• Complain

Donald C. Farber - From Option to Opening: A Guide to Producing Plays Off-Broadway

Here you can read online Donald C. Farber - From Option to Opening: A Guide to Producing Plays Off-Broadway full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2005, publisher: Limelight, genre: Romance novel. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

Donald C. Farber From Option to Opening: A Guide to Producing Plays Off-Broadway
  • Book:
    From Option to Opening: A Guide to Producing Plays Off-Broadway
  • Author:
  • Publisher:
    Limelight
  • Genre:
  • Year:
    2005
  • Rating:
    5 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 100
    • 1
    • 2
    • 3
    • 4
    • 5

From Option to Opening: A Guide to Producing Plays Off-Broadway: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "From Option to Opening: A Guide to Producing Plays Off-Broadway" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

For the potential as well as the professional producer and for writers actors directors and investors this book is for anyone wanting or needing to understand the process of producing Off Broadway plays from start to finish. Written in crisp clear nonlegal language that the layman can easily understand every page reflects the experience and expertise of Farber a well-known and highly respected theatrical attorney. The book contains detailed information on how to: option a property raise money obtain a theater deal with the cast and other personnel the art of negotiation partnerships and co-production agreements and much more. Especially useful are the updated and expanded appendixes which include all new budgets and actual examples of todays commonly used legal forms and contracts.

Donald C. Farber: author's other books


Who wrote From Option to Opening: A Guide to Producing Plays Off-Broadway? Find out the surname, the name of the author of the book and a list of all author's works by series.

From Option to Opening: A Guide to Producing Plays Off-Broadway — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "From Option to Opening: A Guide to Producing Plays Off-Broadway" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make
Table of Contents Acknowledgments Now that its fifth-edition time the - photo 1
Table of Contents

Acknowledgments

Now that its fifth-edition time, the acknowledgments have changed from the writing of the first edition, when I wasnt that sure that any of us in the Off-Broadway arena knew what we were doing. We now know, or at least know what we dont know. What we dont know has been greatly diminished, and those of us lucky enough to have started way back when have created a body of Off-Broadway law that is used today pretty much as we developed itwith some changes, of course. So I have to acknowledge the contribution to my knowledge of the business that resulted from the work I did and continue to do.

I want to acknowledge and thank Peter A. Cross, of our firm, Jacob, Medinger & Finnegan, LLP, for his helpful cooperation and enormous support for our entertainment department. Thanks and appreciation to my always-ready-to-help secretary/assistant Lillian Gallardo, who somehow always managed to find that lost document on the disaster area that is my desk.

Toni Walker, in the firm, was a great help with some of the research on the fees, and especially with her so-careful reading of my drafts. I am appreciative of Roberto Martinez, Donald Culhane, Nigel Rafferty, and Jonathan Rafferty for their big help with my necessary copying and their always getting things delivered to the right place, as well as other chores I couldnt do that they did so easily.

I havent forgotten that Ralph Pine of Drama Book Specialists contributed to my starting to write books when he published the first edition of this, my first book. For his help I am and always will be appreciative.

Special thanks and appreciation go to my friend Jeffrey Chrzczon, president of Ideal Theatricals, Inc., and Jay Clark who works with him. Jeff contributed the current information on the union contracts and other fees covered by chapter 7. In addition to being a nice guy, Jeff is a very knowledgeable professional general manager/producer. He has managed a great number of Broadway musicals, but what is especially comforting is that he gives his Off-Broadway clients the same undivided attention and devotion, always conscious of the fact that Off-Broadway budgets are what they are. He really loves theatre, and this always helps one do a bang-up job.

Its a distinct pleasure to be working with the Amadeus Press/ Limelight Editions gang. Thanks to John Cerullo, the publisher, for his caring attention; to Carol Flannery, the editorial director, for her efficient help in making it all happen in good time; and to my copy editor, Joanna Dalin, for her much appreciated attention to detail. Carol should know that when I enumerated all the things that keep me more than busy, which ought to but dont for some reason overwhelm me, it was not a complaint but an expression of how fortunate I am to have the helpful assistance of the crew at Amadeus.

