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Richard Bramwell - UK Hip-Hop, Grime and the City: The Aesthetics and Ethics of Londons Rap Scenes

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Young people in London have contributed to the production of a distinctively British rap culture. This book moves beyond accounts of Hip-Hops marginality and shows, with an examination of the production, dissemination and use of rap in London, how this cultural form plays an important role in the everyday lives of young Londoners and the formation of identities. Through in-depth interviews with a range of leading and emerging rap artists, close analysis of rap music tracks, and over two years of ethnographic research of Londons UK Hip-Hop and Grime scenes, Bramwell examines how black and white urban youths use rap to come together to explore their creative abilities. By combining these methodological approaches in the development of a critical participant observation, the book reveals how the collaborative work of these urban youths produced these politically significant subcultures, through which they resist unfair and illegitimate policing practices and attempt to develop their economic autonomy in a city marred by immense social and economic inequalities.

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UK Hip-Hop Grime and the City Young people in London have contributed to the - photo 1
UK Hip-Hop, Grime and the City
Young people in London have contributed to the production of a distinctively British rap culture. This book moves beyond accounts of hip-hops marginality and shows, with an examination of the production, dissemination, and use of rap in London, how this cultural form plays an important role in the everyday lives of young Londoners and the formation of identities. Through in-depth interviews with a range of leading and emerging rap artists, close analysis of rap music tracks, and over two years of ethnographic research of Londons UK hip-hop and grime scenes, Bramwell examines how black and white urban youths use rap to come together to explore their creative abilities. By combining these methodological approaches in the development of a critical participant observation, the book reveals how the collaborative work of these urban youths produced these politically significant subcultures, through which they resist unfair and illegitimate policing practices and attempt to develop their economic autonomy in a city marred by immense social and economic inequalities.
Richard Bramwell is a Research Associate at the University of Cambridge.
Routledge Advances in Ethnography
Edited by Dick Hobbs, University of Essex, and Geoffrey Pearson, Goldsmiths College, University of London
Ethnography is a celebrated, if contested, research methodology that offers unprecedented access to peoples intimate lives, their often hidden social worlds, and the meanings they attach to these. The intensity of ethnographic fieldwork often makes considerable personal and emotional demands on the researcher, while the final product is a vivid human document with personal resonance impossible to recreate by the application of any other social science methodology. This series aims to highlight the best, most innovative ethnographic work available from both new and established scholars.
1Holding Your Square
Masculinities, Streetlife and Violence
Christopher W. Mullins
2Narratives of Neglect
Commonity, Regeneration and the Governance of Security
Jacqui Karn
3Families Shamed
The Consequences of Crime for Relatives of Serious Offenders
Rachel Condry
4Northern Soul
Music, Drugs and Subcultural Identity
Andrew Wilson
5Flashback
Drugs and Dealing in the Golden Age of the London Rave Scene
Jennifer R. Ward
6Dirty Dancing?
An Ethnography of Lap-Dancing
Rachela Colosi
7Crack Cocaine Users
High Society and Low Life in South London
Daniel Briggs
8Builders
Class, Gender and Ethnicity in the Construction Industry
Daniel Thiel
9City, Street and Citizen
The Measure of the Ordinary
Suzanne Hall
10Changing Lives, Changing Drug Journeys
Drug taking decisions from adolescence to adulthood
Lisa Williams
11Sport, Difference and Belonging
Conceptions of human variation in British sport
James Rosbrook-Thompson
12Boy Racer Culture
Youth, Masculinity and Deviance
Karen Lumsden
13Strong and Hard Women
An ethnography of female bodybuilding
Tanya Bunsell
14UK Hip-Hop, Grime and the City
The Aesthetics and Ethics of Londons Rap Scenes
Richard Bramwell
UK Hip-Hop, Grime and the City
The Aesthetics and Ethics of Londons Rap Scenes
Richard Bramwell
First published 2015 by Routledge 711 Third Avenue New York NY 10017 and by - photo 2
First published 2015
by Routledge
711 Third Avenue, New York, NY 10017
and by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
Routledge is an imprint of the Taylor & Francis Group, an informa business
2015 Richard Bramwell
The right of Richard Bramwell to be identified as author of this work has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
Library of Congress Cataloging-in-Publication Data
Bramwell, Richard, 1977
UK hip-hop, grime and the city : the aesthetics and ethics of Londons rap scenes / by Richard Bramwell.
pages cm. (Routledge advances in ethnography ; 14)
Includes bibliographical references and index.
1.Rap (Music)Social aspectsEnglandLondon.I.Title.
ML3918.R37B73 2015
782.42164909421dc232015002414
ISBN: 978-0-415-81238-2 (hbk)
ISBN: 978-0-203-06927-1 (ebk)
Typeset in Sabon
by Apex CoVantage, LLC
For Jane and Caius.
Contents
This book would not have been possible without the support of a number of people. I owe a special debt to Paul Gilroy for his generous advice and guidance during my doctoral studies through to the completion of this book. I would like to thank Fran Tonkiss and Dick Hobbs for their considered criticism as the fieldwork developed and Anne-Marie Fortier and Angela McRobbie for their advice on the publication of this research. Thanks to Jade Cummings and Dhanveer Singh Brar for reading early drafts of the book and providing valuable criticism. Thanks also to Antonia Dawes for her careful proof reading and feedback. Dhanveer Singh Brar, Omar El-Khairy, Shoshone Johnson, and Malcolm James enabled the ideas that provided the germs for this study to be cultivated within a spirit of friendship and critical exchange. Thanks also to Molly Crawford, Rosa Padfield, Jordan Channer, and Freya El Baz. I am grateful to Sukina and Muneera, both of Poetic Pilgrimage, and to Pariz 1 for participating in the research. Funding for this study was provided by the Arts and Humanities Research Council and the London School of Economics and Political Science.
Shout outs to Afrikan Boy, Dexplicit, Excalibah, JJ, Jeff, Klayze, Possessed, Reain, Seeker, Skirmish, Slik D, and Ty.
Witness (One Hope)
Words and Music by Rodney Smith
Copyright 2001 Chrysalis Music Ltd.
All rights administered by BMG Rights Management (US) LLC
All rights reserved. Used by permission
Reprinted by permission of Hal Leonard Corporation.
Sirens
Words & Music by Dylan Kwabena Mills & Nicholas Andrew Detnon
Copyright 2007 Hero Music Limited.
Universal Music Publishing Limited/Notting Hill Music (UK) Limited.
All rights for Hero Music Ltd. in the U.S. and Canada administered by UniversalSongs of Polygram International, Inc.
All rights for Notting Hill Music (UK) Ltd. in the U.S. and Canada administered by Notting Hill Music Inc.
All Rights Reserved. International Copyright Secured. Reprinted by permission of Hal Leonard Corporation, Music Sales Limited and Notting Hill Music Inc.
Cash In My Pocket
Words and Music by Mark Daniel Ronson, Richard Kyle Cowie and Daniel Paul Merriweather
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