard the blackbird singing his tune and watched the flowers starting to unfurl. I remember thinking, Life goes on. Nature continues and as a part of nature so can I. I proceeded to hurl myself into a creative frenzy with my book

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