OTHER BOOKS BY DONALD C. FARBER

Producing on Broadway

Actors Guide:
What You Should Know About the Contracts You Sign

Producing, Financing and Distributing Film
(with co-author Paul A. Baumgarten)

Producing Theatre: A Comprehensive Legal and Business Guide

The Amazing Story of The Fantasticks: Americas
Longest-Running Play

Common Sense Negotiation: The Art of Winning Gracefully

Appendixes

Appendix A
Front-Money Letter

SAM BARON
123 Waverly Place
New York, NY 12345
February 1, 2005

Bob Brown
123 4th Street
Brooklyn, NY 12345

Dear Bob:

1. I have organized Gofer LLC, a Limited Liability Company (the Company) under the Laws of the State of New York to produce and present Off-Broadway in New York City a play entitled Gofer It! The Investor Members of the Company will share pro-rata in fifty percent (50%) of the Net Profits of the Company, and I as the Managing Member will receive fifty percent (50%) of such Net Profits.

2. You have advanced me the sum of $5,000 that will constitute front money. I shall have the right to use these funds immediately, but only in connection with the Play, for the following pre-production purposes: fees; advances; deposits or bonds made for the purpose of purchasing options on the play; engaging creative personnel; securing a theatre; retaining legal, accounting and other professional advisors; preparing offering documents; the costs of a workshop to be presented by me; or other purposes reasonably related to the business of the theatrical production company for which the front money was raised.

3. In consideration of the foregoing, when the Play is fully financed, you will be designated as an Investor Member thereof to the extent of the amount of front money so advanced by you, and you shall be entitled to such portion of the Investor Members share of the Net Profits of the Company as your investment bears to the Total Capital raised for the production of the Play. In addition, you shall be entitled to the same percentage of the Net Profits of the Limited Liability Company to be formed, payable from the Managing Members share of such Net Profits when and if received by me as Managing Member, and subject to all rights of refund, rebate, and return as are applicable to the Managing Members share under the Limited Liability Company Operating Agreement.

4. You understand that the front money advanced by you is high-risk capital, and if the Play is abandoned, at any stage, for any reason whatsoever, my only obligation will be to account to you for the funds spent and to return to you, and the other parties advancing front money, any unused balance of such funds, pro-rata and pari passu. At your request, I will furnish you with an accounting for all front money advanced to me, but not more than once every six months, and then only until such money has been fully expended or the Play abandoned and the provisions of this Paragraph 4 fully satisfied.

5. You hereby irrevocably authorize, nominate, and appoint me as your attorney-in-fact to effectuate your investment in the Company in accordance with the foregoing.

6. Your liability with respect to the Play shall be limited to the amount of front money advanced by you. I agree to indemnify you against any and all claims, liabilities, or expenses, including reasonable attorneys fees, arising out of any claim by third parties asserting that you are liable for any sum beyond such amount.

7. I will hold one (1) pair of adjoining house seats for you or your designee, for each and every performance of the Play. Such house seats shall be held until forty-eight (48) hours prior to the scheduled performance and shall be paid for at the regularly established box-office prices.

You acknowledge and agree that the theatre tickets made available hereunder cannot, except in accordance with the regulations promulgated by the Office of the Attorney General of the State of New York, be resold at premium or otherwise, and that complete and accurate records will be maintained by you, which may be inspected at reasonable times by a duly designated representative of the Producer and/or the Attorney General of the State of New York with respect to the disposition of tickets made available hereunder.

8. This letter, when countersigned by you, shall constitute a binding Agreement between us that shall be construed in accordance with the Laws of the State of New York. Our Agreement hereunder may not be modified orally.

9. Any dispute or controversy arising under, out of, or in connection with this Agreement or the making or validity thereof, its interpretation, or any breach thereof shall be determined and settled by arbitration by one arbitrator who shall be selected by mutual agreement of the parties hereto, in New York City, pursuant to the Rules of the American Arbitration Association. The arbitrator may award to the prevailing party reasonable attorneys fees, costs, and disbursements, including reimbursement for the cost of witnesses, travel, and subsistence during the arbitration hearings. Any award rendered shall be final and conclusive upon the parties, and a judgment thereon may be entered by the appropriate court of the forum having jurisdiction.

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «From Option to Opening: A Guide to Producing Plays Off-Broadway»

Look at similar books to From Option to Opening: A Guide to Producing Plays Off-Broadway. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «From Option to Opening: A Guide to Producing Plays Off-Broadway»

Discussion, reviews of the book From Option to Opening: A Guide to Producing Plays Off-Broadway and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.